31 Dec 2015

EDO - Funabashi and Gyotoku


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. Famous Places and Powerspots of Edo 江戸の名所 .
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Funabashi and Gyootoku, Gyōtoku 船橋 と 行徳 Gyotoku

. Funasshi ふなっしー Mascot from Funabashi, Chiba .



江戸名所図会, 船橋

- quote -
Funabashi city is located in northwestern Chiba Prefecture and makes up one part of the Shimōsa Plateau. Funabashi is crossed by the Tone River, and the small Ebi River is located entirely within city limits. Funabashi formerly had wide, shallow beaches, but much of the coast has been industrialized and transformed by reclaimed land.

The name "Funabashi" is mentioned in the Kamakura period chronicle Azuma Kagami. However, the name itself is even more ancient, dating from before the Nara period and the Yamatotakeru mythology. Archaeologists have found stone tools from the Japanese Paleolithic period and shell middens from the Jomon period in the area, indicating continuous inhabitation for thousands of years. A number of Shinto shrines and Buddhist temples in the area claim to have been founded in the Nara period or Heian period. During the Muromachi periods, the area was controlled by the Chiba clan. During the Sengoku period, the Chiba clan fought the Satomi clan to the south, and the Late Hojo clan to the west. After the defeat of the Chiba clan, the area came within the control of Tokugawa Ieyasu.

Under the Tokugawa shogunate, the area prospered as a post town on the river crossing of the Tone River, and was largely retained as tenryo 天領 under the direct control of the Shogunate and administered through a number of hatamoto. The area was also a favored hunting grounds for the Shogun. During the Boshin War of the Meiji Restoration, Funabashi was the location of a minor skirmish between Tokugawa loyalists under Enomoto Takeaki and the pro-Imperial forces of Okayama Domain and Satsuma Domain, during which most of the town burned down.

After the abolition of the han system, the area eventually became part of Chiba Prefecture. Funabashi Town was one of several towns and villages created on April 1, 1889 under Inba District. The area developed rapidly due to its proximity to Tokyo and the presence of numerous military facilities in the area. On April 1, 1937, Funabashi was elevated to city status through merger with neighboring Katsushika Town and Yasakae, Hoden and Tsukada Villages. The new city was host to numerous military installations in World War II, and was bombed in the air raids on Japan in 1945.

The city developed rapidly in the postwar period, with the development of industries, public housing developments and port facilities. With the annexation of neighboring Ninomiya Town in 1953, the population exceeded 100,000. The population exceeded 300,000 in 1969 and 500,000 in 1982. Funabashi was designated a core city on April 1, 2005 with increased local autonomy from the central government. The population exceeded 600,000 in 2006.
- - - More in the WIKIPEDIA !

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source : otonanonurie

船橋駅 天道念仏踊り之図 Tendo Nenbutsu Odori
Funabashi Station

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The Gyotoku Salt Fields 行徳塩田 Gyotoku enden
... Gyotoku, a settlement on the shore of Edo bay about 15 kilometers east of the city. To get there, we have to take a boat ride through the canals of Edo. As I have mentioned in the past, rivers and canals criss-cross most of downtown Edo, and one of the fastest ways to get from place to place is by boat. There are many piers and boat landings in the downtown part of the city, but today we are going to a pier that is used only by a special ferry boat operated by the city officials -- the water taxi to Gyotoku. Gyotoku is a very important site in this region, since it is the home of the Gyotoku salt works.

Gyotoku kashi (Gyotoku wharf), located in the Nihonbashi district, is the starting point for a busy water taxi service . There are always boats preparing to land or depart, since there is a steady stream of townspeople travelling to and from the working-class suburbs east of the Sumida River. The wharf is named Gyotoku kashi after the town of Gyotoku, which is the last stop on the route. The watashi-bune (ferry-boats) follow one of several regular routes through the canals of Edo, but Gyotoku -- at the eastern end of Edo Bay -- is the final destination for all of them.

When Edo was first built, the flat marshy land on the east bank of the Sumida River was almost uninhabited. This low-lying land to the east of Edo was a marshy delta, formed by several large rivers that empty into Edo Bay. Even the isolated areas of solid ground in this area flooded easily during heavy rains, and there were few reliable sources of fresh water along the shore of the bay -- only when you went up-river beyond the high tide line could you get fresh water from the rivers. The marshes were a barrier that blocked traffic east from Edo. To get to the rich rice lands of Shimosa province you had to make a long detour to the north, along the Chiba Kaido, or else travel across Edo Bay by boat, rounding the marshes to the south and then swinging north again, up the coast to the towns of Gyotoku and Funabashi, which serve as the gateway to Shimosa province.

When Tokugawa Ieyasu first arrived in Edo, one of his first priorities was to find a way to build transportation links across the marshes east of the Sumida River. To secure the necessary food and goods needed for the city of Edo to grow, it was essential to transport the rich harvest of rice and vegetables from the provinces to the North and east of Edo to markets in the downtown area. The city also needed salt from Gyotoku, which is the only town in the area suited for salt production. Therefore, in around 1602 Ieyasu ordered his men to begin building canals through the marshlands to connect all of the major river systems in the eastern Kanto region. The network of canals and rivers now extends across a wide area to the north and east of Edo

One main canal, known as the Onagigawa (Onagi river), runs due east from the Sumida River near Nihonbashi to Gyotoku. This was one of the first canals to be built, though today, many other channels have been built, and the marshlands are crisscrossed by a checkerboard of canals. Once the canals were completed, transportation through the area became even smoother than travel by land. More and more people moved into the area as fresh water was made available, and today the area is a bustling neighborhood of blue-collar homes and small businesses.

When the boat is full of passengers, the captain uses his long bamboo pole to push off from shore. The watashi-bune are generally driven by two boat pilots using long poles of bamboo. There is also a broad rudder on the stern of the boat, which can be used to propel the craft in places where the water is too deep for the poles to reach bottom.

The boat travels down the canal from Nihonbashi to the Sumida River. When we reach the river the pilots slow down as they try to maneuver their way through the crowd of boat traffic. The Sumida river is Edo's main thoroughfare, carrying even more traffic than the Tokaido or any of the other main roads. The city is quite crowded and many of the streets are narrow, so it is hard to transport goods through the streets. Horse carts would be a nuisance to pedestrians, so they are hardly ever used in the downtown area. Instead, all goods are carried by boat to the nearest wharf, and then transported to their destination on the backs of nimpu (porters). The Sumida river is always thronged with boat traffic, and it is amazing to watch the boat pilots skillfully guiding their craft in and out of traffic. It seems amazing that there are so few collisions.

The boat sails past the huge, arching span of Eitaibashi (Eitai Bridge). This towering bridge links the port districts of Nihonbashi, Minato and Tsukiji with the blue-collar neighborhood of Fukagawa. It is supported by several dozen huge columns, each carved from the trunk of a single huge hinoki (cypress) tree. The wood is highly resistant to water and rot, and it may last for as much as a hundred years before the bridge needs to be repaired. On the opposite shore of the Sumida river, just a short distance upriver from the bridge, is a broad waterway branching off from the main river channel. This is the Onagigawa (Onagi River 小名木川).

The Onagigawa runs due east from the Sumida River, near Nihonbashi, to the Ara River, just a short distance from Gyotoku. The shoguns built this canal shortly after they moved to Edo, in order to provide quick and easy transportation between Edo and the rich provinces to the east. In addition to the constant stream of ferry boats, there are also many takase-bune (large cargo boats), which use the canal to carry loads of rice, vegetables and other agricultural products from the rich farms in Shimosa, Kazusa and Kotsuke Provinces.

The Onagigawa cuts a wide path through the marshy lowlands to the east of Edo. There are many explanations for how the canal got its name. The characters O - NA - GI ("small", "name", "tree") do not make much sense unless they were a person's name -- perhaps this was the name of the person who oversaw construction of the canal. Another likely explanation is that the name was originally Unagi-gawa (eel river). The river is, in fact, filled with eels, and many unagi fishermen can be seen along the river, fishing for these delicacies. Perhaps the pronunciation changed over time, and people forgot the original source of the name.

As our boat glides down this busy waterway, it passes through a series of small farming villages separated by occasional broad stretches of reeds and marshes. Before Edo was settled, this area of rivers and marshes was virtually uninhabited, but now it has become a thriving center of vegetable farming. Because of the rich soil, and the strong demand for vegetables from city dwellers, farmers in the towns along the Onagigawa have become quite prosperous. In fact, many varieties of vegetables take their names from farming communities in this area, such as Sunamura melons and Kasai leeks.

However, as your boat moves further and further east, the small farming villages become fewer and more widely scattered, and the swamps and marshes broader and more filled with wildlife. The broad East-West canal continues onward through the marshes. Though there are few signs of habitation along the banks of the canal, boat traffic remains heavy. Your own boat continues to glide along the flat surface of the canal. The sun is rising higher into the sky, and the two boat pilots are sweating heavily as they propel the craft with their long poles. They seem to be poling more energetically now, since you have almost reached your destination.

At last, the sparkling waters of Edo Bay come into view, and you can see the small but busy village of Gyotoku strung out along the shoreline. Clouds of steam rise from the low buildings along the canal, and on the flat land beside the bay, the sun sparkles off the salt fields, where salt is being produced for sale in Edo. Salt is a very important commercial commodity in most countries, and in Edo, the situation is no different. Salt is very important in the daily live of Edo's citizens for many reasons.



Salt is an important part of the diet. Japanese food tends to be rather plain, especially the staple meals of the lower classes, which consist mainly of rice and perhaps a small amount of fish or vegetables. To spice up their diet, the people are very fond of shoyu (soy sauce) and miso. Both of these are made mostly from soybeans and salt. Salt is also needed to preserve fish. Naturally, most people in Edo prefer their fish to be as fresh as possible. However, many of the fishing villages that supply Edo with food may take several days or even weeks to ship their produce to the markets in the city. If the fish is not sold right away, it has to be preserved in salt or else it will get rotten. A very large amount of salt is used to preserve fish -- many times more than the amount needed just for a healthy diet. For this reason, many fishing villages produce salt locally, at least on a small scale

In addition, people in Japan use salt in many rituals, as a symbol of purification. Priests throw salt on new building sites to purify them, and throw salt on the temple grounds for the same reason. When a person dies, the relatives throw salt outside the door of the house to keep evil spirits away. Merchants often put little piles of salt just outside their door to keep away bad luck. This is especially common at the beginning of the New Year. Finally, sumo wrestlers throw salt into the ring before they start wrestling, in order to purify the ring for the start of the match.

The demand for salt is so great that the price is quite high in Edo. Merchants ship large loads of salt all the way from Western Japan. The best places to make salt are places with a long, flat beach that is fairly hard-packed, and which gets fairly large changes in the water level from high tide to low tide. There are many places like this along the Seto Inland Sea, in Western Japan, and these are the main centers of salt production. In the Edo area, though, Gyotoku is about the only good location in the area which has a beach that is wide enough and sandy enough to be suitable for producing salt.

We have arrived at low tide and the sun is quite hot. This is a good time to see the salt workers in action, since it is an ideal time for drying the salt. People are busily walking to-and-fro, carrying buckets on poles on their shoulders. There is a steady and constant traffic of people from the edge of the sea to the flat, hard-packed square fields that are laid out in a checkerboard across the wide, flat beach.

The salt workers fill their buckets with sea water from a small channel that has been dug to bring the water a little ways up the beach, even at low tide. They then carry the buckets to the drying fields, where they pour the water into the field until a shallow layer covers the flat ground. The sea water is left to evaporate, and when all the water is gone, it leaves a crust salt. The workers will continue to add water a bit at a time and let it evaporate, continuing the process for as long as a week.

After a few days of adding water again and again, then waiting for it to evaporate, there will be a thick crust of salt coating the field. This salt crust can then be raked up into piles and collected. the piles of salt are then stored in little storehouses until other workers can come by to collect it. The dried salt is then carried to the boiling houses further up the beach.

A cluster of boiling houses is located not far from the salt fields; this is where the salt is processed and purified. Workers carry bundles of raw salt into the buildings, where it is carefully wrapped in very finely-woven silk cloth and then placed in a tub of water. The salt dissolves in the water, but the sand, dirt and grit that was mixed with the salt remains trapped inside the cloth. Finally, the supersaturated salt water is poured into huge boiling vats. Fires built underneath the vats boil off all the water, and when the water is all gone, the salt that is left in the bottom of the vats is clean and pure enough to eat.
- source : Edomatsu


行徳塩田
- - - More in the WIKIPEDIA !


. enden 塩田 salt fields - Introduction .

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Rakugo Nakishio 落語「泣き塩」"Weeping Salt"

yakishio and nakishio 焼き塩 boiling salt and crying salt


行徳塩、製造工程の最終工程「焼き塩風景」 

泣き塩」の舞台を歩く - 古今亭志ん朝 Kokontei Shincho
- source : ginjo.fc2web.com/219nakisio -

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- - - - - H A I K U and S E N R Y U - - - - -

船橋のふわふわ動く胡蝶哉
Funabashi no fuwafuwa ugoku kochoo kana

the lake butterfly
at Funabashi moves
ever so softly . . .



船橋や花藻もよらず瀬を早み
Funabashi ya hanamo mo yorazu se o hayami


. Masaoka Shiki 正岡子規 .

. WKD : "lake butterfly", kochoo 胡蝶(こちょう) .
- - kigo for spring - -

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行徳の水辺したしき草じらみ
Gyotoku no mizube shitashiki kusajirami

村沢夏風


船橋に夏の日低くなりて没る 山口波津女
船橋に立つ日憧れ卒業す 高林蘇城
船橋に駄馬騒ぎ出す霰かな 会津八一
船橋の船に洩る水温みけり 繞石句集落椿
船橋を少年去らず五月の航 大井雅人

摘草や船橋ゆるゝ風の中 野村喜舟

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. Japanese Architecture - Interior Design - The Japanese Home .

. Famous Places and Powerspots of Edo 江戸の名所 .

. Doing Business in Edo - 商売 - Introduction .

. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

. senryu, senryū 川柳 Senryu poems in Edo .

. densetsu 伝説 Japanese Legends - Introduction .


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[ . BACK to WORLDKIGO . TOP . ]- - - - - #gyotoku #edobakufu #funabashi - - - -
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Posted By Gabi Greve to Edo - the EDOPEDIA - on 10/02/2015 09:10:00 am

EDO - Sumitomo family business


[ . BACK to DARUMA MUSEUM TOP . ]
. Doing Business in Edo - 商売 - Introduction .
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The Sumitomo family 住友家
and doozan 銅山 Dozan copper mines in Japan


- quote
The Sumitomo Group, of which Sumitomo Corporation is a key member, dates to the 17th century establishment of a book and medicine shop in Kyoto by 小次郎政友 Masatomo Sumitomo. Sumitomo's brother-in-law 蘇我理右衛門 Riemon Soga developed a technology to extract silver from copper, and Soga's son (who married Sumitomo's daughter) 住友友以 Tomomochi Sumitomo expanded this smelting business to Osaka.
From this start, the Sumitomo family expanded its business into copper mining (the Besshi copper mine), followed by textiles, sugar and medicine trading.
Its 家号 Yago house name was 泉屋 Izumiya.

The Sumitomo family was close to the Tokugawa shogunate throughout the Edo period. During the 1860s, this relationship became a liability for the firm as the Tokugawa clan warred with rivals in western Japan. Following the Tokugawas' defeat, Sumitomo was almost ruined and under pressure to sell the Besshi mine, which by that point was nearly unworkable. However, Sumitomo kept the mine and improved its output through adoption of new Western techniques.
During the rapid westernization of Japan in ensuing decades, Sumitomo started various new trading, manufacturing and financing businesses, becoming one of the major zaibatsu of early 20th century Japan.

Sumitomo Corporation (住友商事株式会社 Sumitomo Shōji Kabushiki-gaisha)
is one of the largest worldwide Sogo shosha general trading companies, and is a diversified corporation. The company was incorporated in 1919, it is a member company of the Sumitomo Group.
- source : wikipedia




Sumitomo Corporation
- source : sumitomocorp.co.jp -

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住友家の起源 - 始祖・家祖・業祖
住友の姓は、戦国の末、もともと先祖に順美平内友定という人物がおり、桓武天皇の曾孫・高望王の二十二代目にその子・小太郎(忠重)が父の姓と名をとって「住友」の姓を称して室町将軍に仕えて、備中守に任じられたのに始まる。

平家の末裔である戦国武士だった住友家の先祖は、国取り物語の戦国時代を有為転変の歴史を生きる。室町将軍に仕えた「始祖」・住友忠重の子・頼定は、足利義晴に仕え、頼定の子・定信は刑部承と称した。そして、定信の子・定重は、今川義忠(今川義元の祖父)に仕えるが、定重の子・信定の代になり、今川氏が滅んでしまったので、摂津の中川清秀に仕え、入江土佐守と称し、中川十六騎の一人として知られたが、尾崎の陣で戦死してしまう。また入江土佐守(信定)の子・政俊は越前国の柴田氏に仕え、若狭守と称し越前丸岡城にあったが、柴田勝家と共に北庄城で滅んでしまった。政俊の子・長行は、徳川家康の子で結城家へ養子入りした結城秀康に用いられるが、住友家の武家の歴史はここまでである。戦国の習いとはいえ、武家社会の興亡の激しさと無情を感じたのか長行は、自分の子供たちに武家の世界から足を洗わせた。
- - - More in the WIKIPEDIA !

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- - - - - H A I K U and S E N R Y U - - - - -


葛がくれ幕府御用の銅の道
kuzugakure bakufu goyoo no doo no michi

hidden in Kuzu
the copper road
of the Bakufu


品川鈴子 Shinagawa Suzuko



- quote -
The Besshi copper mine (別子銅山 Besshi dōzan) was a rich source of copper in Niihama, Ehime Prefecture.
The deposits were discovered in 1690, and mining began in the following year. From then until the closing of the mine in 1973, Besshi produced about 700,000 tons of copper, and contributed to Japan's trade and modernization. The Sumitomo family managed the mine, which helped build the Sumitomo zaibatsu. The Dōzan River was named after the copper mine.
- source : wikipedia -


別子銅山のぼれば桔梗また桔梗
Besshi doozan noboreba kikyoo mata kikyoo

Besshi copper mine
climbing up there are Chinese bellflowers
and more bellflowers


津村芳水 Tsumura Hosui


. kikyoo 桔梗 Chinese bellflower - Platycodon grandiflorus. .
- kigo for autumn -

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草笛に吹くよ別子の銅山節
kusabue ni fuku yo Besshi no doozanbushi

blowing it
on a reed flute -
the Besshi Copper Mine Song


品川鈴子 Shinagawa Suzuko




別子銅山せっとう節 Besshi Dozan Settobushi
江戸時代から鉱山へ出稼ぎにきた坑夫たちによって歌い継がれた作業歌とされています。
女は絣の着物にタスキがけ、男は坑夫のいでたちで登場します。
- reference -


. kusabue 草笛 "reed flute" .
- kigo for summer -

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- - - - - There was one more important copper mine in Japan.

Ashio doozan 足尾銅山 Ashio Dozan, Ashio Copper Mine

- quote -
The Ashio Copper Mine, Ashio, Tochigi prefecture, became very significant from the end of the 19th century to the mid-20th century. It was the site of major pollution in the 1880s and the scene of the 1907 miners riots.



The Ashio mine has been in existence at least since 1600 when it belonged to the Tokugawa shogunate. At that time it produced about 1,500 tons annually, although this declined when the mine was closed in 1800. It became privately owned in 1871 following the industrialisation initiated by the Meiji restoration. By 1877 it became the property of Furukawa Ichibei, and by the 1880s production had increased dramatically, reaching 4,090 tons by 1885, 78 per cent of the total output of the Furukawa mines and 39 percent of Japan's copper production.

The Ashio mine was shut down in 1973.
The Ashio Copper Mine Incident is the name given to the environmental disaster that occurred as a result of the Ashio mining operations in the late 19th and early 20th centuries.
- - - More in the WIKIPEDIA !


製錬のにほひかそかに夏山路
seiren no nioi kasoka ni natsu yamaji

the faint smell
of metal smelting
on the summer mountain road


上村占魚 Uemura Sengyo (下野足尾銅山)

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足尾銅山枯葉に重さありにけり
Ashio doozan kareha ni omosa ari ni keri

Ashio copper mine
and the withered leaves
feel so heavy . . .


渡辺恭子 Watanabe Kyoko




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. Legends and Tales from Japan 伝説 - Introduction .

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Akita 阿仁合村 Aniai - 阿仁銅山 Ani copper mine

gingitsune 銀狐 the silver fox
Once upon a time a rich merchant from Osaka found a silver fox in his garden, but when he woke up from this dream, his wife had turned into a silver fox. So the wife-fox left her husband, but he came after her, travelling around in Japan. One day his wife-fox appeared again and told him, if he climbed up this mountain he would find precious metal.
This is the beginning of the Ani doozan 阿仁銅山 copper mines in Ani .

阿仁鉱山 Ani Kozan mines for copper, gold and silver.
Copper was first found in 1716. Shut down in 1987.



- quote -
Originally developed as a gold mine in 1300s, Ani mine became one of the top three copper mines in Japan with the highest record copper production in 1716 when operated by the Satake clan.
German mining engineers were invited in the 19th century to further improve its production. Ijinkan is a western building that used to accommodate such engineers, including Adolf Meckel, and was later used as a guesthouse after they left. The building was designated a national cultural asset in 1990.
- source : akita-ecotown.com -


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Akita 土川 Tsuchikawa - 杉沢銅山 Sugisawa copper mine

katame no sakana 片目の魚 fish with one eye
The stonefish (kajika 鰍) from Tsuchikawa village living below the copper mine lost one eye when the paths were hit by a landslide and the blood of the killed workers flowed down the river, filling one of the fish's eyes.

This mine for gold, silver, copper, lead and zinc in the 大仙市 Daisen town district was closed in 1972.

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Gifu 洞戸村 Horado

hitokui Ebisu 人喰いエビス man-eating Ebisu
This man-eating Ebisu was hit by an arrow from 正之御前 Masa no Gozen at 弓保木, the blood of Ebisu flew down the river at 赤谷 Akadani and he finally fled to 恵比寿山 Mount Ebisusan to the copper mine grotto 銅山岩屋 (also called Ebisugura エベスグラ.)

There is a small shrine in honor of Masa no Gozen 正の御前, 正之御前社.
It is about 540 meter high on Ebisu mountain.



In the shrine is a deity and two bronze mirrors.
A warrior from Echizen who had lost his head in battle and his retainer Masa no Gozen burried it on the mountain.
- source : sankyoharinko -

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- source : nichibun yokai database -

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. Japanese Architecture - Interior Design - The Japanese Home .

. Famous Places and Powerspots of Edo 江戸の名所 .

. Doing Business in Edo - 商売 - Introduction .

. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

. senryu, senryū 川柳 Senryu poems in Edo .

. Legends and Tales from Japan 伝説 - Introduction .


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Posted By Gabi Greve to Edo - the EDOPEDIA - on 12/27/2015 12:37:00 pm

29 Dec 2015

DARUMA - shiawase Happy Daruma



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shiawase Daruma 幸せダルマ Happy Daruma






洒水の滝 Shasui no Taki waterfall
Kanagawa, Yamakita town 神奈川県山北町

- source : ameblo.jp/arupu

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Posted By Gabi Greve to DARUMA MUSEUM (02) ... DARUMA ARCHIVES on 12/27/2015 05:06:00 pm

28 Dec 2015

EDO meibutsu specialities

http://edoflourishing.blogspot.jp/2013/01/edo-meibutsu.html

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Edo Meibutsu 江戸名物 Specialities of Edo



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Many words come with EDO at the beginning - here is a growing list.

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. Edo - 40 Traditional Crafts of Tokyo - Introduction .
- - - - - including
. Edo Bekko 江戸鼈甲 Tortoiseshell Products.
. Edo Fude 江戸筆 Handmade Calligraphy Brushes .
. Edo Garasu 江戸硝子 Edo Glassware .
. Edo Hake 江戸刷毛 Edo Brushes .
. Edo Hyogu 江戸表具 scroll mounting .
. Edo Ishogi Ningyo 江戸衣裳着人形 Costumed Dolls .
. Edo Karakami 江戸からかみ Hand-Made Patterned Paper .
. Edo Katchu 江戸甲冑 Warrior Armor from Edo .
. Edo kimekomi ningyoo 江戸木目込人形 kimekomi dolls from Edo .
. Edo Kiriko 江戸切子 Cut Glassware .
. Edo Moku-Chokoku 江戸木彫刻 Wood Sculptures .
. Edo Moku-Hanga 江戸木版画 Woodblock Prints .
. Edo Oshi-e Hagoita 江戸押絵羽子板 Battledore, Shuttlecock .
. Edo Sarasa 江戸更紗 Printed Silk Calico .
. Edo Sashimono 江戸指物 Wood Joinery .
. Edo shikki 江戸漆器 Edo laquerware .
. Edo Shishu 江戸刺繍 Embroidery .
. Edo Sudare 江戸簾 Slatted Blinds .
. Edo Tegaki Chochin (Hand-Painted Paper Lanterns) 江戸手描提灯
. Edo Tsumami-Kanzashi 江戸つまみ簪 Ornamental Hairpins .
. Edo Wazao (Bamboo Fishing Rods) 江戸和竿 .


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. Edo Bakufu 江戸幕府 The Edo Government and Administration .

Edobarai, Edo tokorobarai 江戸払い banishment from Edo (EG188)

. Edo Dandyism: From Swords to Inro .

. Edo Daruma 江戸だるま 江戸達磨 papermachee dolls .

Edo deetabeesu データベース Illustrated Database of Edo
source : library.metro.tokyo.jp/portals

. Edogawa 江戸川 river Edogawa . (BF)

. Edo Gokaidoo 江戸五街道 Five Kaido routes starting from Nihonbashi .
- - - Edo Itsu Kuchi  江戸五口 five entrance gates to/from Edo castle

. Edo haikai 江戸俳諧 Edo Haiku Meetings .

. Edo hyaku nezu 江戸百鼠 100 shades of gray/grey color .

. Edo joo 江戸城 Edo-Jo, Edo Castle .

Edo jooruri 江戸浄瑠璃 (EG)
. jooruri 浄瑠璃 narration and 文楽 bunraku puppet theater .

. Edo juuhachi daitsuu 十八大通 eighteen big spenders of Edo .

. Edokko 江戸っ子 lit. "child of Edo" , born in Edo .

. Edo komon 江戸小紋 Small Edo Patterns .

Edomachi 江戸町 Edo district, in other towns, like Kobe and Nagasaki

. Edo machibugyoo 江戸町奉行 governor of Edo .
- - - - - 江戸の名奉行 Famous Bugyo from Edo

Edomae 江戸前, "in front of Edo" - Edomae sushi and chirashisushi  (EG26)
. Sushi 寿司 すし 寿し  - Information .


. Edo mingei  江戸民芸 folk art and craft from Edo .
. Edo anesama 江戸姉様 "elder sister" dolls from Edo .
. Edo gangu 江戸玩具 Edo Toys and the Color Red
. Edo koma, Edo-koma 江戸独楽 spinning top from Edo / Tokyo .
. Edo kaku, tako 凧 kites of Edo - 江戸奴凧
. Edo no engimono 江戸の縁起物 Good Luck Charms of Edo
. Patterns of the Edo Period .


Edo murasaki 江戸紫 purple of Edo (EG387)
. Colors of Japan #745399 purple .

Edo namari 江戸訛り dialect of Edo (EG300)
. namari なまり、訛 dialect, local speach .

. Edo Nana Fushigi 江戸七不思議 The Seven Wonders of Edo  . - tba -

. Edo no Izakaya 江戸の居酒屋 drinking shops in Edo .
Edo yatai 江戸屋台 Food stalls in Edo

. Edo no susume 謎解き!江戸のススメ - BS-TBS .

. Edo Roku Jizo 江戸六地蔵 The Six Jizō Bosatsu of Edo .


. Edo Saijiki 江戸歳時記 - The Four Seasons in Edo .

Edo senke 江戸千家 the Sen family of Edo Tea masters (EG 509)
. Senke 千家 Sen family of Tea masters .

. Edo shigusa 江戸しぐさ the manners of Edo .

. Edo shishuku 江戸四宿 four postal stations out of of Edo . (EG45)
Edo Gokaidoo 江戸五街道 Edo Gokaido, Gokaidō - Edo Five Ruotes
Five Kaido starting at Nihonbashi, Edo


Edo-Tokyo Museum - 1-4-1 Yokoami, Sumida-ku, Tokyo
- source : www.edo-tokyo-museum.or.jp
..... Tokyo Digital Museum
Tokyo Metropolitan Museum of Photography / MUSEUM OF CONTEMPORARY ART TOKYO
- source : digitalmuseum.rekibun.or.jp -

Edo uta 江戸唄 song of Edo (EG)

. Edo wazurai 江戸煩ひ/江戸煩い/江戸患い the "Edo disease" - beriberi . (EG590)

Edo yakusha 江戸役者 actor from Edo (EG502)
. Kabuki theaters in Edo .

. Edo yasai 江戸伝統野菜 Vegetables of Edo .

. Edo yuuzen 江戸友禅 Yuzen - Kimono dyeing from Edo .

Edoza 江戸座 Edo theater (EG)
. Edo Sanza 江戸三座 three famous Kabuki theaters .

Edozuma 江戸妻 Edo roof formation (EG390)
. yane 屋根 Japanese roofs - Introduction .
kirizuma-zukuri 切妻造

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江戸店 (EG230) stores in Edo

江戸町監 (EG472)
Edomachi kaisho 江戸町会所 - Introduced by Matsudaira Sadanobu in 1797

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- - - - - - back to - EEE -

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- Check this ABC list for more keywords about Edo -

- AAA - / - BBB - / - CCC - / - DDD - / - EEE -

- FFF - / - GGG - / - HHH - / - I I I - / - JJJ -

- KK KK - / - LLL - / - MMM - / - NNN - / - OOO -

- PPP - / - QQQ - / - RRR - / - SSS - / - TTT -

- UUU - / - VVV - / - WWW - / - XXX - / - YYY - / - ZZZ -

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Cultural Keywords of the Edo period - used by
. Matsuo Basho 松尾芭蕉 - Archives of the WKD .


. senryu, senryū 川柳 Senryu in Edo .


- BF - bakufu book / EG - edogaku book -
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江戸名物を歩く - 佐藤孔亮









under construction, please come back !
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- #edomeibutsu #meibutsu #specialitiesedo -
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27 Dec 2015

PERSON - Hozan Tankai


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Hoozan Tankai Risshi 宝山湛海律師 Hōzan Tankai
Hozan Tankai
(1629 – 1716)



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- quote
Preserving the Dharma:
Hōzan Tankai and Japanese Buddhist Art of the Early Modern Era

In this beautifully illustrated book, eminent art historian John Rosenfield explores the life and art of the Japanese Buddhist monk Hozan Tankai (1629–1716). Through a close examination of sculptures, paintings, ritual implements, and primary documents, the book demonstrates how the Shingon prelate's artistic activities were central to his important place in the world of late-seventeenth-century Japanese Buddhism. At the same time, the book shows the richness of early modern Japanese Buddhist art, which has often been neglected and undervalued.
Tankai
was firmly committed to the spiritual disciplines of mountain Buddhism—seclusion, severe asceticism, meditation, and ritual. But in the 1680s, after being appointed head of a small, run-down temple on the slopes of Mount Ikoma, near Nara, he revealed that he was also a gifted artist and administrator. He embarked on an ambitious campaign of constructing temple halls and commissioning icons, and the Ikoma temple, soon renamed Hōzanji, became a vibrant center of popular Buddhism, as it remains today. He was a remarkably productive artist, and by the end of his life more than 150 works were associated with him.
A major reconsideration
of a key artistic and religious figure, Preserving the Dharma brings much-needed attention to an overlooked period of Japanese Buddhist art.

John M. Rosenfield (1924–2013)
was the Abby Aldrich Rockefeller Professor Emeritus of East Asian Art at Harvard University and curator emeritus of Asian art at the Harvard University Art Museums. His recent publications include Portraits of Chogen: The Transformation of Buddhist Art in Early Medieval Japan and extensive entries in Unrivalled Splendor: The Kimiko and John Powers Collection of Japanese Art.
- source : John M. Rosenfield

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Hoozanji, Hōzan-ji 宝山寺 / 寳山寺 Hozan-Ji
奈良県生駒市門前町1-1 / 1-1 Monzenchō, Ikoma-shi, Nara



- quote -
a Buddhist temple in Monzenmachi, Ikoma, Nara, Japan. It is also called 'Ikoma-Shoten' (生駒聖天).
The area around Hozan-ji was originally a place for the training of Buddhist monks. The name of the place at that time was Daisho-Mudo-ji (大聖無動寺).

Mount Ikoma was originally an object of worship for the ancient people in the region, and so this area was selected as a place for religious training. The training area is said to have opened in 655 by En no Gyōja. Many Buddhist monks, including Kukai (空海), are said to have trained in here.

Hozan-ji started when Tankai (湛海) re-opened this training area in the 17th century. Tankai set up a statue of Kankiten at this place in 1678, the official year Hozan-ji was established.

In the Edo period, this temple was one of the most popular Buddhist temples in this region.
- - - More in the WIKIPEDIA !

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- quote -
der Gründer Tankai-Risshi und Hozanji
Seit uralter Zeit verehrt man den Berg Ikoma 生駒山, wo Götter und Heilige wohnen sollen. Die Legende nach soll Enno Gyoja (berühmter Asket im 7.Jhd.) und auch Kobo Daishi (Gründer der Shingon Schule im 10.Jhd.) hier in den Höhlen "Hannyakutsu" , wo sich riesige Felsen und Steine von seltener Gestalt finden, ihre asketischen Übungen praktiziert haben.

Vor ca. 380 Jahren wurde der Hozan Tankai-Risshi (1629 - 1716) in Ise geboren. Er wirkte zuerst im Eitaiji-Tempel von Edo, dem heutigen Tokio. Er kannte sich sehr gut in dem Ritual für Kankiten aus, so dass er damit für den Wiederaufbau des Eitaiji -Tempels, der beim großen Feuer von Edo verbrannt ist, ziemlich viel Spenden sammeln konnte. Das Volk führte dies auf die Wirkung seiner Gebete zurück und bewunderte ihn deshalb sehr.

Danach baute er in Kyoto den Kankiin-Tempel (Kanki-In) und wirkte dort als Abt.
Als er den Ennin-Risshi im Shinhoji in Sakai besuchte, empfing er von ihm die höheren Weihen. Seitdem suchte er weiter nach der wahren Lehre Buddhas. Es genügte ihm nicht, nur im Tempel zu wirken und zu studieren. Im Wald am Fuße des Berges Katsuragi von Yamato fastete er 1000 Tage und am Ende dieser Übungen sah er eine Erscheinung des
Fudomyoou (Acalanatha) und wurde von ihm auf den Berg Ikoma geschickt als den Ort seiner Vervollkommnung.

Am 10.Oktober 1678 kam er mit einigen Schülern auf dem Berg Ikoma an. Ihm wurde die Unterstützung der Dorfbewohner und des Burgvogtes Koriyama zuteil und er baute im Januar des darauf folgenden Jahres die provisorische Haupthalle des Tempels, wo er sich einen lang ersehnten Wunsch erfüllte, nämlich 80,000 Goma-Übungen zu absolvieren.

Damals nannte man den Tempel Daishomudoji.
In den folgenden 10 Jahren vollendete er den Bau der Tempelhallen und änderte den Namen des Tempels in "Hozanji".
Der Tankai-Risshi etablierte "Shoten" - Daishokankiten als Schutzgott des Tempels und strebte danach dort die Ideale des buddhistischen Paradieses zu errichten. Er besaß auch künstlerische Fähigkeiten was die buddhistische Malerei und Bildhauerkunst betrifft. Die Hauptfigur der Verehrung des Tempels und auch mehrere andere Werke sind von ihm selber geschaffen worden.

Des weiteren praktizierte er weiterhin asketische Übungen wie zum Beispiel die der 100,000 Goma und setzte sich als Ziel selber lebend zur Erleuchtung zu gelangen.
Sein Ruhm erreichte den damaligen Machthaber, den Regenten Iehiro, dessen Leiden an einem Geschwür der Tankai durch Gebete geheilt hat.

Der Kinderwunsch des Kaiser Higashiyama und auch des regierenden Shogun Ienori nach einem Stammhalter wurde durch die Einflussnahme des Tankei erfüllt. So fanden sich unter dem Volk und unter den erfolgreichen Kaufleuten immer mehr Anhänger des Tempels und die Anzahl der Gläubigen wuchs ständig und der Trend dieser Beliebtheit hält bis in die Gegenwart an.

Man nennt den Tempel "Shotensan von Ikoma" und man glaubt, dass vor allem weltliche Wünsche Erfüllung finden.
- source : hozanji.com/Hozanji -


生駒山は大昔から神や仙人のようなお方が住む山と周辺から仰ぎあがめられ、巨巌や奇石、幾つかの窟から成る魁偉な姿の般若窟は、寺伝によれば、役行者が梵文般若経を書写して納め、弘法大師も若いころ修行された。
今から三百数十年前、伊勢に生まれ、江戸永代寺に入った宝山湛海律師(一六二九~一七一六)は歓喜天に対する修法に優れ、江戸の大火で焼失した永代寺八幡宮の復興では思わぬ所から金や資材が集まる祈祷の効験を発揮、人々を驚かせた。
その後、京都に歓喜院を建て、独立した。しかし、ある日訪れた円忍律師の教えを受け、堺・神鳳寺(現、大鳥神社)で律師に戒を授かり、真の仏法とは何かを求めることに目覚めた。そして、道場だけの行に飽き足らず、大和葛城山麓の山林で千日不出の木食行を続け、その千日目近く、我が行を完成するにふさわしい山として「生駒山の存在」を、念ずる不動明王に暗示された。
延宝六年(一六七八)十月十日、湛海は数人の弟子と生駒山に入った。村人や郡山藩家老らの援助と協力で翌年正月、五間四面の仮本堂が出来、湛海は念願の八万枚護摩を果たした。寺は当初、大聖無動寺と号した。

- continue reading on the HP of the temple 寳山寺
- source : hozanji.com -


お守り click for amulets from Hozan-Ji !


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source : Thierry Mollandin - facebook -

This temple is officially located in Nara, but many people from Osaka come here to pray and enjoy the vista too.

生駒不動明王 Ikoma Fudo Myo-O
生駒聖天 Ikoma Shoten

. Pilgrimage to 18 Shingon Temples .

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- Reference - Japanese -
- Reference - English -

. Introducing Japanese Haiku Poets .

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Posted By Gabi Greve to PERSONS - index - PERSONEN on 12/25/2015 10:16:00 am

EDO Mingei - nails and poles kugi kui





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. Japanese Architecture - Interior Design - The Japanese Home .
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kugi 釘 nail, hook, Nagel



- quote JAANUS -
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kugi 釘 A nail made of metal, wood or bamboo and shaped according to use.
Traditionally, metal kugi are square, kakukugi 角釘. However there are a great variety of other kugi: flat nails hirakugi 平釘; double pointed bent nails aiorekugi 合折釘; double pointed nails aikugi 合釘; twice bent end nijuu orekugi 二重折釘, a thrice bent nails inazuma orekugi 稲妻折釘; and a bag hanging nails fukurokakekugi 袋掛釘.

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aikugi 合釘
Also kurekugi 呉釘, kirikugi 切釘. A straight nail with both ends pointed. It is made of wood, bamboo, iron, or bronze and used to join wooden boards. Some are round in cross section and others are square kakuaikugi 角合釘.
Note that maruaikugi 丸合釘 refers to a Western type nail, and not a round aikugi.

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aiorekugi 合折釘
Also called oreaikugi 折合釘 or mageorekugi 曲折釘. A type of double-pointed iron nail, square in section, and bent into an L-shape. Used to attach the frames of opaque paper sliding screens fusuma 襖, to a skeletal framework, hammered down so that they are not visible from the exterior. Aiorekugi typically are spaced about 21cm apart.

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asagaokugi 朝顔釘
Lit. morning glory nail. A two-pronged nail bent into a right angle for the purpose of hanging a flower vase. The nail usually is driven into the bamboo lath of a vine-laced, lattice-reed window shitajimado 下地窓, or on the lath of a small window hana-akarimado 花明窓, found at the side of the tea house alcove tokonoma 床の間. The points of this nail are bent around the bamboo lath of the window lattice after it has been pounded in. Typically, morning glories 'asagao 朝顔', are displayed in this vase hence the name, but sometimes other flowers are displayed.

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fukurokakekugi 袋掛釘 Lit. bag hanging nail.
A bamboo or iron nail inserted into the middle post nakabashira 中柱, of a tea ceremony room. It is used to hang up the tea caddy bag, shifuku 仕服. The nail is bent to form a hook with the under part being bent at a right angle and rounded to make it easy to hang up the bag gracefully. A small guard regulates how far the nail is to be hammered into the post. The nail is positioned about 11cm above the horizontal wooden piece which holds the extended sleeve wall sodekabe 袖壁, and terminated by the nakabashira. This prevents the bag from touching the floor. Example: Kohouan 孤篷庵 Daitokuji 大徳寺 (rebuilt by Matsudaira Fumai 松平不昧 flourished ca. 1800), Kyoto.

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hanakugi 花釘
A nail used to hang a flower vase in a tea ceremony room chashitsu 茶室. Some are hammered into the center of the alcove tokonoma 床の間, wall and others are hammered into the alcove pillar tokobashira 床柱. The former is also called nakakugi 中釘 and the latter hashirakugi 柱釘 or tokobashira hanakugi 床柱花釘. All are metal nails, bent up into an L- shape to form a hook.

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inazuma orekugi 稲妻折釘
Also nijuu orekugi 二重折釘. A twice bent nail that is used under the ceiling molding or under the attached lintel for hanging scrolls. They are created by first bending them 90 degrees and then a second time.
If set in a channel, musou shibuichi 無双四分一, nails of this type can also be moved to the left or right and are also used for hanging scrolls in an alcove. In this case, they are called inazuma hashirikugi 稲妻走釘 (running right angle hook). The bottom part is inserted through the opening in the web of the channel, and the prongs are bent so that they hang on the edges of the web. When a pair or set of three scrolls are hung, these special nails can be slid to the position needed.

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jikukakekugi 軸掛釘 / Also jikukugi 軸釘, kakemonokugi 掛物釘.
A hook for hanging scrolls kakemono 掛物 that is made of metal or bamboo and hammered into the upper part of the back wall, or the bottom edge of the ceiling molding of a tea ceremony alcove tokonoma 床の間. Metal jikukakekugi are bent twice to form a three-pronged, trident shape. If made of bamboo, the hook is hammered straight into the wall, or with a slight upward incline in a rustic style tea ceremony room.
Bamboo nails are 0.63cm long and are nailed 2.8cm below the ceiling molding, projecting from the wall. Around the late 16c - early 17c, in shoin 書院 style tea rooms one, three, four or eight scrolls were hung and each had a hook. When three hooks, mitsukugi 三ツ釘, were used, the right and left ones were made smaller and projected 3cm. When a set of three scrolls, sanpukutsui 三幅対, were hung, in a large shoin style room, a board 6-8mm thick, 12-30cm wide and 180cm long was nailed to the bottom edge of the ceiling molding and a groove was made so that the inserted zigzag shaped nails could be moved easily.

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kaiorekugi 貝折釘
Also written 皆折釘. A large, square, angular nail used for wooden or bamboo fences. Its head is bent at right angles but has a gable-shaped top. It varies from 8-9cm to 20-30cm long.

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musoukugi 無双釘 Musokugi
Also musou orekugi 無双折釘. A type of nail used to hang a scroll in an alcove nakakugi 中釘. A nail which is composed of two parts: a sharply pointed tip and a second part which is bent up at a right angle to form a hook. The pointed part is securely driven into the plastered wall of an alcove and the latter part can be inserted into a fixed pocket and removed at will. This type of nail prevents damage to the scroll. It may also be used to hang a flower vase.

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nakakugi 中釘
Also hanakugi 花釘, tokonakakugi 床中釘 (see orekugi 折釘).
A nail hammered into the center of the back wall of an alcove tokonoma 床の間, on which to hang a flower vase or a scroll in a tea ceremony room. The nail is bent in such a fashion that when it is driven into the wall the back of the scroll is not damaged. Most nakakugi are placed about 1 m above the surface of the straw mat tatami 畳, but this distance varies widely, usually from 90cm-150cm, depending on the height of the ceiling.

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nijuu orekugi 二重折釘
Also called kakemonokugi 掛物釘. A type of hooked nail orekugi 折釘.
A square, double-bent nail that is used to hang scrolls kakemono 掛物. The nail head forms a ' コ' shape. A nail with three bends is called sanjuu orekugi 三重折釘.

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noshigata-no-kugi 熨斗形の釘
An archaic term for taru-no-kuchi 樽の口. Also called kanimekugi 蟹目釘 or noshigashira kugi 熨斗頭釘.
A large, half-dome-shaped nail similar to a present day rivet. The WAMYOUSHOU 倭名抄 describes it as a large, high-headed nail, kashiradaka ookugi 頭高大釘. It is used to secure a gable pendant, gegyo 懸魚 or a non-penetrating tie beams, nageshi 長押.

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orekugi 折釘 A type of hooked nail made from one piece of iron.
It is bent at a right angle and is square in cross section. The name is a corruption of orikugi 折釘. Orekugi are used for both the interior and exterior of a tea ceremony house *chashitsu 茶室. There are many different sizes and most have stops or guards which determine the extent to which the nail can be inserted into a wall, post, or molding. Orekugi are named according to their placement, or purpose. There are many types of bent nails.
These include: fukurokakekugi 袋掛釘; musoukugi 無双釘; asagaokugi 朝顔釘; *tokobashirahana kugi 床柱花釘; tokonakakugi 床中釘; tokokakenaka kugi 床掛中釘; and tokootoshikake kugi 床落掛釘.

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sanjuu orekugi 三重折釘
A nail that is bent in three tines at a ninety degree angle.

Like the twice bent nail, nijuu orekugi 二重折釘, it is used to hang various kinds of decorative objects. Also called *inazuma orikugi 稲妻折釘.

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takekugi 竹釘 bamboo nail
Usually the nail is 7.5mm square and made from giant bamboo, madake 真竹 (also nigatake 苦竹). They have a hook on which to hang scrolls and are used in a small room or alcove, tokonoma 床の間. When pounded into a wall, the nail project 27mm with the exterior skin on the upper side. Kobori Enshuu 小堀遠州 (1579-1647) and Kanamori Souwa 金森宗和 (1584-1656) preferred nailing takekugi into a wall with the exterior skin on the under side. Hooked bamboo nails were used in a tea ceremony houses, chashitsu 茶室, kitchen, mizuya 水屋, for hanging up towels used to wipe tea implements.
Bamboo nails made from a smaller variety of bamboo that has a smooth surface with non-protruding joints are used by cabinet makers. Once shaped as nails, they are roasted in an iron pot and therefore have a brownish color.

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tokobashirahana kugi 床柱花釘 / hashirakugi 柱釘
tokonakakugi 床中釘; tokokakenaka kugi 床掛中釘; and tokootoshikake kugi 床落掛釘.
Also hanakugi 花釘. A nail on which a flower vase can be hung. It is nailed onto an alcove post tokohashira 床柱 in a tea ceremony room chashitsu 茶室. Opinion varies on its proper position which ranges from 33cm below the alcove lintel otoshigake 落掛, to 97cm above the straw mat tatami 畳 floor.

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wakugi 和釘
Also called nihonkugi 日本釘. A square nail used during and after the Tumulus period (CE 300-538/552). The nail was made of hand-wrought iron and was from 3cm-60cm long. Wakugi were classified by the shape of the nail head. The oldest nail of this type had a square head. Other heads were flat or spiral in shape. The nails were used to secure roof tiles yanegawara 屋根瓦, to eave ends, *nokisaki 軒先. Double pointed nails were used to join two wooden members to make a line like a seam, nuime 縫目. This method appeared during the Heian period (794-1185). At the Houryuuji Gojuu-no-tou 法隆寺五重塔, 27 different types of nails have been identified, ranging in length from slightly over 3.03,to over 60.9.

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yanagikugi 柳釘
Also yanagikakekugi 柳掛け釘. A nail hammered into a partially plastered post yanagibashira 柳柱 (see youjibashira 楊子柱), usually found in a 4 1/2 mat tea ceremony room chashitsu 茶室. The nail is hammered into the upper part of the post (the unplastered part) and a hanging flower vase is hung from it. According to Sen Soutan 千宗旦 (1578-1658) the nail gets its name from springs of willow draped from the nail at New Years. Examples can be seen at Yuuin 又隠 at Urasenke 裏千家, and Onigawara-no-seki 鬼瓦席 at Koudaiji 高台寺 both in Kyoto.

- source : JAANUS -
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. kasugai 鎹 / かすがい clamp, cramp, cleat, staple .

. yanefuki 屋根葺き roofer, craftsman making roofs .
using nails

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deru kugi wa utareru 出る釘は打たれる "A nail that sticks out will be hammered"
deru kui wa utareru 出る杭は打たれる "A stake that sticks out will be hammered"

. The nail that sticks out . . . .




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kui 杭 - kigui 木杭 Pile
A wooden stake or post driven into the ground.
Closely placed round wooden posts, often shaved to a point, pounded into the ground to form a base that can transfer the down bearing load from the superstructure through the footing, sills, or foundation to the ground. This system has been used from very ancient periods for foundation ground work. Pine logs were most common, but Japanese cedar, sugi 杉, and evergreen oak, kashi 樫, were also used. The stakes had to reach down below the water table, as they decayed if they dried up. In order to strengthen the tip of the kui when driving into hard ground, a protective metal band called a pile shoe, kutsukanamono 沓金物, was sometimes added.

hikaegui 控杭 pole, post
Any upright pole or post added to the inside of a castle wall for extra support. While hikaegui increased the strength of the wall, they did make it more difficult to move around close to the wall on the interior because the light was dim and people could easily fall against these protections.
- source : JAANUS -


国分尼寺守る杭打つ初仕事
Kokubun Niji mamoru kui utsu hatsu shigoto

first work of the year
to strengthen the piles
of nunnery Kokubun-ji


土屋尚 Tsuchiya Masa

. Kokubunji 国分寺 Kokubun-Ji .


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. Legends and Tales from Japan 伝説 - Introduction .

. kugi 釘 伝説 Legends about nails and curses .

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折釘に烏帽子かけたり春の宿
orekugi ni eboshi kaketari haru no yado

On a bent hook
hangs an official's cap,
the lodging house in spring.

Tr. Yuki Sawa

. Yosa Buson - Collection - 蕪村句集 Kushu .


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kugikakushi, kugi kakushi 釘隠し "hiding the nails" nail-hiding ornament

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kugikakushi 釘隠
An ornament used to conceal the head of a large nail on a pressing tie rail *nageshi 長押 and on doors. Made of wood, copper, iron, or gilt bronze. From the Momoyama period techniques of cloisonne *shippou 七宝, inlay *zougan 象嵌, and openwork *sukashibori 透彫, decoration were used, and new materials such as ceramics were introduced. Pre-10c kugikakushi were hemispherical in shape and known as *bai 唄, manjuu kanamono 饅頭金物 (see *manjuugata 饅頭形) or *chichikanamono 乳金物.
From about the 10c, kugikakushi were designed using a circle of flower-petal shapes.
The most common types were the four-petalled *shiyou 四葉, six-petalled *rokuyou 六葉, and eight-petalled *hachiyou 八葉. They consisted of a central projection *taru-no-kuchi 樽の口 (cask plug), a round body *kikuza 菊座, and surrounding petal shapes *zagane 座金.
- source : JAANUS


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雛の間へ一間ごとの釘隠し
hina no ma e hitoma goto no kugi kakushi

to the room with Hina dolls
every room is decorated
with nail-hiding ornaments


Yasome Aiko 八染藍子 (1934 - )

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釘隠しまでも梅鉢あたかかし 
kugi kakushi made mo umebachi atatakashi

even the nail-hiding ornaments
like a plum-blossom
feels so warm  


Gotoo Yahan 後藤夜半 Goto Yahan (1895 - 1976)




umebachi was the family crest of the Maeda clan.
Kaga-umebachi kamon
Umebachi kamon in the shape of an ume blossom is the family crest of the Maedas of Daishoji clan (a branch family of Kaga clan) who originated Kutaniyaki Porcelain. An ume, together with a chrysanthemum, bamboo and an orchid was one of four flowers likened to wise man in old China, and the crest has deep relation with Tenjin faith.
The design is classified roughly into two patterns -realistic pattern and geometric pattern in the shape of ume blossom with five single petals. The Maedas used design to be called Kaga-umebachi that intended particular distinction from other similar family crests in shape of ume blossom.
source : kutanimus-volunteers.com


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啓蟄の日がとどきたり釘隠
小室善弘

春荒れのひと夜や鶴の釘隠し
長崎玲子

水亭は釘隠さへかきつばた
飴山實

行く春や緑青をふく釘隠し
渡部義雄

釘隠良夜の釘を隠しをり
真鍋呉夫

黴の戸の栄枯高きに釘隠
古舘曹人


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. Japanese Architecture - Interior Design - The Japanese Home .


. senryu, senryū 川柳 Senryu poems in Edo .


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Posted By Gabi Greve to Edo - the EDOPEDIA - on 1/25/2015 03:41:00 pm