12 Feb 2017

EDO - Yushima district


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. Famous Places and Powerspots of Edo 江戸の名所 .
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Yushima 湯島    


湯島天神社 / Hirohsige 広重

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Chiyoda-ku, Sotokanda / Bunkyo-ku, Yushima
After the founding of Edo, this area became a residential area for lower rank vassals of the Shogun, and before long the Yushima-Tenjin Shrine monzencho (a town built originally in front of a temple or shrine) developed.
Yushima-Tenjin Shrine was revered as a god of learning by people of every social station, and lotteries were held within the shrine grounds. From the Genroku Era (1688-1704), the shrine dedicated to Confucius was moved from Ueno-Shinobugaoka, and the Shohei-zaka School was established within the grounds, and became a Shogunate government authorized educational facility.
A Shogunate government riding ground (Sakuranobaba) was established to the west of the shrine, and was used as a forge for cannons at the end of the Tokugawa Shogunate government. During the Edo Period, the area surrounding Kanda Myojin Shrine was made part of Yushima.

- - - - - More ukiyo-e about Yushima
広重 / 湯しま天神坂上眺望 / 湯しま天神雪のあくる日 / 湯しま天満宮 / 湯しま天神
- reference source : national diet library : yushima -

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. Yushima Tenjin 湯島天神 .
Tenman-Gu in Dazaifu 大宰府の天満宮 and 菅原道真 Sugawara Michizane

quote
Yushima Tenmangu is a Shinto shrine commonly called Yushima Tenjin. This shrine was originally established in 458 A.D. in order to worship Ame no Tajikarao no Mikoto, one of deities appears in the Japanese myths. Later, in February 1355, the spirit of Sugawara Michizane, a historical figure, was also enshrined to venerate his extraordinary virtue as a scholar.

In October 1478, Oota Dokan (1432-86), a war lord in Kanto region, made the shrine building anew. Since then, many scholars and men of letters including Hayashi Doshun and Arai Hakuseki Confucian scholars in Edo period, have worshiped this shrine.
Nowadays many students visit this shrine to express their reverence to the enshrined spirit as Kami of Learning. Especially in the season of school entrance examinations, young students visit to pray for the success of passing examinations, presenting votive tablets called Ema.

CLICK for more photos
ema 絵馬 votive tablet

The shrine is also famous for beautiful blossoms of Ume (Japanese apricot) in the precinct.
In February and March, "Ume Matsuri"(Ume festival) is held, and it attracts many visitors who enjoy the Ume blossoms.
- source : yushimatenjin.or.jp


. Ame no Tajikarao no Kami 天手力男神 / 天手力雄神 .

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Yushima Seidō 湯島聖堂 Yushima Seido, literally "Hall of the Sage in Yushima"
located in the Yushima neighbourhood of Bunkyō, Tokyo, Japan, was established as a Confucian temple in the Genroku era of the Edo period (end of the 17th century).
The Yushima Seidō has its origins in a private Confucian temple, the Sensei-den (先聖殿), constructed in 1630 by the neo-Confucian scholar Hayashi Razan (1583–1657) in his grounds at Shinobi-ga-oka (now in Ueno Park). The fifth Tokugawa shogun, Tsunayoshi, moved the building to its present site in 1690, where it became the Taiseiden (大成殿) of Yushima Seidō. The Hayashi school of Confucianism moved at the same time.
- - - More in the WIKIPEDIA !

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source : ndl.go.jp/landmarks
本郷湯島絵図 Map of Hongo and Yushima

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- quote
Yushima - Education at Edo's First University
The Kanda River is a man-made waterway that splits the high land around Kanda in half. The steep-walled valley that carries this river (actually a canal) through Edo was dug in 1638, as part of the Kanda Josui (Kanda water supply) project that Tokugawa Iemitsu organised to supply water to the city. Before that, the whole area was one large plateau. Today, however, the river cuts through a deep valley in the neighborhood known as Ochanomizu, separating two hilly districts. To the south is Surugadai, a residential area filled with the homes of lower-ranking samurai. To the north is Yushima, which is the site of Edo's largest schools, and its only "university" -- the Shoheizaka gakumonsho.

The Yushima area has been a center of culture and learning since Edo was built. In addition to all the schools in the area, which were constructed more recently, this district is also home to several influential shrines that were built even before Tokugawa Ieyasu moved to Edo in 1592. One of them -- Yushima Jinja -- has long been associated with knowledge and learning. Yushima Jinja sits on the top of Yushima hill, which is one of the highest points in the city. This shrine has been one of the prominent buildings in the area since the late Muromachi era.

From the top of the hill, there is a fine view out over the housetops of Kanda and Nihonbashi, and the blue waters of Edo Bay sparkle in the distance. As the city of Edo grew, many popular teahouses and restaurants grew up around the shrine. Customers liked to gather for long conversations at the teahouses, to enjoy the fine view of the city. In time, these teahouses became popular meeting places for teachers, students, academics and artists. They would hold meetings where they would eat, study, discuss important issues, play shogi (Japanese chess) and enjoy the wonderful view.

However, our destination today is not Yushima, which is several minutes walk from the Kanda River, but a smaller hill much closer to the river, known as Shoheizaka. This hill is named after the area where Confucius was born, and it gets its name because it is the main center of Confucian learning and education in Edo. The hill is covered by a cluster of large buildings that house Edo's main gakumonsho (school district). At the center of the district is the official government daigaku (university) established by the first shogun and run by the Hayashi family, who are the hereditary leaders of this university.

Shortly after Tokugawa Ieyasu became shogun, in 1603, he convinced a well-known Confucian scholar from Kyoto, named Hayashi Rinzan (Hayashi Razan), to move to Edo and become one of his main advisors. He needed a very intelligent individual who knew a great deal about government and social structure, and Rinzan was just the man. He helped Ieyasu design the structure for his bakufu government, and develop a set of laws to govern the country. Rinzan built his home in the area near Yushima shrine, and when he was not advising the shogun he gave lectures and tutored the children of leading daimyo and other top government officials.

Many years passed and Rinzan was no longer as busy helping the shogun plan government policy. However, demand for his tutoring continued to increase, so at last he decided to ask the shogun if he could set up his own private school, so he could offer more formal classes. When Ieyasu heard of this plan, he immediately commissioned Rinzan to set up an official government university, to serve all of the samurai families in Edo. He made Hayashi Rinzan the daigaku-no-kashira (head of the university) and decreed that Rinzan's descendants would always inherit this position.



Education is considered very important in Japan. Even farmers in rural areas send their children to the local Buddhist temples to study, or have tutors visit. In the urban areas, well over 90% of the population can read and write. The Buddhist temples across the country play an important role in education. Most Buddhist scriptures are written in Chinese, so in order to understand them, Buddhist monks and priests must study both Japanese and Chinese for many years. Buddhist scholars often travel to China to study, and they bring back many Chinese documents -- not only religious texts, but also books on literature, history, philosophy and so on. For this reason, most Buddhist temples have become centers of knowledge and education. In fact, Hayashi Rinzan was a Buddhist monk before he came to Edo to become Tokugawa Ieyasu's advisor

Ieyasu ordered Hayashi Rinzan to establish a large school that would be open to all children of the samurai class. The working-class people continued to get their education from monks and lay-teachers at the local temples, but Rinzan's new school was to be the main center of learning for the upper classes. Rinzan built the first gakumonsho near his home. It consisted of separate classes for different studies, such as writing, literature, poetry, history, government, and so on. The school was a big success, and it continued to grow steadily.

After Rinzan died, the school was taken over by his son, Hayashi Gaho, who developed a set of courses in different subjects, and who continued to build the reputation of the school. He was succeeded by his son, Hayashi Hoko, who many consider the most influential of all the daigaku-no-kashira. The fifth shogun , Tsunayoshi, was a private student of Hoko, and his early years as a student had a great impression on him. Tsunayoshi was not very athletic, but he loved reading and education. After he became shogun , he tried to repay his old teacher by paying to expand the school that Hayashi Rinzan had founded. In 1691, the shogun set aside a large area of land in Yushima to build larger and more suitable buildings where students could come to study. The area was named Shoheizaka (Shohei hill ) after the place where Confucius was born.

Tsunayoshi believed that education should be available to all people of Edo, so he decreed that the school should be open not only to samurai, but also to lower-class people such as merchants, artisans and farmers, as long as they could afford to pay the school fees. In practice, though, only a few rich merchants were able to send their children to this school. Still, the public lectures held each morning are often attended by commoners, and Yoshitsuna and later shoguns contributed funds to help expand the temple schools (tera-koya ), where the majority of lower-class people get their education.

Today, the gakumonsho is run by the great-grandson of Hayashi Rinzan. Although it has lost some of its influence, and it is no longer quite as open to students from the lower classes, it remains the most important school in Edo -- and probably in all of Japan. There are no grades in the gakumonsho; young and old students attend classes together, though in most of the classes they are separated according to ability. New students start out in courses that teach reading and writing. Younger instructors work with the students one-on-one, teaching them to read and write. At first, the students simply recite the pronunciation of characters and practice writing them. Depending on how quickly the student learns, this phase of study can take anywhere from a few months to two years. There are thousands of characters to learn, and the student must study very hard to learn them all.

After they have developed acceptable reading and writing skills, the students enter classes in reading, literature and mathematics. These classes usually have a few dozen students, and they take turns reading out loud from translations of some of the Chinese Classics, or from famous works of Japanese literature. This not only gives students a basic knowledge of the most important books, but it also helps them improve their reading and comprehension.

The higher-level classes are broken down by subject; for example, students may study history, government, poetry, literature or some other topic. In these classes, the teacher's role is mainly just a moderator. Students debate and discuss with one another the meaning and interpretation of various classic books. A passage will be selected and one student will give a speech explaining their intrepretation. Their classmates will listen, then debate the various interpretations with one another. The teacher may offer suggestions to get the discussion going, but will usually just listen as the students debate. Later, the teacher will give a lecture (often at one of the morning public lectures) and provide their own interpretation of the passage. This method helps the students improve their understanding as well as their debate and discussion skills.

The instruction at tera-koya (temple schools) is similar to that at the gakumonsho, but very few students pass beyond the first two stages, which teach reading, writing, literature and mathematics. Math skills are particularly important for merchant families, and nearly everyone learns how to use a soroban (abacus) in their first year at school. Although boys and girls are kept in separate classes at the tera-koya schools, girls receive nearly the same type of instruction as the boys. At some schools, girls make up nearly half of the total number of students.
This is much more than in rural areas, where girls tend to go to school for only a few years.
- source : Edomatsu


. Shooheizaka Gakumonjo 昌平坂学問所 Shoheizaka Gakumonjo .
and other gakumonjo 学問所 Academies of Higher Learning in the Edo period

. Hayashi Razan 林羅山 (1583-1657) . - Confucian Scholar

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- - - - - H A I K U and S E N R Y U - - - - -



猿飴の湯島の宮の七五三
saruame no Yushima no Miya no shichi go san

the Shichi-Go-San festival
at Yushima Shrine
with Monkey Sweets

Tr. Gabi Greve

. Mizuhara Shūōshi 水原秋櫻子 Mizuhara Suoshi (1892-1981) .

. shichi go san 七五三 "seven five three" ritual .
- - kigo for early winter - -


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- - - To join me on facebook, click the image !

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. Kanda 神田 Kanda district  .

. Japanese Architecture - Interior Design - The Japanese Home .

. Famous Places and Powerspots of Edo 江戸の名所 .

. Doing Business in Edo - 商売 - Introduction .

. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

. senryu, senryū 川柳 Senryu poems in Edo .

. densetsu 伝説 Japanese Legends - Introduction .


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Posted By Gabi Greve to Edo - the EDOPEDIA - on 10/24/2015 09:56:00 am

9 Feb 2017

EDO - Kanda district



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. Famous Places and Powerspots of Edo 江戸の名所 .
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Kanda 神田 Kanda district   

神田 "field for the gods" :
The land was under the directive of Ise Jingu Shrine to grow rice for the Shrine offerings.
Kanda has a lot of sub-districts, one of the most famous modern is
Jinbōchō 神保町 Jinbocho - the largest bookstore district in Japan.


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Kanda (神田) is a district in 千代田 Chiyoda ward, Tokyo.
It encompasses about thirty neighborhoods. Kanda was a ward prior to 1947, when the 35 wards of Tokyo were reorganized into 23.
It is home to the Kanda Myojin (Shinto) shrine, devoted to Taira no Masakado, who led a rebellion against the central government during the Heian period. In the Edo period, the shrine's festival was one of the three most famous in the city.
Kanda is also the home of the Tokyo Resurrection Cathedral which was built by Nicholas of Japan and is the main Cathedral of the Japanese Orthodox Church.
A popular Japanese television series, Zenigata Heiji,
features a fictitious police patrolman (the title character) whose beat is Kanda. Near the end of every show, Heiji fells the bastardly villain by throwing a coin at him.
- Neighborhoods in Kanda (a long list to check)

The Kanda River (神田川 Kandagawa)
stretches 24.6 km from Inokashira Park in Mitaka to the Sumida River under the Ryōgoku Bridge at the boundary of Taitō, Chūō, and Sumida. Its entire length lies within Tokyo, Japan. It drains an area of 105.0 km².
The government of Japan classifies it as a Class I river. ...
- - - More in the WIKIPEDIA !



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Kanda 神田
During the Tokugawa shogunate, the Kanda district used to lie at the heart of Edo and constituted the "uptown"
(as opposed to "shitamachi" areas like Asakusa), where nobles and rich businessmen lived, close to the Imperial palace.
It is now a mixed of business district, universities, shrines, pachinko parlours and adult shops. The area around Kanda station itself is of little interest to short-term visitors. Most of the sights are located around 御茶ノ水 Ochanomizu station, in northern Kanda.
The Kanda Matsuri,
Tokyo's second biggest traditional festival (after the Sanja Matsuri in Asakusa) takes place early May at the Kanda Myōjin. During the Edo era, it was one of the few "matsuri" allowed to enter the grounds of Edo Castle. ...
Ochanomizu 御茶ノ水 (literally "tea water")
is the name of a station in the northern part of the Kanda neighbourhood. Ochanomizu is not in itself an official district nor a postal address.
The area covers the districts of Kanda-Surugadai (神田駿河台) and Soto-Kanda (外神田).
The place was named after the river from which water was extracted to make the shōgun's tea during the Edo period.
Jimbochō 神保町 (Jinbocho)
is Tokyo's bookshop district. Like Ochanomizu it is only a station name, serving western Kanda. It is an academic neighbourhood with lots of schools and two universities (Meiji Daigaku and Nihon Daigaku) reaching as far as Ochanomizu station. The area therefore abounds with students. Jimbochō's bookshops offer everything from rare, antique books to hentai manga. Most of the shops are concentrated along the Yasukuni-dōri Avenue and are small and privately owned.
Sanseidō is the only big bookshop spreading a several floors. It is located at crossing of Yasukuni-dōri and Meiji-dōri Avenues. You will find plenty of English books (and some French and German ones too) at the 5th floor.
- source : wa-pedia.com/japan-guide -

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Kanda - The Estate of Lord Matsudaira 松平屋敷
A short distance from Nihonbashi, just to the north of the high-class shopping districts occupied by the leading merchants, Mitsui Echigo-ya, Ise-ya and Maru-ya, the land rises suddenly from the flat, low-lying districts of the shita-machi (downtown) area to a green, tree-studded plateau. This is the Kanda district, which marks the southwest fringe of the Yama-no-te, the hilly half of the city, where most wealthy samurai have their estates.

When Edo was first built, there was a very large hill in this area known as Kanda-yama. It was the highest point in the entire area, rising above even the neighboring hill where Edo Castle now sits. Tokugawa Ieyasu had his men level this hill, and use the excavated earth to fill in the marshes along the shores of the bay. That is how the downtown area was reclaimed from the sea. Today, all that is left of Kanda hill is a low, flat-topped plateau that overlooks downtown Edo. Since it is located close to Edo Castle and also close to the center of town, many of the leading officials in the Shogun's government have their homes in Kanda. One of these officials is my master, Lord Matsudaira, who is a member of the six-man committee which directly advises the Shogun.

Matsudaira is a very noble family name, since all members of the Matsudaira clan are closely related to the Shogun. In order to ensure that there are no serious squabbles over the succession to the position of shogun, everyone who is more than two generations removed from the current shogun must give up the name Tokugawa and choose another name. Many of the people who had to choose a new family name -- particularly those that were closely related to the first shogun (Ieyasu) or the third shogun (Iemitsu) -- took the name Matsudaira. Although they no longer are considered members of the Shogun's "family", the Matsudairas all maintain close links to the central government, and many of them hold top positions in the bakufu (military government), or in the government of Edo.

Lord Matsudaira's estate is in the center of a neighborhood known as "uchi-Kanda" (inner Kanda). About fifty years after Kanda hill was leveled to build downtown Edo, workmen dug a canal through the middle of the plateau to carry water from the rivers to the northwest of the city into the Sumida river. This was part of the elaborate water system that now supplies Edo with drinking water. The canal was named "Kanda-gawa" (the Kanda river) and since it split the plateau in half, the part closest to Edo castle acquired the name "uchi" (inner) Kanda and the part on the opposite side of the river took the name "soto" (outer) Kanda.


Distribution of Daimyo Yashiki around Edo castle

The Matsudaira estate, like most of the manors maintained by influential samurai, is entirely surrounded by a high wall, whitewashed on the outside and surmounted by an overhanging tiled roof. The roof serves two purposes -- it helps reduce the impact of rain on the packed-earth-and-plaster walls, and it makes it harder for an intruder to climb over the wall. The front gate to the residence is also very solid and imposing. A guardhouse is located right near the gate, and the quarters of the Daimyo's personal guard are right nearby. All high-ranking samurai are allowed to maintain their own private corps of guards at their residences, though there are strict rules on how many men a certain daimyo can employ and how many are allowed to travel with him through the city streets when he goes out.

The wall, the guardhouse and the private bodyguard are all relics of the old days, when leading warlords did not yet trust one another. During the period of civil war, a daimyo's residence was like a small fortress, and the defensive measures were often put to use. Competing daimyo frequently tried to raid one another's manors in Kyoto or one of the other major towns. The rules on the size of each "private army" in Edo were designed to ensure that the daimyo felt safe at home, but would not have enough men to organize an effective revolt against the Shogun. Nowadays, though, the rules are largely ceremonial, and the number of men in the private bodyguard are simply a mark of a person's rank and status.

Once inside the imposing wall, the Matsudaira estate looks like a park. There are acres of beautiful, carefully tended gardens filled with flowers and dotted by ponds and streams. The estates of the major samurai are meticulously maintained by gardeners and servants, and in some cases, these beautifully landscaped gardens almost seem like a paradise. Most of the land inside the estate is actually taken up by these gardens.

Matsudaira yashiki (Matsudaira's manor)
is an ornate, sprawling building with many wings leading off in different directions, yet it looks small compared to the vast sprawl of the estate. The building is located next to a small pond, which provides a fine view from the main building. Originally, though, it also had a more practical function, as a line of defence against attack, and a source of water in case the manor came under seige.

The building has dozens of rooms, walkways and semi-detached apartments, since it is home to not only the entire Matsudaira family, but all their servants and retainers as well. The complex can be divided into several sections on the basis of their function. At the center, and facing the front gates, are the rooms where the daimyo meets visitors and conducts business. The household staff lives in small rooms on the wings that lead off from these large, central meeting halls.

To one side of the central halls are the kitchens and storerooms. These are usually located close to the quarters where household staff sleep. These two parts of the house tend to be the busiest. There are people bustling to and fro all day. The guards, as well as visitors to the manor, never go into the private apartments at the rear of the manor; therefore, the main halls and the servants quarters are where most people in the household spend their time. The kitchens are often huge halls detatched from the main buildings. A daimyo's manor needs to have a big kitchen. Since there can be well over a hundred people living on the estate of a high-ranking daimyo, it is a full-time job for several cooks and assistants just to keep everyone in the household fed. Behind the large building at the the front of the manor, and attached to it by long corridors or covered walkways, is the main residence. There are several wings, each occupied by one of the daimyo's wives or one of his elder children. Their private rooms, as well as the quarters of their personal servants, are clustered together. The rooms are arranged with communal living space, kitchens and guest rooms in the front, and the women's quarters furthest back.

Also located near the back of the manor complex are the washrooms and toilets. These are usually at opposite ends of a corridor in the rear of the building. The baths are a very important part of a daimyo's manor. The Japanese love to soak in a hot o-furo (bathtub) at the end of a long day. Nothing else is quite so relaxing in the evening as a nice, hot bath.

Although some of the central buildings are quite impressive, with high, soaring roofs of ceramic tile, most of the manor has only one story, perhaps with a loft for storage or for the servants to use as sleeping quarters. This is largely a practical matter. Although two and three-story buildings are quite common in the downtown area, the upper rooms of large buildings can be unbearably hot in the summer. One-story structures with wide doorways and breezeways are much more comfortable during the long, hot summer months.

There are few furnishings inside the manor. The main meeting rooms are covered with tatami (straw mats), and there is hardly any furniture apart from cushions to sit on (zabuton) and perhaps a small table or a wooden armrest for the daimyo to lean on. When guests eat in these halls, portable wooden table-trays are brought in with the food already on the table. After the guests finish eating, the tables are taken away, along with all the dishes.

In the private apartments, there are a few more furnishings. The women, in particular, may have a number of small tables or stands to put trinkets and jewelry. The daimyo's wives and daughters will probably have small tables in their bedrooms, a large chest or a rack for hanging kimono and a vanity table where they can put on their makeup.

In the evening, the servants will bring in a few lanterns. These are wooden or metal stands with a small oil lamp on top, and a large paper shade on top to block any wind that might blow out the lamp. The only other piece of furniture that is commonly found in people's homes are folding screens, made of wood frames covered by paper. These screens are used mainly for decoration, and they are usually painted with beautiful scenes in vivid colors. The screens are also used to provide a measure of privacy. There are many people in the manor, and particularly in the summer time, all of the sliding doors (shoji are left open to provide a breeze. Therefore, when people are changing clothes or sleeping, they set the folding screens around their bed to provide some privacy.
- source : Edomatsu

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. Daimyoo yashiki 大名屋敷 Daimyo Yashiki Residence .
There were three types in Edo :
shimo yashiki 下屋敷 / naka yashiki 中屋敷 / kami yashiki 上屋敷

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- - - Kanda subdistricts featured in the Edopedia 神田 :

Daikuchoo 神田大工町 Kanda Daikucho, carpenter district

Iwamotochō 神田岩本町 Kanda Iwamotocho

Kamakurachoo 神田鎌倉町 Kanda Kamakuracho

Kajichoo, Kajimachi 神田鍛冶町 Kanda Kajicho

Kijibashi 神田雉子橋 Kanda Kiji-Bashi Bridge

Konyachō 神田紺屋町 Kanda Konyacho

Renjakuchoo, Renjaku machi 神田連雀町 Kanda Renjaku-Cho

Shirakabechoo 神田白壁町 Kanda Shirakabe-Cho

Surugadai 神田駿河台 Kanda Surugadai



. Shrine 神田明神 Kanda Myojin .
at Soto-Kanda (across the river), between the Ochanomizu and Akihabara Stations.
and
Taira no Masakado 平将門 (? – 940)

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- - - - - More to explore :

Higashi-Kanda 東神田 Higashi Kanda
Nishi-Kanda 西神田 Nishi Kanda
Soto-Kanda - 外神田 Soto Kanda - 秋葉原 Akihabara
Uchi-Kanda 内神田 Uchi Kanda

Aioichō 神田相生町 Kanda Aioicho
Awajichō 神田淡路町 Kanda Awajicho
Hanaokachō 神田花岡町 Kanda Hanaokacho
Higashikonyachō 神田東紺屋町 Kanda Higashikonyacho
Higashimatsushitachō 神田東松下 Kanda Higashimatsushitacho
Hirakawachō 神田平河町 Kanda Hirakawacho
Izumichō 神田和泉町 Kanda Izumicho
Kitanorimonochō 神田北乗物町 Kanda Kitanorimonocho
Matsunagachō 神田松永町 Kanda Matsunagacho
Mikurachō 神田美倉町 Kanda Mikuracho
Misakichō 三崎町 Misakicho (borders Nishi-Kanda)
Mitoshirochō 神田美土代町 Kanda Mitoshirocho
Neribeichō 神田練塀町 Kanda Neribeicho
Nishifukudachō 神田西福田町 Kanda Nishifukudacho
Nishikichō 神田錦町 Kanda Nishikicho
Ogawamachi 神田小川町 Kanda Ogawamachi
Sakumachō 神田佐久間町 Kanda sakumacho
Sakumagashi 神田佐久間河岸 Kanda Sakumagashi
Sarugakuchō 猿楽町 Sarugakucho (borders Surugadai)
Sudachō 神田須田町 Kanda Sudacho
..... - reference source : KANDA SUDACHO archive-japanasitis -
Tachō 神田多町 Kanda Tacho
Tomiyamachō 神田富山町 Kanda Tomiyamacho
Tsukasamachi 神田司町 Kanda Tsukasamachi




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. Japanese Legends - 伝説 民話 昔話 – ABC-List .

Kanda Myoojin 神田明神 Kanda Myojin and Taira no Masakado 平将門
Madakado was a very strong man and could fight seven people all alone. When Tawara Tōda 俵藤太 "Rice-bag Tōda" finally cut off his head, the head still kept pursuing him, and finally came to rest in Kanda. It did not die for seven days and kept the eyes rolling, watching people.
Finally Masakado's head mound was erected and the Shrine Kanda Myojin built to appease his soul.
Masakado became the protector of 弓矢の守護神 warriors fighting with bow and arrow.

Kubizuka 将門塚 Head Mound of Masakado and the Toad
When Mitsui Bussan tried to build an office 三井物産ビル, they wanted to buy the land with the 将門塚 Head Mound Kubizuka of Masakado. But they were afraid of the curse of Masakado 将門の祟り and bought a different plot.


When 若王子信行 Wakaoji Nobuyuki (1933 - 1989) was kidnapped in the Philippines in 1986, the company 三井物産 Mitsui Bussan prayed for his safe return.
They made an offering of a huge gamagaeru ガマガエル toad to the 将門塚 Masakado Mound.
(-gaeru, kaeru is a pun with 帰る to come home safely.)

. Taira no Masakado 平将門 / 平將門 Legends .

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. Yanagimori Jinja 柳森神社 Shrine .
千代田区神田須田町2-25 Chiyoda, Kanda, Sudacho
venerating
o-Tanuki san おたぬきさん the honorable Tanuki badger



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- reference : Nichibun Yokai Database -

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. Japanese Architecture - Interior Design - The Japanese Home .

. Famous Places and Powerspots of Edo 江戸の名所 .

. Doing Business in Edo - 商売 - Introduction .

. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

. senryu, senryū 川柳 Senryu poems in Edo .

. densetsu 伝説 Japanese Legends - Introduction .


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--
Posted By Gabi Greve to Edo - the EDOPEDIA - on 10/06/2015 09:14:00 am

5 Feb 2017

EDO - Tsukiji Kabuki

https://edoflourishing.blogspot.jp/2015/10/tsukiji-district-kabuki-tsuji.html

Tsukiji district Kabuki tsuji

[ . BACK to DARUMA MUSEUM TOP . ]
. Famous Places and Powerspots of Edo 江戸の名所 .
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Tsukiji 築地 and Kabuki    
and tsuiji 築地 fences


The name Tsukiji is mostly associated now with the fish market.
. Tsukiji Fish Market 築地市場 .
and
Nihonbashi Uogashi 日本橋魚河岸 
Shrine Tsukiji Namiyoke Inari Jinja 波除稲荷神社 "protection from waves"
The fish market of Edo in Nihonbashi was moved to Tsukiji after the Great Kanto Earthquake in 1923.
and recently
Toyosu Food Market 豊洲市場 "Toyosu Shin Shijo"
and its problems since Autumn of 2016.

Here we are concerned with another aspect of the district - Kabuki Theater 歌舞伎.



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- quote
Tsukiji - Visit to a Kabuki Theater
There are many different types of entertainment in Edo, appealing to people of all sorts of tastes and classes. In addition to the frequent festivals at local temples or shrines, those who enjoy sports can often take in a horse race or a sumo tournament. Those who enjoy more sedate forms of entertainment may go to a musical performance, or go to see the professional comedians at rakugo (comedy story) theaters. Wealthy samurai and even some merchants will often take in a performance of noh -- an ancient and "high-class" type of drama. However, for most of the people in Edo, the most popular form of evening entertainment is the popular theater -- kabuki drama.

The main kabuki theaters in Edo are located in the Tsukiji neighborhood. This form of drama is extremely popular with the lower classes, and wealthy merchants often contribute large amounts of money to help support companies of kabuki actors. Almost everyone in Edo knows the names of the most famous actors, and some famous artists have published books of pictures showing the top kabuki actors dressed in their gaudy and colorful costumes. In the early years of the Edo shogunate, kabuki drama was viewed as vulgar and a corrupting influence. For that reason, samurai were forbidden to attend. Although the rules are still officially in effect, nowadays kabuki has become popular with all classes, though high-ranking samurai will usually wear a disguise if they attend a public performance.

The top kabuki theaters are all located in an area near the Nishi Honganji temple. This temple is a branch of the Nishi Honganji temple in Kyoto, a very old and powerful temple, the headquarters of the Jodo ("pure land") sect of Buddhism. The temple is very important and powerful, with close connections to the family of the Emperor. Even this branch temple in Edo is a huge and imposing building. It is one of the few large temples left in the center of the city. The others all moved to the suburbs after the great Meireki Fire, in 1656. The main hall of the temple towers above the roofs of all the surrounding buildings, and it can be seen from far away. Boats sailing into Edo Bay even use it as a landmark to tell what direction to sail as they approach the city.

The neighborhood surrounding the temple is a crowded, bustling clutter of row houses, small shops, piers and warehouses. Tsukiji is home to most of the dockworkers and boat pilots who transport goods throughout the city. Apart from the Fukagawa neighborhood, on the opposite bank of the Sumida River, Tsukiji is the most "blue-collar" district in the city. Since this area is a center of the shomin (working-class people) in Edo, it is no surprise that it also is the headquarters of most kabuki groups.

Several different kabuki acting companies operate theaters in the Tsukiji area. Kabuki acting is a closed profession -- only members of certain families can become actors. Although there are several minor families, the four main family names in kabuki acting are Nakamura, Ichikawa, Ichimura and Onoe. All of the actors in kabuki dramas are men. The female parts in the dramas are played by actors called onnagata, who specialize in women's roles. The onnagata ("woman-style actor") spend their entire lives practicing to act and speak like women. Some of them even insist on wearing women's clothes when they are not on stage, so they will become used to behaving like a woman all the time. This training is very effective -- when you see them on stage, it is hard to tell that the onnagata are really men.

Originally, many -- if not most -- of the actors were women. In fact, the person who invented kabuki was a woman. Her name was Okuni, and she was originally a shrine attendant at the Izumo shrine. She did a lot of traditional noh acting, but she wanted to do something a bit more exciting and less formal. (although the high-class officials like noh, many people from the lower classes think it is incredibly boring!) She began acting in her own dramas at a makeshift stage in Kyoto, and the new style of acting became so popular that soon many kabuki companies had been formed. Unfortunately, the performances in Edo soon got to be very bawdy, and many people started going to the performances just to watch the beautiful women and their sexy costumes.

The Shogun decided that these performances were getting out of hand -- some of them had become almost like striptease shows -- so a law was passed making it illegal for women to act in kabuki dramas. In the long run, this was good for kabuki, because it forced people to concentrate on writing good dramas and acting, instead of just having plenty of beautiful women in revealing costumes. One of the most famous playwriters, named Chikamatsu Monzaemon, started to work at about this time, and he helped change kabuki completely. Monzaemon was one of the first professional playwrights in kabuki. Before the Shogun outlawed women actors, most plays had been written by the actors themselves. Monzaemon could be considered the "Shakespeare of Japan", because every playwright who came after him has been influenced by his work.



The kabuki theater is a fairly large building with elaborate decorations framing the entrance. In addition to elaborate carvings over the wooden doorway, there are also many brightly-colored posters of the top actors and "actresses" plastered around the entrance to the theater. Some of the younger kabuki actors are waiting at the entrance to welcome people to the theater and to sell tickets. The acting company is organized along a very strict hierarchy. Everyone in the acting troupe has a rank, and knows who is their superior and inferior. The top actors always get the lead roles in the plays, and they are allowed to order around the younger members of the company. Younger kabuki actors must spend many years doing all of the "dirty work", and studying from their superiors before they get a chance to act. If they are not very talented, they will probably spend most of their career chanting or playing a musical instrument in the "orchestra" which accompanies the performance. However, if they are good at acting, they may rise to play one of the secondary roles in a major production. Depending on the crowd's reaction, they might even get to be a leading actor or the lead onnagata one day.

The kabuki theaters all have a similar sort of layout -- on the first floor are cubicles with tatami mats, where the wealthier spectators sit -- sort of like "box seats". The stage is in the very front of the theater, but a long, narrow extension of the stage runs down one side of the hall to the center of the audience. This is called the hanamichi ("flower path"). When an actor is performing a very emotional scene, they will walk down the hanamichi, and deliver their lines from the very center of the audience. The people in the very best seats could literally reach out and touch the actor. This is often the high point of the drama, and the impact on the audience is tremendous.

On the opposite side of the stage from the hanamichi is a tall screen, and behind the screen sits the "orchestra" which accompanies the play. Kabuki dramas are not really "musicals", since the actors do not sing. However, the orchestra plays background music to accompany most of the scenes, and from time to time one of the actors (especially one of the onnagata) may perform a short dance.

On three sides of the theater are balconies where poorer people can get inexpensive tickets. However, even many of the wealthier people think it is more fun to watch kabuki from the balcony. People are much rowdier and more relaxed. Also, many of the actors have their own "fan clubs" who sit in the balcony and shout out cheers of encouragement at certain points in the drama.

Kabuki dramas are always very colorful and dramatic. The actors have developed all sorts of "special effects" that make the drama even more interesting. For example, there are many trap doors in the stage and behind the scenery, so actors often appear on stage suddenly, as if from nowhere. Another technique that the actors use is to wear one costume underneath another. Stage hands are waiting behind the curtain to help them get one costume off quickly. With practice, they can change into a completely different costume in just three or four seconds . The crowd is amazed when an actor dressed as an old man walks off the stage in one direction and appears a split second later on the opposite side of the stage dressed as a young samurai. It almost seems like magic!

Perhaps the most famous kabuki drama is the "Chushingura". This play is adapted from the story of the 47 samurai , and the people of Edo love to watch it. However, the bakufu has rules against any play that depicts people or events that have occurred recently. They don't want kabuki to be used as a way of complaining about the Government or satirizing unpopular people. Therefore, the story in the Chishingura has been changed slightly, and the setting has been moved to Kamakura in the 1200s. Of course, everyone knows what the drama is really about, so it doesn't make any difference that the "names were changed to protect the innocent".
- source : Edomatsu

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. Kabuki Theater 歌舞伎 .
kumadori 隈取 painting of the face and more


. WKD : Edo Sanza 江戸三座
the three famous Kabuki theaters of Edo .


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Tsukiji no tatsujin 築地の達人 Great masters of Tsukiji
Three different root vegetables pickled in Soy sauce:
「江戸ごぼう」- 「江戸歌舞伎漬」 - 「おかか生姜」

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source : library.metro.tokyo.jp/portals

Tokyo Tsukiji hoteru kan 東京築地ホテル館 Tokyo Tsukiji Hotel Building
歌川芳虎 Utagawa Yoshitora, 1870
The first Western-style hotel in Tokyo.



Poster Print by Utagawa Hiroshige III (1843 - 1894)
source : amazon.com/ ...

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. Dolls with Kabuki Makeup .




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The word 築地 tsukiji (tsuiji) is used for other things.

. 築地 - tsuijibei 築地塀 Tsuiji wall, tile-roofed mud wall .


. Japanese Legends - 伝説 民話 昔話 – ABC-List .

奥州菊田郡泉村に判官屋敷という築地の跡がある。その中を耕作すると祟りがあるという。これは磐城判官だった正氏という人が住んでいたところだという。

築地にあった御救小屋が愛宕に移されたのは夜中に焼死者の幽霊が出るためだという。しかしその正体は人を驚かして物を盗ろうとした盗賊だった。

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京都府 Kyoto



Neko no magari 猫の曲り "The Cat Corner"
The corner of the South-East 築地塀(ついじべい) Tsuiji fence of temple To-Ji is called "Neko no Magari" and is feared as a place where ghosts and spooks reside. If people pass around this corner, they will experience misfortune. So even today a bridal procession will never pass along this corner.
This explanation goes back to the Heian period and the belief in the animal deities of the Four Directions. A statue of each one had been erected at the appropriate corner of the temple.
The statue of Byakko 白虎, the White Tiger in the West, had looked very much like a cat and people called it neko no magari-kado 猫の曲がり角 , the corner where the cat turns. But the statue had been removed at the beginning of the Meiji period.
Careful, maybe the protector deity of the West had been mis-placed in the South-East for some unknown reason and thus caused trouble ?!

There is another simpler explanation:
Since this corner is located in daily sunshine, many alley cats have come to live here.

. 東寺七不思議 Seven Wonders of Temple To-Ji .

. "Tozai Nanboku 東西南北" - the Four Directions .

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Tsukubai no Tsuji 蹲踞辻

One corner of the fence around the 京都御所 Kyoto Gosho Imperial palace is called Tsubaki no Tsuji.
Is people pass here late at night, they often suddenly get lost and loose their way.

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長野県 Nagano 小県郡 Chiisagata district 武石村 Takeshi

お仙ヶ淵 Osengafuchi - 大蛇 Huge Serpent
Once upon a long time,
three siblings suddenly came along and took up residence in the village. The oldest was sister お仙 O-Sen, next was brother 庄兵衛 Shohei and the youngest was 金次郎 Kinjiro. But shortly after they came, things in the village went awfully wrong. Almost every night some cattle was stolen. And often some large scales from 大蛇 a huge snake were left behind. The villagers soon realized that the three siblings were in fact large serpents and tried to get rid of them. But they were much afraid of a curse of the serpent, if they would harm the animals.
So they decided to declare them as deities and hold rituals for them.
O-Sen was worshipped at お仙ヶ淵 O-Sen-ga-fuchi, Shohei at 築地原の菖蒲池 the pond Shobu-Ike at Tsukijihara and Kinjiro at the pond 金次郎池 Kinjiro-Ike.
After that, the stealing and killing of their cattle stopped in the village.


お仙ヶ淵 Osengafuchi

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- reference : Nichibun Yokai Database -

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. Japanese Architecture - Interior Design - The Japanese Home .

. Famous Places and Powerspots of Edo 江戸の名所 .

. Doing Business in Edo - 商売 - Introduction .

. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

. senryu, senryū 川柳 Senryu poems in Edo .

. densetsu 伝説 Japanese Legends - Introduction .


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KAPPA TENGU - Korinbo Fukuoka


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. Tengupedia - 天狗ペディア - Tengu ABC-Index .
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Koorinboo 宰府高垣高林坊 / 宰府高垣高森坊 Korin-Bo
Korinbo, Saifu Takagaki - Fukuoka


He is one of the
. 四十八天狗 48 Important Tengu of Japan .

He lived on Hoomanzan 竈門山(宝満山) Mount Homanzan, on the border between 筑紫野市 Chikushino
and 大宰府町 Dasaifu.



Mount Hōman
The mountain is about 830 m high.
It is an important site for Shugendo, and a famous place for rock climbing.
- quote wikipedia-


杖道発祥の地 Mount Homanzan is the place where"the Way of the Stick" to defend oneself originated.

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- quote -
Jōdō 杖道 Jodo literally means the way of the stick.
Shinto Muso Ryu (SMR) evolved in the castle town of Fukuoka, in the north west of the main southern island of Kyushu.
SMR is a 17th Century art that matches a practitioner equipped with a 4-shaku 2-sun 1-bu (128 cm) long stick against a swordsman. In its complete "old school" (koryu) form SMR comprises seven sets of jo kata, and several ancillary weapon sets including kenjutsu, walking stick (tanjo), sickle and chain (kasuirgama), war fan (tessen) and other arts besides.
It was founded by Musō Gonnosuke Katsuyoshi, a master swordsman of the Tenshin Shoden Katori Shinto Ryu who embarked on warriors quest (musa shugyo), travelling Japan, looking for opponents to duel.
SMR tradition relates that he met Miyamoto Musashi (possibly in Edo) suffering his only defeat to the two sword (Nito) technique. Following this he travelled seeking answers to the juji-dome block.
At Mount Homan in Kyushu,
above the castle town of Fukuoka he spent 37 days meditating and training – and received a revelation from the Tengu (long-nosed winged demons, famous as the source of several martial traditions) to take the round pole and place it on the water of the moon (Water Moon, or Suigetsu, is the Japanese word used in budo to indicate the solar plexus on the human body).
- source : seitei-iaido-seitei-jodo-

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- quote -
Musō Gonnosuke Katsuyoshi 夢想權之助勝吉 Muso Gonnosuke
was a samurai of the early 17th century and the traditional founder of the Koryu school of jojutsu known as
Shintō Musō-ryū (神道夢想流 / 神道無想流) Shinto Muso-Ryu.

He is perhaps most famous for his duels with the legendary swordsman Miyamoto Musashi.
- His first duel with Miyamoto Musashi
- Seclusion, Jojutsu and the second duel
The outcome of the second duel, or even that a second duel occurred, is not conclusively known. The stick-fighting school he founded maintains that Gonnosuke, now armed with the jo, defeated Musashi through the use of the superior length of the jo to keep Musashi's swords out of range of Gonnosuke and thus hinder him from using the X-shaped technique effectively. Gonnosuke had Musashi at his mercy but let him live as a way of returning the favour granted in the first duel. ...
- - - More in the WIKIPEDIA !


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宝満宮竈門神社 Homan-Gu Kamado Jinja
883 Uchiyama, Dazaifu, Fukuoka



- - - - - Deities in residence
Tamayori-hime, Emperor Ōjin, Empress Jingū

From the 中宮 Middle Shrine the 行者道 Shugendo Path begins.
About half way up there is the Tengudo 天狗道 Tengu Path, but this is now forbidden for hikers and tourists.

- HP of the shrine
- source : kamadojinja.or.jp -

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. Miyamoto Musashi 宮本武蔵 (1584 - 1645) .
- Introduction -


source : collections.lacma.org

Miyamoto Musashi Slashing a Tengu
Alternate Title: 宮本無三四
by Tsukioka Yoshitoshi (1839 - 1892)

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And was the great Miyamoto Musashi not nicknamed "the little Tengu",
he who remained undefeated after more than sixty duels ?

- reference : miyamoto musashi tengu -

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by Utagawa Hiroshige (1797 - 185)

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Tengu Geijutson 天狗芸術論 The Demon's Sermon on the Martial Arts 
Discourse of the God Tengu on the Art of the Sword
Neko no myoojutsu 猫の妙術 Neko no Myojutsu
The Cat's Eerie Skill / The Cat's Uncanny Skill / The Mysterious Technique of the Cat

佚斎樗山 Issai Chozan (Chozanshi) (1659 - 1741)
Die wunderbare Kunst einer Katze
tr. Karlfried Graf Dürckheim (1896-1988)



- quote -
This collection of parables written by an eighteenth-century samurai is a classic of martial arts literature. The tales are concerned with themes such as perception of conflict, self-transformation, the cultivation of chi (life energy), and understanding yin and yang. Some of the parables seem light and fanciful, but they offer the reader valuable lessons on the fundamental principles of the martial arts; "The Mysterious Technique of the Cat" is iconic.
The "demon"
in the title story refers to the mythical tengu, who guard the secrets of swordsmanship. A swordsman travels to Mt. Kurama, famous for being inhabited by tengu, and in a series of conversations he learns about mushin (no-mind), strategy, the transformation of chi, and how the path of the sword leads to the understanding of life itself.
The author, Issai Chozanshi,
had a deep understanding of Taoism, Buddhism, Confucianism, and Shinto, as well as insight into the central role of chi in the universe—points that are succinctly explained in William Scott Wilson's fine introduction and extensive endnotes. This is essential reading for anyone who wants to truly understand the philosophical underpinnings of martial arts, and how these principles relate to our existence.
- source : shambhala.com... -



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- quote -
A Graphic Approach to Musashi and Demons: Shambhala's "The Book of Five Rings"
and
"The Demon's Sermon on the Martial Arts"


..... The story revolves around a young would-be swordsman who ventures into the deep woods to seek the instruction of the tengu, the mythical bird-men of Japan who were said to have instructed the legendary hero Minamoto no Yoshitsune in the ways of warfare. Coming across a group of them holding a discussion in a tree, he settles in to eavesdrop and benefit from their wisdom. The title is somewhat of a misnomer-tengu aren't demons in the Western sense of the word (that being malevolent beings or spirits from Hell) but more like 'forest spirits'. Wilson here chooses to break "The Demon's Sermon" into several parts and use it as a framework to structure the shorter stories. This allows the short stories to reinforce and expand upon the concepts brought up by the tengu, as well as letting the tengu introduce the concepts to be spotlighted in the short stories.
An interesting choice by Wilson, it helps to tie the work together as a unified whole rather than a series of stories. Many of the ideas are the same as those looked at by Musashi in "Five Rings", again showing how Buddhist and Confucian ideals found their way into sword training. The tengu discuss the concept of no-mind or emptiness, using your chi (the energy that flows through everything) correctly, the importance of practice and discipline, and how adaptability and lack of attachment are vital.
Humorously, the tengu also find most martial arts schools to be lacking in their instruction with too great an emphasis on rigid technique.
- source : theshogunshouse.com/2013 -


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- reference - 宰府高垣高林坊 -
- reference : fukuoka homan shrine -
- reference : issai chozan -
- reference : The Demon's Sermon -

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. - - - Join my Tengupedia friends on facebook ! - - - .

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. Tengu 天狗と伝説 Tengu legends "Long-nosed Goblin" .

. - yookai, yōkai 妖怪 Yokai monsters - .

. Legends and Tales from Japan 伝説 - Introduction .

. Mingei 民芸 Regional Folk Art from Japan .

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Posted By Gabi Greve to Kappa - The Kappapedia on 1/30/2017 09:50:00 am

SHRINES - Kaitei Underwater Shrine and Susaki




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. Shinto Shrines (jinja 神社) - Introduction .
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Kaitei Jinja 海底神社 Underwater Shrine, Chiba
千葉県館山市「波左間海中公園」 / Tateyama town, Hasama Underwater Park



This shrine is located under water in Hasama Underwater Park, about 600 meters from the beach, at an underwater elevation called 高根 Takane.

The building is about 3.5 m high. The Torii gate is about 18 meters deep in the water.
The shrine building is 12 meters deep in the water.
To visit the shrine, people need diving equipment.

It is a sub-shrine of 洲崎神社 Susaki Jinja and was constructed with the wish and prayers to prevent water damage and accidents at sea by a local diving shop in July 1997.

The shimenawa しめ縄飾り sacred rope is made by the divers from plastic rope and renewed every year for the New Year rituals. The priest also has to use a diving suit to get there for the annual service.

It is said to be the only underwater shrine in Japan.
"日本で唯一の海底神社"


- - - - - HP of the underwater Shrine (水中神社)
- source : www5e.biglobe.ne.jp/~o_hasama/jinja -

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Susaki Jinja 洲崎神社 (Sunosaki Jinja)
千葉県館山市洲崎1697 / Chiba, Tateyama, Susaki (Suzaki)
洲宮神社 Sunomiya Jinja



It used to be the shrine 安房国一宮 Ichinomiya of Awa no Kuni.
It was built in 807.

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天比理乃咩命 Amenohirinome no Mikoto
formerly called 洲ノ神(すさきのかみ) Susaki no Kami (Sunosaki)
(天比理刀咩命 (あめのひりとめのみこと) Amenohiritome no Mikoto)


天太玉命(あめのふとだまのみこと)Amenofutodama no Mikoto
天富命(あめのとみのみこと)Amenotomi no Mikoto

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Taokihooi 手置帆負命 Taokihooi no kami
Ancestral kami (sojin) of the Inbe clan.
A kami related to the manufacture of shrine structures and implements. According to Kogo shūi, Taokihooi was ancestor of the Inbe of Sanuki (present-day Kagawa Prefecture). Together with Hikosashiri no mikoto, he was directed by Futodama (offspring of Takamimusuhi) to fabricate the "heavenly measures," "divine palace," and various military implements used to lure Amaterasu from the rock cave of heaven where she had hidden.

Under the leadership of Futodama's descendant Amenotomi no mikoto,
the descendants of Taokihooi and Hikosashiri no mikoto for the first time used sacred axes and adzes to cut mountain timber for the construction of Jinmu's main palace at Kashihara, and thereafter worked as fabricators of spear shafts. An "alternate writing" related by Nihongi states that in exchange for Ōmononushi's agreement to "transfer the land" (kuniyuzuri), Takamimusuhi vowed to provide Ōmononushi with eternal worship, and among the celebrants assigned to perform rites is listed one Taokihooi, ancestral kami of the Inbe of Kii (makers of sedge hats).
- source : Mori Mizue - kokugakuin -

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shuin 朱印 stamp





- - - - - HP of the Shrine
- source : sunosaki.info-

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Yearly Festivals 年中行事

The main Festival around August 20.
みのこ踊り奉納 Minoko Odori dance ritual


- CLICK for more photos !

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Cape Suno (洲崎 Suno-saki)
is a cape on the Pacific Ocean, in the city of Tateyama, Chiba Prefecture, Japan.
The cape is located at the southwestern point of Bōsō Peninsula on the island of Honshu, and marks the point between the inner and outer parts of the peninsula.
Cape Sunosaki is home to the Sunosaki Shrine, which was historically the supreme shrine (Ichinomiya) of Awa Province. By tradition it was built early in the Nara period.
The Sunosaki Shrine dance, the Sunosaki-odori, performed during religious observances at the shrine in June and August, is designated a national-level Intangible Cultural Property of Japan.
Yōrō-ji, a nearby Buddhist temple within the Sunosaki District of Tateyama, is historically closely linked with the Sunosaki Shrine.
- - - More in the WIKIPEDIA !

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. Japanese Legends - 伝説 民話 昔話 – ABC-List .

The tidal current at Sunomisaki is very fast and called 潮の道 "road of the sea". The fishermen are very afraid of this place.
The ghosts of shipwrecked fishermen come home along this path and all are afraid of this
ayashi no 怪しの潮路 "the mysterious tideway".

- reference : Nichibun Yokai Database -


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There are other places called Susaki (Suzaki) or Sunosaki in Japan.

. Susaki Jinja 洲崎神社 - Aichi .

. Suzaki 洲崎 in Edo / Tokyo .
Suzaki Shiohigari 潮干狩 Shellfish gathering at low tide

. Wakanoura matsuri 和歌浦祭 - Wakayama .
... after the festival, the mikoshi palanquin was carried to Suzaki beach 須崎.


. Shrine, Shinto Shrine (jinja 神社) - Introduction .

. kami 神 Shinto deities - ABC-LIST - .


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- - - - -  H A I K U  - - - - -

日の出見し洲崎の戻り初不動
hinode mishi Susaki no modori hatsu Fudo

back from the sunrise
at Sunomisaki -
first Fudo Ritual


中野三允 Nakano Sanin (1879 - 1955)
A disciple of Masaoka Shiki

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枯蘆を刈りて洲崎の廓哉
kareashi o karite susaki no kaku kana


正岡子規 Masaoka Shiki.



洲崎より柩出でゆく百日紅
鳥居美智子

ぎんなんの鈴生りの香を洲崎かな
いさ桜子

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Posted By Gabi Greve to Japan - Shrines and Temples on 1/28/2017 01:06:00 pm