SHRINES - Ta no Kami Legends

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. kami　神　Shinto deities .
. Yama no Kami 山の神 God of the Mountain .
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Ta no Kami, Ta-no-Kami 田の神 Tanokami, God of the Fields -
Introduction and Legends
paddy field Kami, god of the rice paddies, spirit of the rice field, Kami of the rice paddy

Ta no Kami, God of the Rice Fields is an important deity of the rice farming communities.
In Spring he comes down from the village mountain forest to the ta 田 rice fields to protect the harvest, hence the name Ta no Kami

In Autumn after the harvest, Ta no Kami goes back to the Satoyama mountain or forest behind the village to take a rest and collect strength for the next season..

Yama no Kami, God of the Mountain is the alter-ego of Ta no Kami after the harvest.
Yama here refers to the - - - . Satoyama 里山 "Village Mountain Forest" .



There are many stone monuments in his honor near the fields and at roadsides.
During festivals in his honor, the farmers hang paintings in their home or the local Shinto shrine to venerate this deity.

To understand Ta no Kami, it is important to know about the wet paddy culture of Japan.
The Japanese Emperor is embodying the god of the ripened rice plant.
. The Japanese Rice Culture .

The rice culture is related to divine animal messengers :
. Inari 稲荷 The Divine Fox Messenger .
- - - - - The deity venerated at Inari Shrines is Ukanomikami 宇迦之御魂神 / 倉稲魂神, the the spirit of rice.
. Ta no Kami and the ookami 狼 wolf connection .

Ta no Kami 土人形　clay bells and dolls
Ta no kami 掛け軸 scrolls and paintings

. Ta no Kami Matsuri 田の神祭 Tanokami festivals and rituals .

. Ta no Kami Mai 田神舞 / 田の神舞 神楽 Tanokami dance and Kagura dance .

keshoogami 化粧神 Kami with make-up

. Haiku and Kigo 俳句と季語 for Ta no Kami .

. Ta no Kami - Legends from Aichi to Yamanashi .

. Doosojin, Doososhin 道祖神 Wayside Gods .
They are usually represented as two stone figures, man and woman.

. Daikoku Ten 大黒天 the Deity Daikoku venerated as Ta no Kami .
He is portrayed holding a golden mallet, seated on bales of rice, with mice nearby (mice signify plentiful food).

. Ebisu Ten　恵比寿天 the Deity Ebisu venerated as Ta no Kami .

Ta no Kami is depicted holding phallic fertility symbols or a rice bowl and a
. shamoji しゃもじ / 杓文字 / shakuji 杓 ladle, rice paddle .
Shamoji are used to scoop rice out of the cooking pot. Also called "Rice Paddle", rice spoon, wood spatula, rice scoop.
meshige メシゲ in Kagoshima dialect.

. Ta no Kami - Reference, Books and Links - .




. Yama no Kami 山の神 God of the Mountain - Introduction .
a Deity with one eye

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- - - - - Terminology - other names of Ta no Kami - - - - -

i no kami 亥の神　Kami of the wild boar
. jigami, jishin, chigami, chijin 地神 Kami of the Earth / the Land .
. koosaku no kamisama 耕作の神様 Kosaku no Kami, Deity of Cultivation .
nōgami, nooshin 農神　Nogami, farming Kami Nogami
. Sakugami 作神　Kami of production 作神様 Sakugami Sama .
. Shanichi Sama, Shajitsu Sama 社日様 "Shrine Day Kami" .
sanbai sama 三拝様 local Kami from the Setonaikai region
sojin 祖神　ancestral Kami
ta no kansaa 田の神さぁ　Ta no Kansa, Kagoshima
tsukurigami 作り神　Kami of making / see 作神 Sakugami
ushigami 牛神　Kami of cattle


- - - - - Another important deity for the fertility of the rice paddies is
. Mizu no Kamisama 水の神様 God of Water / 水神 Suijin .

- - - - - A personal deity for each villager
. ujigami 氏神 / ikke ujigami 一家氏神 .

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. Sai no kami, Sae no Kami 幸の神 Kami of Good Fortune . *

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- - - - - Ta no Kami - Introduction - - - - -

- quote -
Tanokami "Kami of the rice paddy,"
a tutelary of rice production. The general term ta no kami can be found nationwide, but regional variations exist in the specific names used to refer to the kami. Some include nōgami (farming kami) in the northeast, sakugami (kami of production) in Yamanashi and Nagano, and tsukurigami (kami of making) in the Kinki area. People in the Izumo region use the term i no kami (kami of the wild boar), while the term jigami (land kami) is used in the Inland Sea region, and ushigami (kami of cattle) in Kyushu.



The rice paddy kami has also undergone synthesis with Ebisu in eastern Japan, and with Daikoku in the west, leading to different cults from those of fishing and commerce normally associated with these two deities.

Festivals celebrating the kami of the rice paddy are ordinarily distributed between spring and autumn in accordance with the various stages of the agricultural process, but they are especially noteworthy around the time of spring rice transplanting, while additional rituals may be held at harvest. Examples of the former include observances called saori (greeting the rice-field kami) and sanaburi (or sanoburi, "sending off the rice-field kami"), while the latter include i no ko ("child of the boar") and tōkan'ya ("tenth night").
The cycle of spring and autumn festivals celebrating the rice paddy kami are seen nationwide, and appear to be linked to legendary concepts of identity between the rice paddy kami and the mountain kami (yama no kami) in those two seasons. Namely, in spring it is believed that the mountain kami descends from the mountain to the village, becoming the kami of the rice paddy, and in fall, the rice paddy kami leaves the field and returns to the mountain, where it becomes the mountain kami.
Certain differences exist in some regions, however. In the ritual called aenokoto of the Noto area, for example, the same kami circulates between rice paddy and the home, while in other examples, the deity is believed to remain in the field as a "guardian watch." The tradition of the "watch" kami is related to the legend that all the kami throughout Japan gather at the Izumo Shrine in the tenth lunar month (called kannazuki, or "month without kami"), while the "watch" kami alone remains behind to keep guard.

Since the time of folklorist Yanagita Kunio, the theory that the rice paddy god is actually an ancestral kami (sojin) has gained wide acceptance.
- source : Kokugakuin - Iwai Hiroshi -


This deity with one eye and one leg comes to the fields to protect them before the harvest, now in the form of a kakashi, with one leg and one eye.
Even the modern yellow plastic balloons with one black ring, which hang in the fields, are a modern version of this deity with one eye.



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- quote -
Tano Kami (田の神)
is a kami who is believed to observe the harvest of rice plants or to bring a good harvest, by Japanese farmers. Ta in Japanese means "rice fields". Tano Kami is also called Noshin (kami of agriculture) or kami of peasants. Tano Kami shares the kami of corn, the kami of water and the kami of defense,　especially the kami of agriculture associated with mountain faith and veneration of the dead (faith in the sorei). Tano Kami in Kagoshima Prefecture and parts of Miyazaki Prefecture is unique; farmers pray before Tano Kami stone statues in their communities.
- Agricultural kami
In Japan, there are agricultural deities or kami. In the Japanese documents, Nihon Shoki and Kojiki, there were kami of rice plants, Ukano Mitama, Toyouke Bimeno Kami, and kami of corns, Ootoshino Kami. （Of them, Toyouke Bimeno Kami was written also in Engishiki, and is considered to be a female kami.
Generally speaking, in the Tohoku area of Japan, agriculture-related kami is Nogami (agriculture kami), in the Koshin area, it is Sakugami, in the Kinki area, it is Tsukurigami, in the Tajima and Inaba areas, it is kami of i 亥 (inoshishi, wild boar), (On the day of i, the fields are struck; which is considered to give peace on the harvest ground). In the Chugoku and Shikoku areas, it is Sanbai Sama, in Setonaikai, it is the local kami. ...
- - - More in the WIKIPEDIA !


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Clay bell of Ta no Kami

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- quote -
... in a park in Ikebukuro in downtown Tokyo ...
This particular Suitengu is just a small local shrine in front of which stand four very unusual stone statues. Seen from the front, these stones depict stolid standing monks with grinning, almost mischievous faces. In their hands, they hold small bowls topped with steamed rice, and shamoji paddle-shaped rice ladles. Although the local people treat these stones as Dosojin guardians, they are actually Ta no Kami, rice paddy spirits that have somehow arrived here from southern Kyushu region.



The Ta no Kami cult is widespread throughout the country, and is at the heart of Japanese rural folk cosmology. The Japanese imbue rice with a sacred reverence and deep cultural significance that completely transcends the plant's nutritional and economic value as a food grain. It was rice, first brought here from the Korean Peninsula nearly 3,000 years ago, that transformed Japan from a land of scattered hunter-gatherers to a great nation. Gohan, the basic word for cooked rice, is also a general term for food or a meal. Even today, the Japanese people, despite their insatiable appetite for bread and noodles, still think of themselves as rice eaters.

In most regions, the Ta no Kami are represented abstractly, with tree branches decorated with strips of paper, sometimes stuck into mounds of sand. In a restricted area of southern Kyushu, however, there is a tradition, dating back to at least the early 18th century, of carving unique stone representations, locally called Ta no Kansa. This tradition centers in Kagoshima Prefecture but includes a small portion of neighboring Miyazaki Prefecture as well.
- snip -
Yama no Kami reside in hills and forests all over Japan.
They can be thought of as basic animistic spirits mingled with the departed souls of the local ancestors, which are believed to eventually rise into the mountains. In many regions, these basic protective spirits inhabit the mountains during the winter months, but come spring they move down into the rice paddies, turning into the Ta no Kami and watching over the precious crop until the autumn harvest is over, after which they return to the forested slopes. In Kyushu, the Ta no Kansa stones are placed on the dikes that surround and separate the paddies, and the villagers hold colorful festivals to welcome and petition the Ta no Kami in spring, and to see them off with great thanks in autumn.
- source : Green Shinto 2012 -


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- quote -
Ta-no-kami: Water God of the rice paddy
Ta-no-kami: "Kami of the rice paddy," a tutelary of rice production.
The general term ta no kami can be found nationwide. While the ta-no-kami has undergone synthesis and conflated with other folk beliefs and deities from other lineages, such as Daikoku and the Lord of the Mountain (Yama no Kami) and is now thought of as a male mountain spirit, it is plausible that the early Ta no kami was originally a female water goddess, given that such a goddess was venerated throughout Eurasia, and much of Central and Southeast Asia and given that the sound of "Ta" is similar to the "Da" shortened Indian form of the Danu / Dana / Dhanya goddess.
The Ta no kami
is depicted usually as an abstract deity or holding phallic symbols ...

- Continue reading in the :
. Darumapedia Library .

- source : japanesemythology.wordpress.com/ta-no-kami-god-of-the-rice-paddy -

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. Daikoku Ten 大黒天 .

A statue of Daikoku with Ta no Kami from Kagoshima in his back !


source : twitter.com/ikkaisai/status/

At 浜松市, 北区の光明寺 Komyo-Ji in Hamamatsu.

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- Reference : 田の神
- Reference : ta no kami japan


. Shrine, Shinto Shrine (jinja　神社) - Introduction .

. kami　神　Shinto deities - ABC-LIST - .


. . . . . fukidawara 蕗俵（ふきだわら）"butterbur barrels" as an offering to the God of the Fields

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. Yama no Kami, Yama-no-Kami 山の神 God of the Mountain .

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- #tanokami #yamanokami -
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Posted By Gabi Greve to Japan - Shrines and Temples on 8/20/2017 11:09:00 am

SHRINES - Yama no Kami Legends

[ . BACK to DARUMA　MUSEUM　TOP . ]
. kami　神　Shinto deities .
. Ta no Kami 田の神 Tanokami, Kami of the Fields - Introduction .
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Yama no Kami, Yama-no-Kami 山の神 God of the Mountain
Introduction and Legends

Yama no Kami is an important deity of the rice farming communities and comes in many colors in rural Japan.
Yama here refers to the
. Satoyama 里山 "Village Mountain Forest" .
In Spring he comes down to the rice fields to protect the harvest, then called
Ta no Kami 田の神 God of the Fields
paddy field kami, god of the rice paddies, spirit of the rice field
Ta no Kami is the busier part of this two-fold deity.

In Autumn after the harvest, Ta no Kami goes back to the Satoyama mountain or forest behind the village to take a rest and collect strength for the next season.
There are many stone monuments in his honour near the fields and at roadsides.
During festivals in his honor, people hang paintings in their home or the local Shinto shrine to venerate this deity.
Some Yama no Kami have even taken on rather individual features of a local hero.




(2) yama no kami - A god of the mountains who is worshiped by hunters, charcoal-burners, and woodcutters.
The deity enshrined is Ôyamatsumi no mikoto or Konohanasakuyahime. There are various traditions connected with the worship of this yama no kami, but the practice of offering an ocean fish called okoze is particularly widespread.
This deity is thought to differ from the yama no kami of farming communities described above.
source : kokugakuin

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- - - - - Table of Contents - - - - -

. Ta no Kami, Ta-no-Kami 田の神 Tanokami, God of the Fields - Introduction .

. - Yama no Kami 山の神 - Introduction - . (this page)
. - Yama no Kami and Fudo Myo-O . (this page)
. - Yama no Kami and Kappa .
. - Yama no Kami and Oni . (this page)
. - Yama no Kami and Tengu .
. - Individual Mountain Peak Deities .
. - Regional Legends - From Aichi to Yamanashi .
. - Haiku and Kigo 俳句と季語 for Yama no Kami .
.......... yama no kami matsuri 山の神祭 Festival of Yama no Kami
. Yama no Kami - various news items .

- . Ta no Kami, Yama no Kami - Reference, Books and Links .

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- - - - - Yama no Kami - Introduction - - - - -

- quote -
Yamanokami - "Kami of the mountain."
While the term yama no kami is a general expression referring to any kami dwelling in a mountain, a number of differences exist between low-land agriculturalists and mountain folk (people who make their living from various forestry or mountain-related occupations) in the character of their yama no kami and respective ways of worshiping such kami. While the expression yama no kami is found throughout Japan, other locale-specific terms also exist, including sanjin, jūniyamakami, osatosama, and sagamisama.

Agriculturalists in many parts of Japan share the belief that the yama no kami and ta no kami (rice field kami) share a dual identity, traveling between mountain and village in spring and fall. In the spring, the yama no kami descends from the mountain and enters the rice field, where it becomes the ta no kami which looks over the growth of grain. Following the fall harvest, the ta no kami leaves the rice paddy and returns to the mountain, where it becomes the yama no kami until the next spring. This phenomenon indicates that the kami involved is conceived of as a single entity sharing both characterstics of yama no kami and ta no kami, and leading to a widely accepted theory that the kami's original identity was that of an ancestral spirit.

For Japanese farmers, the yama no kami represents a tutelary of agriculture responsible for bringing the water that is most crucial to rice farming. In contrast, the mountain peoples who make their livings by hunting, charcoal burning and forestry generally consider the yama no kami a tutelary of the mountain, but they do not share agriculturalists' belief that the yama no kami and ta no kami alternate between mountain and rice paddy. While some agriculturalists believe that the yama no kami is female, mountain peoples extend the concept by saying that the yama no kami bears twelve children each year, thus representing a kami with strong reproductive capabilities, and in some areas leading to an identification with the ubugami, a tutelary of infants and childbirth (see also ubusunagami). Further, woodturners (latheusing woodworkers called kijishi or rokuroshi), consider the yama no kami to be a married pair, and thus enshrine paired male and female images of the kami.

Mountain people's practices regarding the yama no kami tend to involve strict taboos or imi, for example, prohibitions against entering the mountain on the day of the kami's festival: since the kami counts the mountain's trees on that day; it is said that anyone cutting down a tree that day will be pinned under it and die. The yama no kami is also sometimes said to dislike women, or to be adverse to the pollutions of childbirth and menstruation. Some say that the yama no kami is an ugly hag, with the result that rituals are performed to flatter the kami by offering her items thought to be even uglier, in hopes she will respond by granting worshipers blessings from the mountains. This belief was thus linked to the practice of offering stonefish to the kami of the mountain.
- source : Kokugakuin, Iwai Hiroshi -


. ubusunagami, chinjugami, ubugami 産神 "deity of birth" .
and deities of personal worship

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Yama no Kami　山の神 has only one eye
Amanomahitotsu no kami　天目一箇神 / Amatsumara 天津麻羅
- "the one-eyed kami of heaven"


source :　google.co.jp

- quote -
Amatsumara 天津麻羅
Other names: Amenomahitotsu no kami (Kogo shūi)
A kami of ironworking (kajishin).
Kojiki states that as the blacksmith of the Plain of High Heaven, Amatsumara was called upon to refine the iron used for making mirrors, using the "hard rocks of heaven" and the "metal mountain of heaven" located above the "Tranquil River of Heaven" (Amenoyasukawa). Together with Ishikoridome, he was said to have assisted in the making of the mirror used to lure Amaterasu from her hiding place in the rock cave of heaven. The name Amatsumara means ma-ura ("eye divination"), which some believe means "one-eyed," a reference to an occupational hazard of blacksmiths.
..... Mori Mizue, 2005, Kokugakuin

This deity is also called
noogami 農神 / ノウガミ様 No-gami - obosuna sama オボスナ様 / おぼすな様 Obosuna, Ubusuna deity
deity for agriculture, especially the rice fields and sake rituals.





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楠元の山の神 Kusumoto no Ta no Kami



This stone statue was made in 1712.
- with more photos of Ta no Kami from Aira, Kagoshima
触田(ふれた)の田の神 / 福岡家の田の神 / 西田の田の神 / 日木山里の田の神
木津志の田の神 / 木津志堂崎の田の神
- reference source : city.aira.lg.jp/bunkazai/kanko... -


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. Legends and Tales from Japan　伝説 - Introduction .

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- - - - - Yama no Kami and Fudo Myo-O - - - - -

. 不動明王 Fudo Myo-O - Introduction .

.......................................................................　Miyagi 宮城県 .....
刈田郡 Katta district 七ヶ宿町 Shichikashuku

Once upon a time
a master carpenter from Hida wanted to build 不動堂 a hall for Fudo Myo-O in one night. It was summer and the nights were quite short, so he could not finish his work. Therefore he threw away all the wood he had prepared and left the village. They all became different rocks along the left side of the river 白石川 Shiroishigawa, now called
柱岩、桁岩、染岩、ヌキ岩、角柱岩、敷板岩、萱岩.
To our day, the Yama no Kami takes pity on things here and if there is a flooding of the river, he stops it at the border of the village.

. Hida no Takumi 飛騨の匠 expert carpenter from Hida .


.......................................................................　Tokyo 東京都 .....
西多摩郡 Nishitama district 桧原村 Hinohara village

When one becomes a true servant of the Kami, one is able to see its various features:
The Kami of 和田の山 Mount Wada is seen as 蛇 a serpent.
The Kami of 大沢の山 Mount Ozawa is seen as 小さい蛇 a small serpent.
The Kami of another mountain was seen as a pregnant woman.
The roadside Kami at the village border is seen as 火の神 a God of Fire.
Obusu-sama オズスナ様(産土神), the deity of birth is seen as Fudo Myo-O.

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- - - - - Yama no Kami and 鬼 Oni Demons - - - - -

. Onipedia - 鬼ペディア　- Oni Demons - ABC-List - Index - .


岩木山の神と鬼 Gods and Demons from Mount Iwakisan (Aomori)
畠山篤 Hatakeyama Atsushi

第１章　
岩木山の神の由来譚の生成― 百沢寺・イタコ・村人の語り（百沢寺が語る岩木山権現由来譚；二つ目の丹後日和の由来；三つ目の丹後日和の由来；丹後日和の背景と変容；イタコが語る"お岩木様一代記"　ほか）
第２章　
岩木山の鬼と水利伝承― 津軽の鬼・山人・大人（鬼・山人・大人伝承の分布と分類；単純型；山幸型；農耕型；鉄器型　ほか）


.......................................................................　Akita 秋田県 .....

Once upon a time
the 男鹿の本山の神 Yama no Kami from the main mountain Honzan of the Oga Peninsula had demons as his followers.
They were allowed to go down to the villages on the 15th day of the New Year and scare the people.

. Namahage なまはげ　/ 生剥げ from Oga Hanto .


.......................................................................　Niigata 新潟県 .....
佐渡郡 Sado district

Kinpokusan 金北山の神 Mount Kinpokusan (1,172 m)
昔、佐渡を治めていた金北山の神さまが、もし節分に撒いた豆から芽が出たら佐渡の国を譲ろうと鬼に約束する。このときの約束状が金北山のお堂の下に埋めてあるともいい、いくら鬼がとりに来ても、神さまは決してわたさないという。
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昔、佐渡を治めていた金北山の神さまが、もし節分に撒いた豆から芽が出たら佐渡の国を譲ろうと鬼に約束する。ところがある年、その豆から芽が出たので、神さまはあわててモグラを呼んで根を食いちぎらせ枯らしてしまった。鬼は怒って猫に命じてモグラを捕まえさせようとした。それ以降節分の豆はよく炒るようになったという。
.
昔、佐渡を治めていた金北山の神さまが、もし節分に撒いた豆から芽が出たら佐渡の国を譲ろうと鬼に約束する。ところがある年、その豆から芽が出たので、神さまはあわててモグラを呼んで根を食いちぎらせ枯らしてしまった。鬼は怒って猫に命じてモグラを捕まえさせようとした。それ以降節分の豆はよく炒るようになったという。


. Tonchibo トンチボ, Tonchiboo トンチボウ Tanuki from Sado .
Tonchibo is also a local name for the Deity of the Mountain Forest, Yama no Kami 山の神, and thus a taboo word for the local fisherman.

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白根市 Shirone town

. gaki 餓鬼 hungry ghosts .


.......................................................................　Yamaguchi 山口県 .....
下関市 Shimonoseki 蓋井島 Futaoijima Island

On this island there are four forests sacred to the Yama no Kami, 山の神の森 Yama no Kami no Mori.
They have their special legend.
A very long time ago
Four Oni demons from Shinra (Silla, Korea) came over the sea to invade Japan. 神功皇后 Regent-Empress Jingu Koogo invited them to a banquet and served them Sake with poison to get rid of them. Three of them fell down in the forest of Futaoi. One Demon fell down in 高野の森 the forest of Takano. Their enboku 魂魄 Demon Souls cursed the place and the islanders, so the islanders finally built a shrine to appease their souls.

蓋井島の八幡宮　Hachimangu on Futaoi Island



山の神の祭 Festival for Yama no Kami
- reference source : ameblo.jp/shimonose9m/entry... -


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. Yama no Kami - Legends - From Aichi to Yamanashi .

. Ta no Kami, Ta-no-Kami 田の神 Tanokami, God of the Fields .


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sangaku shinkoo　山岳信仰 religion of the High Mountains is a different matter.

. Shrine, Shinto Shrine (jinja　神社) - Introduction .

. kami　神　Shinto deities - ABC-LIST - .

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Posted By Gabi Greve to Japan - Shrines and Temples on 8/18/2017 08:30:00 am

EDO - muken no kane bell

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Muken no Kane 無間の鐘 "Unlimited Bell", "Soundless Bell", "the Bell of Muken"
mugen no kane 無限の鐘 - "The Bell of Hell"
mugen jigoku / muken jigoku 無間地獄 Hell of Avici.
Buddhist Hell of "Uninterrupted, Eternal Torment"

. kane　鐘 bell, temple bell - Introduction .

There are various temples in Japan who claim this bell.

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- quote -
Keisei Dôjôji - Mugen no Kane Shindôjôji 無間鐘新道成寺
"Keisei Dôjôji"
is a variation of the famous dance "Musume Dôjôji" (created in 1753) about a young girl who is rejected by a priest. He flees from her and hides under the bell at Dôjôji Temple. She pursues him and in her rage transforms into a serpent, which wraps itself around the bell. The bell is destroyed and the priest is fried to a crisp!


In "Keisei Dôjôji",
the girl did not transform herself into a serpent, but rather appeared as Katsuragi, a beautiful, high-ranking courtesan, thereby reflecting the close relationship between Kabuki and the pleasure quarters at the beginning of the 18th century when "Keisei Dôjôji" was created.
The story included a parallel tradition that the person who strikes the bell during life will be visited with unlimited wealth, but on death they will suffer unlimited torment in hell.
The courtesan describes her life and emotions in the pleasure quarters, which was like being lost in dark clouds of passion, as well as her punishment in hell, which she says is a forest of tightly packed swords through which souls are relentlessly pursued and their flesh cut to shreds. She has now come to pray to the bell that has caused her so much trouble. Hoping that her prayers will clear away her burden of sin, the spirit of the courtesan disappears.
- Courtesy of Jean Wilson (1999)
- reference source : kabuki21.com... -

. Anchin and Kiyohime 安珍・清姫 - 道成寺 Dojo-Ji .

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Hirakana Seisuiki "The Soundless Bell"


The story of the lovers 梅枝　Umegae and Genta.

Mugen no Kane 無限の鐘 The legendary Bell of Hell.
The person who strikes this bell becomes immensely rich in this world but will go directly to hell after his/her death to suffer eternally.
In Kabuki, many dances were created based on this legend and in association with the world of courtesans, always desperately helping their lover in need of money and ready to sacrifice themselves by striking the Bell of Hell. Nowadays, the only surviving mugen no kane scene is part of one act of the epic drama "Hirakana Seisuiki", commonly called "Mugen no Kane" or "Kanzaki Ageya".
- source : kabuki21.com...-


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Umegae muken no mane 梅が枝無間の真似
Parody of Umegae Striking the Bell of Limitless Hell
歌川国義 Utagawa Kuniyoshi


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. ume ga e utau 梅が枝うたう Umegae, Poetry for plum branches .
kigo for the New Year

- quote -
Umegae　梅枝
A pictorial subject based on "A Branch of Plum" Umegae, Chapter 32 of
GENJI MONOGATARI 源氏物語 (The Tale of Genji).


In the chapter,
Genji's household is preparing for the coming of age ceremony of the princess who will become the Akashi Empress (明石). On the tenth day of the Second Month Genji holds a competition to determine the incense she will use at court. He gathers scents from several people and calls on Prince Hotaru (Hotaru Hyoubunokyou 蛍兵部卿) to judge them. The scene most frequently chosen for illustration shows Genji and Prince Hotaru looking at two jars sent by Princess Asagao (朝顔), one indigo with a pine branch, one white with a plum branch from which most of the blossoms have fallen, and to which she has attached a poem. The Crown Prince also has his coming of age ceremony in this chapter.
In the Third Month the third daughter of the Minister of the Left (the third in rank of the three main ministers of state, below the Minister of the Right and the Prime Minister) is presented at court, while the Akashi Princess is presented in the Fourth Month.
At this time Tou no Chuujou 頭中将 (To no Chujo, here called the "Palace Minister", or Naidaijin 内大臣) begins to reconcile himself to the love between Yuugiri 夕霧, Genji's son, and his daughter Kumoi no kari 雲井雁.
- source : JAANUS -


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source : mfa.org/collections...Denman Waldo Ross Collection..

Ukiyo tokei Muken no kane 浮世とけいむけんのかね
A Floating World Clock as the Bell of Muken
Gakô Senkadô 西村重長　Nishimura Shigenaga (1697 - 1756)


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source : mfa.org/collections... William Sturgis Bigelow Collection...

Mitate Muken no kane zu 見立無間鐘図　Parody of Muken no Kane
川又常行　Kawamata Tsuneyuki (1677 - ?)

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- - - - - Once upon a time


- reference source : ochakaido.com/rekisi/mukashi... -

At the time of 聖武天皇 Emperor Shomu Tenno (around 730)
there lived an Immortal, 仙人, in the village of 菊川村 Kikugawa in Shizuoka.
He prayed every day to 不動明王 Fudo Myo-O and then went to the village for alms. After this, he rang the bell at the top of 粟ヶ岳 Mount Awagatake 淡ヶ嶽.
This bell could be heard all over the 遠州 Enshu region (now Shizuoka). Each ring had a special prayer wish:

一つつけば、事故や災難をまぬがれ、one - prevent accidents and disasters
二つつけば、病気にならず、- two - do not become ill
三つつけば、家内安全、- three - peace and well-being at home
四つつけば、運が開けて出世する、- four - find good luck for your business life
五つつけば、子宝に恵まれ、- five - be blessed with children
六つつけば、幸運がつづき、- six - may good luck continue
七つつけば、大金持ちになる、- seven - may you become rich

and so on for each ring.
The villagers climbed up to the temple to participate from these good prayers.
But the path to the temple was steep and narrow, and in their hurry they pushed and some fell into the ravine, some even died.
When the head priest saw all this, he decided to exclude the villagers from the prayers of the Immortal and threw the bell into the deep well.
This became known to our day as
"mugen no ido" 無間の井戸 "the endless well", "eternal well" at the top of Mount Awagatake.




Muken no Kane is 遠州七不思議 one of the seven wonders of Enshu. at 無間山観音寺 Mukenzan Kannon Temple.

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Daimugenzan 大無間山 is a mountain in Shizuoka.



- Read a long legend here:
. The perpetual life-giving wine and sennin heavenly immortals of Mt. Daimugenzan .
- - - - - excerpted from ANCIENT TALES AND FOLK-LORE OF JAPAN by Richard Gordon Smith [1918]


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at 瀬戸内海 - 塩飽本島 Setonaikai Shiwaki Honjima Island
極楽寺 Temple Gokuraku-Ji, at the 観音堂 Kannon-Do hall

The temple has the family graves of the 丸尾家 Maruo Clan.
The temple bell relates to the story of 丸尾五左衛門 Maruo Gozaemon, a former Samurai turned very rich merchant of the Edo period.


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. Legends and Tales from Japan　伝説 - Introduction .


. abi jigoku 阿鼻地獄 / 無間地獄 Avīci, Buddhist Hell of Avici .
is called 無間地獄 "Mugen Jigoku".
... the hell of "Uninterrupted Torment" (Avici), where big dogs, pythons and monsters with many heads vomit volumes of flame to burn the sinners.
Avīci hell is also known as the "Mugen-Do, non-stop way" (無間道).


.................................................................................　Nagano 長野県
佐久市 Saku city 野沢町 Nozawa

Near Nozawa town there lived a 長者 very rich man. Once he was involved in a law suit and wanted to win it. So he pledged to go to 高野山 Mount Koyasan to ring the bell Muken no Kane, if he won. He won the law suit, but after that misfortune continued, he lost more and more money and after his sudden death nobody of the family wanted to live in his mansion.


.................................................................................　Niigata 新潟県
佐渡市 Sado city 相川町 Aikawa

hiru 蛭 leech
Around 1610 a person born in Tajima (Now Northern Hyogo) came to Aikawa and made a fortune in the gold mines of Sado. But he became very stingy and on the last day of the year went to the gold mine and slept there. His wife was at home preparing New Year food and wondered what to do about him. Then she remembered the lore about Muken no Kane. She pretended the grounding mortar was a bell and banged it with the pestle. From that day on the family became even richer and more gold was found in the mines.
Legend says that one can hit this bell only once in a lifetime for a positive wish. On the grave of such a person will be leeches for the next seven generations. And indeed, when her husband died, leeches showed up on his grave stone.


.................................................................................　Shizuoka 静岡県
周智郡 Shuchi district 水窪町 Misakubo

hebi 蛇 serpent
Once a person went to a special riverside, オトボウ淵, to make a wish and then rung Muken no Kane. He soon became a very rich man. But after his death a serpent showed up at the riverside. If anyone wanted to approach the riverside, he had to hang some smartweed (Persicaria）around his hips for protection.


.................................................................................　Wakayama 和歌山県
有田郡 Arida district 清水村 Shimizu

hiru 蛭 leech
Once a man rung the Muken no Kane and then became very rich.
But since then the soy been rice gruel the family eat on the fifth day of the New Year suddenly turned into very large leeches.

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日高郡 Hidaka district みなべ町 Minabe

To make a Muken no Kane people need a special clay and water, and then put inside it the statues of Ebisu and Daikoku when firing the pottery.
If during this process there was a huge sound, the wish was granted and the person became rich. But in reverse he had to promise to refrain from something he liked, for example not making special New Year food. One man even promised he would offer his body after this death to be eaten by the wolves.

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- reference : nichibun yokai database -

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Muken-no-kane
Fuga hibachi muken no kane uki-e kongen - The Elegant Brazier,
Sato nomi sao muken no kane goto
- reference : "muken no kane" kabuki -




source : traveljapanblog.com/wordpress...
muken jigoku 無間地獄 Hell of Incessant Suffering


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. Edo bakufu 江戸幕府 The Edo Government .

. Famous Places and Powerspots of Edo　江戸の名所 .

. Doing Business in Edo - 商売　- Introduction .

. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

. senryu, senryū 川柳　Senryu poems in Edo .

. Japanese Architecture - Interior Design - The Japanese Home .

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Posted By Gabi Greve to Edo - the EDOPEDIA - on 7/18/2017 09:56:00 am

SHRINES - Takayama Inari Tsugaru

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. Shinto Shrines (jinja　神社) - Introduction .
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Takayama Inari Jinja 高山稲荷神社 Takayama Inari Shrine, Aomori


青森県つがる市牛潟町鷲野沢147-1 / Washinosawa-147-2 Ushigatacho, Tsugaru, Aomori

- quote
Takayama Inari Shrine is famous throughout northern Japan and is revered as a very efficacious shrine for prayers dealing with maritime safety, bountiful harvests, and business prosperity.
Its seemingly innumerable line of red torii gates is spectacular with the gates' curves and twists being likened to those of a dragon.
The shrine is dedicated to the god Inari, a popular deity among Japanese shrines, the most famous being the Fushimi Inari Shrine in Kyoto.
Every year, the shrine attracts many visitors during its Grand Spring Festival and during the New Year's holidays.
- source : city.tsugaru.aomori.jp...


高山稲荷神社【つがる市】
屏風山のちょうど真ん中に位置しています。神社のすぐ裏は七里長浜となっています。伏見稲荷神社と同じ稲荷大神が祭られており、五穀豊穣・海上安全・商売繁盛の神様として、青森随一の霊験あらたかな神社で、千本鳥居は、圧巻です。
- reference source : t-ate.com/archives... -


. Inari Matsuri 稲荷祭 Fox Shrine Festivals .




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shuin　朱印 stamp





引退した祠がずらりと並ぶ - 小神祠公園


Inari fox statues from all over Tohoku are "retired" here in a special park.


Old small shrines from all over Tohoku are "retired" here in a special park.

- - - - -  HP of the Shrine
- source : bqspot.com/tohoku/aomori -


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- Reference : 高山稲荷神社
- Reference : English


. Shrine, Shinto Shrine (jinja　神社) - Introduction .

. kami　神　Shinto deities - ABC-LIST - .


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Posted By Gabi Greve to Japan - Shrines and Temples on 7/22/2017 10:52:00 am

SHRINE - Amewakahiko

[ . BACK to DARUMA　MUSEUM　TOP . ]
. kami　神　Shinto deities - Introduction .
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Amewakahiko, Ame-Waka-Hiko 天若日子 / 天稚彦　 / あめわかひこ
Ame wakahiko / Ame no wakahiko



- quote -
The child of Amatsukunitama. In preparation for the Descent of the Heavenly Grandchild (tenson kōrin), Amenohohi was first sent from the Plain of High Heaven to the residence of the earth kami Ōkuninushi, to pacify the Central Land of Reed Plains and engage in negotiations for its transfer to the Heavenly Grandchild. Amenohohi did not return, however, with the result that Amenowakahiko was entrusted with bow and arrow from the heavenly kami, and dispatched with the same mission. According to Kojiki, this appointment was at the recommendation of Omoikane, while Nihongi states that it was at the recommendation of all the heavenly kami.

Amewakahiko, however, took to wife Shitateruhime, the daughter of Ōkuninushi, and made plans to rule himself over the Central Land. Like his predecessor, Amewakahiko sent no report back to the Plain of High Heaven, with the result that Takamimusuhi and others convened a council of the heavenly kami; upon deliberation, they decided to dispatch the pheasant Nakime to inquire of Amewakahiko's true intentions. But Amawakahiko, urged on by Amenosagume, used the bow and arrow received from the heavenly kami to shoot the pheasant Nakime. The arrow pierced Nakime and continued to climb to heaven where it was found by Takamimusuhi; discerning the false heart of Amewakahiko, he flung the arrow back down at the Central Land where it struck Amewakahiko mortally in the breast.
Nihongi records that at the time he was killed, Amewakahiko was resting after observing the festival of first fruits (Niinamesai), while Kojiki states that he was lying in bed one morning. The histories relate that this event was the origin of the maxim, "fear a returning arrow," and the story is also touched upon in the "norito for the exorcism of a vengeful deity" (Tataru kami utsushiyarau).

Amewakahiko's name is mentioned in the fragmentary records of the Settsu no kuni fudoki, the Utsubo monogatari, Sagoromo monogatari, as well as the later Otogi zōshi. His name appears to have been widely used as a generic reference to male deities who descended from heaven to earth.
Deities called Amewakahiko are worshiped at some shikinaisha in the province of Izumo.
- source : Mori Mizue 2005 - Kokugakuin -

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- quote -
A Demon in the Sky:
The Tale of Amewakahiko, a Japanese Medieval Story
By Reider, Noriko T.
In most cultures demons and dragons reside at the heart of the supernatural, where their distinct status reflects their various cultural roles. This is also true of Japanese culture and folklore, where these creatures play prominent roles.
For present-day Japanese, oni (demons or ogres) typically reside in Buddhist hell to punish mortal sinners, but for their medieval counterparts, the oni's role and the space oni occupied were much more flexible. Perhaps a prime example of this is Amewakahiko söshi (Tale of Amewakahiko; fifteenth century), a fictional story that recounts one legendary origin of Tanabata (Festival of the Weaver, the Star Festival), the celebration of the annual meeting of the Weaver Maid and the Cowherd, who represent the stars Vega and Altair, respectively. In this version of the Tanabata story, an oni is standing in the beautiful serene sky. This oni turns out to be the father of a kairyüö (Kairyu-O, a dragon king of the ocean) who also lives in the sky. This dragon king calls himself Amewakahiko (sometimes Amewakamiko), hence the title.

The plot of The Tale of Amewakahiko
is similar to "Cupid and Psyche" by Lucius Apuleius (second century CE). Some scholars in Japan recognize "Cupid and Psyche" as the source of The Tale of Amewakahiko, and others read the dragon king's tale as indigenous to Japan. Although there is no finally persuasive evidence that the Japanese tale was influenced by "Cupid and Psyche," it is worthwhile to examine the Apuleian tale's connection to The Tale of Amewakahiko and to share these different scholarly perspectives from Japan in an English-language publication. Thus in this essay I discuss the various possible origins of the tale. Thinking of The Tale of Amewakahiko in a Japanese folkloric and literary context reveals a specifically medieval Japanese view of space boundaries (or lack thereof) of underground, earth, and heaven that oni and a dragon travel; it also suggests that studies of ancient and classical Japanese literature (periods of ancient and classical literature, 645-1185 CE) by medieval Japanese scholars influenced the choice of the characters' names and their actions in this tale.



--- Plot and Genre of The Tale of Amewakahiko
One day a huge serpent appears in front of a wealthy family's house. The serpent demands one of the family's three daughters for his wife or, he threatens, he will destroy the whole family. The two older daughters refuse, but the youngest daughter consents. A huge house is built near a pond as part of the wedding preparations requested by the serpent, and there, alone, she awaits her snake husband. When the gigantic serpent appears, he asks the girl to cut off his head. As she does so, a handsome, young gentleman appears, and they live happily in their newly built house. After a while, the husband reveals his true identity as a dragon king of the ocean and tells the girl that he must go to the sky to do some business. He tells her how to find him in the sky if he does not come back. He then orders her not to open a certain treasure chest-if the chest is opened, he tells her, he will not be able to return to earth. While he is away, her two older sisters visit her and become jealous of her wealth and happiness. They open the treasure chest from which only smoke arises. When the girl learns that her husband cannot return anymore, she goes to Kyoto as instructed by her husband before he left and buys a gourd whose vine grows to the sky in one night.

Climbing the vine up to the sky, the girl journeys in search of her husband, whose name, the reader has learned, is Amewakahiko (or Amewakamiko). With great difficulty, she finally finds him. Although they are happy together, Amewakahiko expresses his concern that if his father, an oni, becomes aware of her, there could be trouble. So whenever his father visits him, the dragon king changes his wife into a pillow or fan. But the secret is finally revealed one day, and the oni-father takes her away and imposes on her four difficult tasks. …
- source : questia.com/library/journal -

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. Onipedia - 鬼ペディア　- Oni Demons - ABC-List - Index - .

. Ryuu-oo 竜王 Ryu-O - The Dragon King .


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Amewakahiko Jinja 天稚彦神社 Shrine Amewakahiko



Built during the 戦国時代 Period of the Warring States by 高野瀬氏 Lord Takanose to protect his castle, the town and his people.
Many people come here on the 17th of each month to celebrate and attend rituals.

- reference : 天稚彦神社 -


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Amewakahiko Sooshi, sōshi 天稚彦草子 Amewakahiko Soshi scroll
Scroll of the Tale of Amewakahiko
painter: Tosa Hirochika (Japanese, c. 1439-1492)







- reference source : amewakahiko soshi -

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Klassische Weisheiten aus Japan: Mit der Bilderrolle 'Amewakahiko no soshi'
Kurzer, Michael

Beim Büchlein "Klassische Weisheiten aus Japan" handelt es sich um eine äußerst überschaubare Sammlung von japanischen Sprichwörtern, Märchen und poetischen und religiösen Texten. Dazwischen sorgt die Bilderrolle "Amewakahiko no soushi" des Malers Fujiwara Tosa Hirokane für Abwechslung.
source : japaninfo.at/news/buch


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- Reference : 天稚彦 / アメノワカヒコ
- Reference : Amewakahiko


. Shrine, Shinto Shrine (jinja　神社) - Introduction .

. kami　神　Shinto deities - ABC-LIST - .

. Tanabata 七夕 The Star Festival .


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- #amewakahiko #amenowakahiko -
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Posted By Gabi Greve to Japan - Shrines and Temples on 6/24/2017 01:28:00 pm