26 Feb 2017

EDO - torimono and Jitte

https://edoflourishing.blogspot.jp/2017/02/torimono-and-jitte.html

torimono and jitte

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. Edo bakufu 江戸幕府 The Edo Government .
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torimono 捕物 police arrest - Glossary

. hanzai 犯罪 crime and punishment - Glossary .



十手・捕縄事典 - 江戸町奉行所の装備と逮捕術
名和弓雄 Nawa Yumio (1912 - 2006)
Dictionary of Jitte and Torinawa
Edo machibugyosho no sobi to taihojutsu


- reference source : melkdo.jp/item -

第1編 捕物捕具編

一 捕物道具と捕縛術
中国大陸から伝来
吉宗が改革した「十手捕縄扱い様」

二 打物捕具について
鼻捻の発生
鼻捻が捕者道具に転用された理由
現代の警棒にも活用
鼻捻の使い方
鼻捻の変遷
イギリスの警棒と同型

三 痿し(萎えし)の効果
痿し(萎えし)の発想
尖端部分の突起を強化
痿し(萎えし)の使い方
手貫紐の効用と握柄
「連れ返し」の技法

四 「十手」の出現と呼称の変遷 Jitte
「十手」に対する様々な名称
十手を「骨斧」と称した流派
「一角流」では「手棒」と呼称
「鐵簡」「卦算」の由来
「鐵挺」「銀棒」「鐵尺」の異名

五 各流古文書に遺された「十手」異称への考察
明大刑事博物館の「申渡覚」
實手、術手、十挺、十當、賢手、轉木
名称と文字由来への考察
木製鉄鈎十手
木製十手の鈎のつけ方

六 異形な十手への工夫と俗称
型稽古用木十手
鍛鉄製十手
鉄製十手の長短と各俗称
太刀もぎの鈎

七 鉄製・真鍮製十手も鈎のつけ方
棒身から鍵を鍛造の際に打ち出す法
棒身に角穴をあけ鈎の脚をかすめる十手の鈎のつけ方
蒲鉾形鉄環に鍵を鍛接し、棒身にとおす法
太鼓胴鈎
鈎鍔
割り開きかしめ
牛角鈎、三つ鈎、四つ鈎
通し焼きはめ鈎
サーベル形鈎

八 特殊な太刀もぎ鈎のつけ方
美しい形をした「刃鈎」
鈎幅をかえる様式
手錠十手の鈎
鈎の横手に火口があり火蓋のついた鈎
支柱を入れて補強した鈎
鈎の内側に鋸歯
鈎の角に小穴や小鈎
菊座の効用

九 十手の握柄と棒身
十手の握柄
握り柄の辷り止めの工夫
下級捕吏用の「藤皮巻」
「こより巻き」「牛の生皮」「牛なめし皮巻き」
「緋羅紗包み」と「鮫皮巻き」
不動明王の破邪降魔剣の五鈷杵を模した柄
与力・同心「銀流し十手」の握柄
十手の棒身と漆懸け
「銀流し」の手法と「銀張り」
「牛皮包み」「なめし皮包み十手」
鞘に入った十手三種
「十手棒身」に象眼あるものは贋物
銀流し与力・同心十手は疑物という説
十手棒身の先端について

十 「十手紐付環」と「房紐」
水平回轉環
紐付環の形状
朱銅について
十手の房紐について
与力・同心の十手の房紐の巻き方

十一 十手の握り方とその理由
十手の握り方
十手で打ち萎やす四打法
十手を巻いて打つ打法
手首二回転打法

十二 十手の分類と見分け方
十一種に分けられる十手
江戸町方与力の十手
江戸町方同心の十手
捕者出役の長十手
奉行所備え付けの「定寸十手」(坊主十手)
目明しの十手
火付盗賊改め方の十手
関東八州取締り出役代官手代・手付き十手
八州番太の十手
八州目明しの十手

十三 関西(京都・奈良・大坂)の与力十手の様式
関西の十手の特殊性
関西の与力十手と同心十手の見分け方
関西与力時射てと同心十手の長さの違い
関西、与力・同心十手の房紐について
大坂の捕方の十手房紐について

十四 十手の携行方法について
十手袋と袱紗
十手携行が公認される場合
八州取締り出役の代官手代・代官手付
八州の番太・楠流十手
八州の目明し(道案内)の十手
大坂の捕方の十手の携行法

十五 十手の製作者について
十手師と書き遺された専門職人
白銀師(錺り職人)
刀鍛冶
鎌鍛冶

十六 「十手捕縄術」の系譜について
「江戸町方十手捕縄扱い様」の系譜及び名和宗家に伝承の由来
「十手蒐集と研究」との出会い
「十手術」の魅力

十七 鉄刀と鉄鞭及び「鉄人流十手」について
鉄刀
鉄鞭
鉄人流十手

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十八 捕縛禁固具について
捕縄 - Torinawa - "capture-rope" - arresting cord
捕縄の長さ
早縄と本縄
捕縄の持ち方、巻き方、解き方
鈎縄
手鎖
早手錠
鍛鉄製早手錠

十九 警報用具について
呼子笛
太鼓、拍子木、板木

二十 握物捕具について
角手
南蛮鈎
手の内
まろほし

二十一 投物捕具について
目潰し具

二十二 鎖物捕具について
鉄鎖のつくり方
棍飛
万力鎖
鎖棒
龍吨(熊手)

二十三 捕物用照明具について
龕燈提灯
松明
籠火(毬火)
火串
御用提灯

二十四 防禦具について
着込
鉢鉄(額當)
鉄笠と鉄楯

二十五 長柄仕寄具について
鉄棒
寄棒
打込
袖搦
刺又
突棒
鎖奪い
刀奪い
南蛮棒

二十六 明治末期以後の捕具
実用新案特許の十手の出現
能海式手錠十手
台湾警察で開発された特殊警防具
マイティ・スティック(警棒型警戒用具)
分銅付き捕縄内臓手錠付きステッキ

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jitte, jittei 十手 / 實手 metal truncheon of an Edo policeman

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第2編 江戸時代の捕方と逮捕術

一 捕方の服装
町方与力の服装
町方同心の服装
関東八州取締り出役の服装
八州取締り出役の任免について
アメリカ西部保安官に似た八州番太

二 「江戸町方十手扱い様」の制定
「扱い様」制定の時期と理由
「破邪顯正の型」の四つの動き
十手を構える場合の手と脚の動き
「十手の構え」五型について
「双角の構え」四型について

三 「江戸町方十手捕縄扱い様」の十二型
型開始前の間合、礼法、抜刀、破邪顯正の型、構えについて
十手 一の型「四方拂い」
十手 二の型「柄とり」
十手 三の型「巻きおとし」
十手 四の型「左入身」
十手 五の型「右入身」
十手 六の型「連れがえし」
十手 七の型「座捕り」
十手 八の型「上段受け」
十手 九の型「閂捕り」
十手 十の型「柄返し」
十手 十一の型「咽喉輪捕り」
十手 十二の型「送り足拂い」

四 「江戸町方十手双角」の十八型
「双角の型」とは
「順手双角」一の型
「順手双角」二の型
「順手双角」三の型
「順手双角」四の型
「順手双角」五の型
「順手双角」六の型
「卍双角」七の型
「卍双角」八の型
「卍双角」九の型
「卍双角」十の型
「逆手双角」十一の型
「逆手双角」十二の型
「逆手双角」十三の型
「放鷹双角」十四の型
「放鷹双角」十五の型
「放鷹双角」十六の型
「放鷹双角」十七の型
「放鷹双角」十八の型

五 伝承・江戸時代の逮捕術と捕方
与力・同心・小者の出役振り
逮捕術の構えと捌き方
つかみ方・足の掛け方
組み伏せ方

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- quote -
A jitte (十手, literally "ten hands")
is a specialized weapon that was used by police in Edo period Japan. It is also spelled jutte.
History
In feudal Japan, it was a crime punishable by death to bring a sword into the shogun's palace. This law applied to almost everyone, including the palace guards. Due to this prohibition, several kinds of non-bladed weapons were carried by palace guards. The jitte proved particularly effective and evolved to become the symbol of a palace guard's exalted position.
In Edo period Japan
the jitte was a substitute for a badge, and it represented someone on official business. It was carried by all levels of police officers, including high-ranking samurai police officials and low-rank samurai law enforcement officers (called okappiki or doshin). Other high-ranking samurai officials carried a jitte as a badge of office, including hotel, rice and grain inspectors (aratame). The jitte is the subject of the Japanese martial art of jittejutsu.

Description and technique
Jitte may have a small pointed tip or blade attached to the tsuka and hidden in the boshin. Jitte could be highly decorated with all manner of inlays and designs or very plain and basic depending on the status of the owner and the jitte's intended use. Jitte could range in length from around 12 inches to over 24 inches. The modern jitte is about 45 cm (18 inches) long with no cutting edge and a one-pronged tine, called kagi, about 5 cm long starting just above the hilt and pointing toward the tip sentan.
A popular misconception is that the kagi is used to catch a sword. It could possibly be used for this purpose, but the hook's proximity to the hand would make it rather dangerous. When faced with a swordsman, a more likely use for the hook would be to capture and arrest the blade after blocking it with the boshin. The kagi's more common use is to hook into clothing or parts of the body like the nose or mouth, or to push into joints or other weak points on the body. It also could be used to hook the thumb while holding the weapon backwards, to allow different techniques such as punches and blocks, very similarly to a sai. The jitte can also be used in much the same manner as other short sticks or batons, to strike large muscle groups and aid in joint manipulation.



- - - - - Parts of the jitte
Boshin, the main shaft of the jitte which could be smooth or multi sided. The boshin of most jitte were usually iron but some were made from wood.
Sentan, the tip or point of the jitte.
Kagi, the hook or guard protruding from the side of the jitte. Jutte may have more than one kagi with some jitte having two or three kagi.
Kikuza (chrysanthemum seat), if the kagi is attached to the boshin through a hole in the boshin, the protrusion on the opposite side is called a kikuza.
Tsuka, the handle of the jitte which could be left plain, it could also be wrapped or covered with various materials.
Tsukamaki, the wrapping on the handle (tsuka). Materials such as ray skin same', leather, and cord were used for tsukamaki on jittes.
Kan, the ring or loop at the pommel of the tsuka. A cord or tassel could be tied to the kan.
Tsuba, a hand guard present on some types of jitte.
Koshirae. Jitte can occasionally be found housed in a sword type case hiding the jitte from view entirely, this type of jitte can have the same parts and fittings as a sword including:seppa, tsuba, menuki, koiguchi, kojiri, nakago, mekugi-ana and mei.

Other jitte types and similar weapons
Karakuri jitte
Marohoshi
Naeshi or nayashi jitte have no hook or kagi.
Tekkan
Hachiwara

- source : wikipedia -

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torinawa 捕縄 - "capture-rope" - arresting cord



- quote -
Edo Machikata Jitte Torinawa Atsukaiyo
the iron truncheon and arresting cord art practiced by the feudal Edo police, is one of the arts transmitted within Masaki-ryu Nakajima-ha. The art is broadly comprised of Ikkaku (forms practiced with a single jitte) and Sokaku (forms practiced with a jitte in one hand and a hananeji/naeshi in the other). The Sokaku forms are comprised of Namite Sokaku (Jujiken), Sakate Sokaku (Hachijiken), Manji Sokaku (Manjiken) and Hoyo Sokaku.

Namite Sokaku and Sakate Sokaku are mainly used to restrain a violent swordsman, and Hoyo Sokaku include special tactics such as throwing the jitte. Manji Sokaku is mainly comprised of techniques against polearms and chain weapons.

Edo Machikata Jitte Torinawa Atsukaiyo, the iron truncheon and arresting cord art practiced by the feudal Edo police, is one of the arts transmitted within Masaki-ryu Nakajima-ha. The art is broadly comprised of Ikkaku (forms practiced with a single jitte) and Sokaku (forms practiced with a jitte in one hand and a hananeji/naeshi in the other). The Sokaku forms are comprised of Namite Sokaku (Jujiken), Sakate Sokaku (Hachijiken), Manji Sokaku (Manjiken) and Hoyo Sokaku.

Namite Sokaku and Sakate Sokaku are mainly used to restrain a violent swordsman, and Hoyo Sokaku include special tactics such as throwing the jitte. Manji Sokaku is mainly comprised of techniques against polearms and chain weapons.
- source : masakiryu-nakajimaha.org -


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. hanzai 犯罪 crime and punishment - Glossary .

. Edo bakufu 江戸幕府 The Edo Government .

. Famous Places and Powerspots of Edo 江戸の名所 .

. Doing Business in Edo - 商売 - Introduction .

. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

. senryu, senryū 川柳 Senryu poems in Edo .

. Japanese Architecture - Interior Design - The Japanese Home .

. Legends and Tales from Japan 伝説 - Introduction .


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- - - - - #hanzai #edocrime #edopolice #torimono - - - -
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EDO Gofunai Temples 28 and 29

https://gokurakuparadies.blogspot.jp/2017/01/gofunai-temples-28-and-29.html
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Gofunai temples 28 and 29

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. Gofunai 御府内八十八ヶ所霊場 88 Henro Temples in Edo .
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Nr. 28 - Reiunji 霊雲寺 Reiun-Ji

- 宝林山 Horinzan 大悲心院 Daihishin-In 霊雲寺 Reiun-Ji
文京区湯島2-21-6 / 2 Chome-21-6 Yushima, Bunkyō ward / 湯島霊雲寺 Yushima Reiun-Ji
Shingon Sect : 霊雲寺派



This temple was founded in 1691 by 覚彦浄厳律師 Kakugen Jogon (1639 - 1702), who was a protegee of the influential Shogunate advisor, 柳沢吉保 Yanagizawa Yoshiyasu.



The main statue is 胎蔵界・金剛界大日如来 Dainichi Nyorai of both Mandalas.

To find their protector deity, a person blindfolded would stand on the Mandala and throw a paper flower in the air. It landed on the deity in question. This ritual called 結縁灌頂 Kechien Kanjo was propagated by Kakugen.

Reiun-Ji was built on request of the 5th Shogun, 徳川綱吉 Tokugawa Tsunayoshi, as 永代祈願所 a temple to pray for the Tokugawa shogunate. It was located in the North-East direction of Edo castle, a direction of the kimon 鬼門 to "keep away the Demons".
It is the main temple of the Shingon Risshu Sect 真言律宗 and has more than 46 sub-tempels.


Tsunayoshi painted 不動明王 Fudo Myo-O and Daigensui 大元帥明王 Taigen (Atavaka) for the temple, but the Daigensui painting together with other important treasures, was lost in the fires of war.

The temple was destroyed during the Great Kanto Earthquake of 1923. After rebuilding, it burned again at the end of the Second World War.
The Main Hall was built in 1976. There are other halls in the compound, including one for Daigensui, the 大元堂 Daigen-Do.

The temple treasures include Important National Cultural Properties:
Juroku rakan 十六羅漢十六幅 and 諸尊集會圖 Shison shukai.

The temple is mentioned in the Edo Meisho Zue 江戸名所図会:


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- ご詠歌 - chant of the temple 大日寺 Dainichi-Ji in Shikoku :
つゆ霜と罪を照らせる大日寺 などか歩みを運ばざらまし
Tsuyushimo to tsumi o teraseru Dainichiji nado ka ayumi o hakobazaramashi


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- 朱印 - stamp of the temple :


- Homepage of the temple
- source : reiunji.or.jp


. Introduction of Dainichi Nyorai .

境内稲荷寶幢閣

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- - - - - #edohistory - - - - -

. 徳川綱吉 Tokugawa Tsunayoshi . - (1646 - 1709) Fifth Shogun
Inu-Kubō 犬公方 Inu Kubo, the Dog Shogun

. 柳澤吉保 Yanagizawa Yoshiyasu . - (1658 - 1714)

. Fudō Myō-ō, Fudoo Myoo-Oo 不動明王 Fudo Myo-O
Acala Vidyârâja – Vidyaraja – Fudo Myoo .



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Nr. 29 - Nanzooin 南蔵院 Nanzo-In

- 大鏡山 Daikyozan 南蔵院 Nanzo-In 薬師寺 Yakushi-Ji
豊島区高田1-19-16 / 1 Chome-19-16 Takada, Toshima ward
Shingon Sect : 豊山派

In front of the temple is a large pond, Kagami-ike 鏡池 "pond like a mirror", hence the tame Daikyozan, Large Mirror Temple.



This temple was founded in the Muromachi period by Enjoo Biku 円成比丘 the Nun Enjo (? - 1376).
She had meandered on a pilgrimage in Japan and finally settled here in a small hermitage. She had gotten the statue of Yakushin Nyorai from Hidehira in legendary circumstances.
The main statue is 薬師如来 Yakushi Nyorai, from the time of Prince Shotoku Taishi. It had been in the possession of 藤原秀衡 Fujiwara Hidehira from Hiraizumi.

A stone memorial is dedicated to the League to Demonstrate Righteousness.
Also connected to 三遊亭円朝 Sanyutei Encho and his work 怪談乳房榎 "Kaidan Chibusa Enoki" - Ghost of Chibusa Enoki.
In the compound are the graves of famous sumo wrestler elders :
音羽山 Otowayama, 粂川 Kumegawa, 花籠 Hanakago, 片男波 Kataonami and 二子山 Futagoyama.

In the compound are various buildings and memorial stone.

The temple is in the following pilgrimages:
豊島八十八ヶ所霊場 Toshima Henro Pilgrimage - Nr. 41
東京三十三観音霊場 33 Kannon temples in Tokyo - Nr. 21


The temple is mentioned in the Edo Meisho Zue 江戸名所図会 of Takada:


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- ご詠歌 - chant of the temple 国分寺 Kokubun-Ji in Shikoku :
国を分け宝を積みて建つ寺の 末の世までの利益のこせり Japanese
Kuni o wake takara o tsumite tatsu tera no sue no yo made no riyaku no koseri


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- 朱印 - stamp of the temple :


- Homepage of the temple
- source : www.tesshow.jp/shinjuku


. Introduction of Yakushi Nyorai .

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- - - - - #edohistory - - - - -

Sanyuutei Enchoo, San'yūtei Enchō 三遊亭圓朝 Sanyutei Encho (1839 - 1900)
born Jirokichi Izubuchi (出淵 次郎吉 Izubuchi Jirokichi)) April 1, 1839 – August 11, 1900 was a Japanese author and rakugo performer of the late Edo and early Meiji eras. Notable works include Japanese horror classics, Kaidan botan dōrō (based on Botan Dōrō (牡丹灯籠 The Peony Lantern?), and Kaidan Kasane ga Fuchi (on which many Japanese horror films are based).


CLICK for more photos !

- The Ghost of Chibusa Enoki
A painter leaves his family to paint the homes of his rich clients. A lonely, ruthless samurai falls in love with the painter's wife and rapes her. He continues on to murder the painter and his servants. From the afterlife, the painter seeks revenge on the samurai and saves his wife and newborn child.
- - - More in the WIKIPEDIA !

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In the temple compound is
彰義隊九士の首塚 the head mound of 9 samurai of the Shogitai group



- quote -
The Shôgitai was a pro-shogunate military unit formed in 1868 to combat anti-shogunate forces.
The group was originally formed in 1868/2, by
Hitotsubashi branch retainer Shibusawa Seiichirô, Hatamoto Amano Hachirô and 67 pro-Bakufu comrades who gathered at that time in Zôshigaya. They were first stationed at a temple in Asakusa, then moved to Kan'ei-ji in Ueno to serve as the guards of Shogun Tokugawa Yoshinobu.
The Shôgitai was destroyed by imperial troops in the 5/15 Battle of Ueno.
Some members then joined other pro-Bakufu troops in the North, while other members demobilized and returned to Edo.

A tomb for the Shôgitai can be found today in Ueno Park. The smaller of the two main tombstones was erected in 1869 by a priest of Kan'ei-ji, while the larger was erected in 1874 by Ogawa Okisato, a surviving member of the group. The site was cared for by the Ogawa family for around 120 years, before it was named an important cultural asset of Tokyo's Taitô-ku (Taitô Ward) in 1990.
The Tokyo Metropolitan Government took over responsibility for the site in 2003.
- source : wiki.samurai-archives.com -

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. Fujiwara no Hidehira 藤原秀衡 (1122 - 1187) .


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- reference : 御府内八十八 霊雲寺 -
- reference : 御府内八十八 南蔵院 -

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- Koya San in Wakayama 和歌山 高野山 -

- Kobo Daishi Kukai 弘法大師 空海 (774 - 835) -

. Gyoki Bosatsu 行基菩薩 (668 - 749) Saint Gyōki .

. Shikoku Henro Temple List 四国遍路  .

. Gofunai 御府内八十八ヶ所霊場 Pilgrimage to 88 Henro Temples in Edo .
- Introduction -

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. Japan - Shrines and Temples - ABC .

. Welcome to Edo 江戸 ! – The Edopedia .

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EDO - Gofunai temples 30 and 31


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. Gofunai 御府内八十八ヶ所霊場 88 Henro Temples in Edo .
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Nr. 30 - Hoojooji, Hōjōji 放生寺 Hojo-Ji

- 光松山 Koshozan 威盛院 Ijo-In 放生寺 Hojo-Ji
新宿区西早稲田2-1-14 / 2 Chome-1-14 Nishiwaseda, Shinjuku ward
Shingon Sect : 真言宗



This temple was founded in 1641 by Ryooshoo shoonin 良昌上人 Saint Ryosho Shonin, the founder of Shrine Ana Hachimangu.
威盛院権大僧都法印良昌上人
The main statue is 聖観世音菩薩 Kannon Bosatsu.
It is also known as Mushifuuji Kanzeon 虫封観世音 Mushifuji "Kannon to ward off "insects"

The temple is part of three Kannon pilgrimages:
江戸三十三観音 - Edo Nr. 15
山の手三十三観音霊場 - Yamanote Nr 16
東京三十三観音霊場 - Tokyo Nr. 22

. Introduction of Kannon Bosatsu .

. mushifuuji 虫封 to ward off insects causing illness .
- - - - - for children, the three MUSHI are
kan no mushi 疳の虫 / 癇 insect of nervousness, short-temperdness
nakimushi 泣き虫 insect of crying too much
hara no mushi 腹の虫 insect causing diarrhea


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Saint Ryosho had a 霊夢 sacred dream vision of the birth of the third Shogun, 徳川家光 Tokugawa Iemitsu, and 徳川秀忠 Tokugawa Hidetada, the Father-to-be, bestowed the land to him to pray for his son-to-be-born. The land was the estate of 松平新五左衛門 Matsudaira Shingozaemon from Kyoto.


The temple was also allowed to use the family crest of the Tokugawa clan, 葵の紋 Aoi no Mon.

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In the compound is a stone arrangement to step on the sacred sand of Shikoku:



. o-sunafumi, osunafumi お砂踏み stepping on sacred sand .

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- ご詠歌 - chant of the temple 善楽寺 Zenraku-Ji in Shikoku :
人多くたち集まれる一ノ宮 昔も今も栄えぬるかな
hito ooku tachiatsumareru ichinomiya mukashi mo ima mo chikaeneru kana


. 百々山 Dodozan 東明院 Tomyo-In 善楽寺 Zenraku-Ji / Shikoku .

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- 朱印 - stamp of the temple :


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ichiyoo raifuku 一陽来福
a pun with "luck coming back"



At the temple Hojo-ji, there is a large stone memorial with these words in the compounds.

At the shrine Ana Hachimangu in Tokyo people come at the day of the winter solstice to buy this amulet. It is good for business and to make money, when they put it into the auspicious direction of the new year (ehoo 恵方). They also hang it outside on the last day of the year and for the Setsubun rituals in February. The letters of the amulet have to face the auspicious direction.
Just as shadow receedes to new light, bad fortune will not receede and good luck is bound to come.

. Winter solstice, tooji 冬至 .
ichiyoo raifuku 一陽来復"sun comes back" -- The 21st of December.

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- Homepage of the temple - (Hoshoji)
- source : houjou.or.jp

Closely related to the shrine 穴八幡宮 Ana Hachimangu / 高田八幡 Takada Hachiman, see below.

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放生寺神変大菩薩堂 Jinhen Daibosatsu Hall (Jimpen Daibosatsu)



. Jinpen Daibosatsu, Jimpen Daibosatsu 神変大菩薩 .
En-no-Gyôja 役行者 Jimpen Dai-Bosatsu, En no Gyoja

Since En no Gyoja was walking the remote mountains of Japan, people come here to pray for healing of their legs.

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- - - - - #edohistory - - - - -

Ana Hachimangu 穴八幡宮 / Takada Hachiman 高田八幡
東京都新宿区西早稲田2-1-11 / Tokyo, Shinjuku, Nishiwaseda, 2−1−11



- quote -
... the superb Ana Hachiman-gū Shrine (穴八幡宮),
located between the university and Toyama Park, at the Babashitachō crossing (junction of Waseda Avenue and Suwa Street).
Legend places its foundation in 1062, although documented evidence of the shrine only dates back to the early 17th century. Its Buddha image was donated by Tokugawa Iemitsu in 1649. It is an interesting example of fusion between Buddhist and Shintō beliefs. The shrine's main gate has a clear Buddhist influence in its architecture.
The shrine is famous for the annual Yabusame 流鏑馬 ritual horse-riding competition.
Furthermore, the Hōjō-ji Temple (放生寺) of the Shingon school of Buddhism is located on the same grounds. The shrine was recently renovated with lavish red lanterns and torii gates. Built on a wooded hill, it offers a bit peace and relaxation in the middle of the urban jungle of Shinjuku.
- source : wa-pedia.com/japan-guide -

- reference : ana hachimangu -

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. Tokugawa Iemitsu 徳川家光 (1604 – 1651) - Third Shogun .

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Nr. 31 - Tamonin 多聞院 Tamon-In

- 照臨山 / 照林山 Shorinzan 多聞院 Tamon-In
新宿区弁天町100 - 100 Bentenchō, Shinjuku ward
Shingon Sect : 豊山派 Shingon-shu Buzan-ha

. 多聞院 Tamon-In - Introduction .


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- reference : 御府内八十八 放生寺 -
- reference : 御府内八十八 多聞院 -

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- Koya San in Wakayama 和歌山 高野山 -

- Kobo Daishi Kukai 弘法大師 空海 (774 - 835) -

. Gyoki Bosatsu 行基菩薩 (668 - 749) Saint Gyōki .

. Shikoku Henro Temple List 四国遍路  .

. Gofunai 御府内八十八ヶ所霊場 Pilgrimage to 88 Henro Temples in Edo .
- Introduction -

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. Join the Updates of Facebook ! .

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. Welcome to Edo 江戸 ! – The Edopedia .

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Posted By Gabi Greve to Gokuraku - Jigoku on 1/22/2017 01:40:00 pm

24 Feb 2017

EDO - ninsoku yoseba Hasegawa Heizo

https://edoflourishing.blogspot.jp/2017/02/ninsoku-yoseba-hasegawa-heizo.html

ninsoku yoseba Hasegawa Heizo

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. Edo bakufu 江戸幕府 The Edo Government .
. Persons and People of Edo - Personen .
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ninsoku yoseba 人足寄場 rehabilitation facility for criminals
Hasegawa Heizoo, Hasegawa Heizô 長谷川平蔵 Hasegawwa Heizo / 鬼平 Onihei 




Yoseba bugyoo 寄場奉行 - Yoseba Bugyo Magistrate for the Yoseba
. bugyoo, bugyō 奉行 Bugyo officials in the Edo government .

The first Yoseba was constructed at Ishikawajima 石川島 Ishikawa Island in 1790.



- quote
PUNISHMENT — BOTH CRUEL AND ENLIGHTENED
What was the prevailing attitude regarding the purpose of punishment during the Edo period?
According to the noted legal historian Ishii Ryôsuke, "The penal philosophy of the Edo shogunate was unquestionably preventive. At the beginning, the philosophy of general prevention dominated, but after the adoption of the Osadame-gaki, it was increasingly concerned with particular prevention."

This focus on particular prevention was especially apparent in the ninsoku yoseba, a special facility for criminals regarded as capable of rehabilitation. The ninsoku yoseba was opened in 1790 at the recommendation of hitsuke tôzoku aratemekata chief Hasegawa Heizô — who was also its first director — and the approval of rôjû Matsudaira Sadanobu. Its inmates were those convicted of minor crimes, as well as mushuku, people whose names had been removed from the family register and were excluded from lawful social activities (including people who had been banished for earlier crimes).
At the ninsoku yoseba, these people received lessons in ethics and vocational training of various types. Moreover, the inmates were actually paid for the products of their labors, a practice virtually unheard of at the time.
- - - - - more about
Law Enforcement in the Edo Period
- source : japanecho.com/sum/2004



According to their performance, inmates were allowed to wear robes with less and less white dots, as they reached the time limit to go free.
They were helped to find work in the line they had been trained at the Yoseba.


石川島人足寄場

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石川島灯台(人足寄場跡)
The Ishikawa Lighthouse memorial at the remains of the Yoseba, now in 佃公園 Tsukuda Park.

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Hasegawa Heizoo, Hasegawa Heizô 長谷川平蔵 Hasegawwa Heizo / 鬼平 Onihei 
長谷川 宣以 Hasegawa Nobutame (1745 - 1795) )
Childhood names: 銕三郎 Tetsusaburo, 銕次郎 Tetsujiro - Tettchan
Hitsuke Toosoku Aratameyaku 火付盗賊改役 chef of the police force for arson and theft




長谷川平蔵 ― その生涯と人足寄場
江戸の中間管理職 長谷川平蔵―働きざかりに贈る
滝川政次郎

- reference : books about Hasegawa Heizo -

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- quote -
Onihei Hankachō 鬼平犯科帳 Onihei Hankacho
is a popular series of stories and television jidaigeki in Japan. It has been based on a novel by 池波正太郎 Shōtarō Ikenami which started in the December 1967 issue of the light novel magazine "All Yomimono (ja)" published by Bungei Shunjū which published the first hard cover the following year. Onihei Hankachō developed into a series, and adaptations into TV programs, a film and theater followed.
A TV anime adaption aired in 2017.
The title character is Hasegawa Heizō, who started as a chartered libertine before succeeding his father as an heir and was appointed the head of the special police who had jurisdiction over arson-robberies in Edo. Nicknamed by the villain "Onihei," meaning "Heizō the demon," he led a band of samurai police and cultivated reformed criminals as informants to solve difficult crimes. Later, he was titled "Hitsuke tōzoku aratamekata" (police force for arson and theft), and opened an office at his official resident.
- - - More in the WIKIPEDIA !



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- reference : edo ninsoku yoseba -

Edo and Paris: Urban Life and the State in the Early Modern Era:
Another institution in Edo connected with the maintenance of public order was a group of workhouses (ninsoku yoseba)

Men of Uncertainty: The Social Organization of Day Laborers in Edo:
The Ninsoku Yoseba of 1790

Punishment and Power in the Making of Modern Japan:
Hiramatsu Yoshiro, "Ninsoku yoseba no Seiritsu"


Rōya-bugyō 牢屋奉行 – Commissioners of the shogunal prison
- reference : wikipedia -

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. Edo bakufu 江戸幕府 The Edo Government .

. Famous Places and Powerspots of Edo 江戸の名所 .

. Doing Business in Edo - 商売 - Introduction .

. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

. senryu, senryū 川柳 Senryu poems in Edo .

. Legends and Tales from Japan 伝説 - Introduction .


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- - - - - #ninsoku #yoseba #ninsokuyoseba #hasegawaheizo #onihei - - - -
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MINGEI - Noboribetsu Hokkaido Demons

https://omamorifromjapan.blogspot.jp/2017/02/noboribetsu-oni-demons.html

Noboribetsu Oni Demons

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. Oni 鬼 demon, ogre, monster - Introduction .
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Oni 登別の鬼 The Demons of Noboribetsu

quote
Noboribetsu in southwestern Hokkaido is the location of the Noboribetsu, Karurusu, kaminoboritbetsu hot springs, and has a rich variety of scenery including forests, lakes and marshes. It has been designated a part of Shikotsu-Toya National Park.
The Noboribetsu hot spring is one of Hokkaido's best-known hot springs, and is surrounded by a virgin forest 200 meters above sea level. It has 9 different kinds of water, containing minerals such as sulfur, salt, and iron. The quality of these minerals results in the spa being ranked among the world's most exceptional hot springs.

In the northeastern part of the hot spring grow many sorts of broad-leafed trees, including oaks, and a bamboo grass called 'kuma-zasa.' The area is called Noboribetsu Primeval Forest, and has been designated as a natural monument. To the east is Mt. Shihorei, from which you can view Lake Kuttara, with its clear water said to be the second most transparent in Japan.



The most impressive scene at the hot spring is the 地獄の谷 Jigoku Valley (hell valley), where yellowy gray volcanic gas seeps from the surface of the rocks. This makes the whole place smell strongly of sulfur, and gives it an image like that of hell. The valley is a 450-meter-diameter mouth of a volcano, which produces 3,000 liters of hot water per minute.
source : jnto.go.jp/eng/regional/hokkaido

登別の湯を守る湯鬼神(ゆきじん)。登別温泉の様々なイベントに現われ人々の幸せを願い厄払いをしてくれます。 夏の間だけ繰り広げられる「地獄の谷の鬼花火」では、赤鬼と青鬼が地獄谷を舞台に道内では珍しい手筒花火を打ち上げ、太鼓の音色とともに舞い踊ります。

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- quote -
Meet the Demons (Oni) of Hell Valley in Noboribetsu Onsen
Every year in summer, you can experience the fable of Hell Valley (Jigokudani) unfold before your eyes.


----- JR Noboribetsu Station Welcome Demon 登別駅前 歓迎鬼像

The Demon's Fireworks (鬼花火 Onihanabi) burst into life at 8:30pm on Thursdays and Fridays from June 1 through to August 7 at the Hell Valley Observatory. The Yukijin (the demons who protect the hot springs in Noboribetsu) carry large burning torches in the shape of kanabo clubs shooting fireworks like volcanic eruptions along the path into Hell Valley, lighting up the night.
However,
before you enjoy this exciting event, you should first meet the many legendary inhabitants of Hell Valley to help you fully appreciate the festivities.
There are 11 demon spots in Noboribetsu and each of them is unique.

Yukijin 湯鬼神 Demon Guardian of the Hot Springs
The Yukijin are the stars of the show at the Onihanabi fireworks festival. At this time of the year they show up at festivals and events to drive away evil spirits and bring happiness to people.

You'll see them carrying two symbolic weapons for these dual roles: a sword to protect people from evil spirits, and kagura bells to alert everyone of their arrival as they walk through the streets and drive away bad luck. Away from the festival, most of the demons you encounter carry a large spiked club called a kanabo – making the strong even stronger – and not someone you'd like to meet on a dark night.


----- Romance Demon 恋愛成就




Demon of Business Prosperity シンボル鬼 商売繁盛鬼像
Noboribetsu-Higashi Interchange Demon 登別東高速IC前
Parent and Child Demons 歓迎親子鬼像
Praying Demon Shrine (Onizo Nembutsu) 鬼祠 -念佛鬼像
Sengen Park Demon 泉源公園の鬼っこ
Study Demon シンボル鬼 合格祈願
Yukake Hot Water Demon 湯かけ鬼蔵
- - - - - King Enma Shrine - King of Hell 閻魔堂


If you want to learn more about things to see and do in Noboribetsu Onsen, take a look at the Noboribetsu Tourist Onsen homepage.
- source : takimotokan.co.jp/english/news -

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Noboribetsu Jigoku Festival 登別地獄祭り 




Noboribetsu Onsen Festival 登別地獄祭り



- quote -
The festival is for appreciating the powerful water and various quality of "hot water," and wishing for future prosperity and sound health. Various events are held, such as splashing buckets of hot water and mochi rice cake pounding dance for children.
- source : nihon-kankou.or.jp -


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CLICK for more photoswasabi from Noboribetsu
登別のわさび

This has started about 100 years ago, when the local doctor found a spring with very good and plentiful fresh water. He introduced the wasabi fields and used the wasabi as a kind of medicine for the villagers, to prevent food poisoning in the hot summer days. Now in the 4th generation, they keep these fields in good order and provide wasabi dishes of all kinds.

. Food from Hokkaido 北海道 .

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. . . CLICK here for Photos !
. Reference .

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- - - - - Haiku and Senryu - - - - -

雪山に噴く湯ゆたかに登別
yukiyama ni fuku yu yutaka ni Noboribetsu

in the snow mountains
hot water sprouts plentiful -
Noboribetsu


清水寥人 Shimizu Ryojin (1920 - 1994)
Famous novelist



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. Join the MINGEI group on facebook ! .  


.

MINGEI - imono metal art


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imono 鋳物 ironware, cast iron, metal art
chuukin 鋳金 Chukin, metal casting


quote
Having had its foundation laid in antiquity, metal craft using both precious and non-precious materials has achieved a high degree of refinement in Japan. Despite its superb quality, metalwork does not enjoy the renown of other Japanese crafts.
source : japan-brand.jnto.go.jp/category/crafts/metal

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. hoochoo 包丁 Hocho knives .
- waboochoo 和包丁 Wabocho Japanese knives

. tetsubin 鉄瓶 iron kettles .
Iwate Nanbu Tekki

. tsuiki 鎚起, tsuikin 鎚金 hammered metal ware, metalware .
tankin 緞金 beating gold
Also called tanzoo 緞造, uchimono 打物, tsuikin 鎚金 and kaji 鍛冶
Tsubame Tsuiki Dooki 燕鎚起銅器 Tsuiki Doki : hammered metal ware from Tsubame town, Niigata


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- - - - - quotes from JAANUS - - - - -

chuukin 鋳金 - chukin
Metal casting. A technique used in metalwork to produce vessels or sculptures by melting down metal and pouring it into a mould. Metals used for casting include gold, silver, copper, iron, tin, lead, aluminium, and a variety of alloys. Bronze makes a particularly good casting metal and is highly resistant to corrosion. The casting process can be divided into three stages: i) making the mould, ii) pouring in the molten metal, iii) the finishing stage. Stages ii) and iii) are common to all cast-metal works, but stage i) varies, as there are a great many materials and methods which can be used to make the casting mould igata 鋳型. The best-known methods include:
1 
Stone mould casting *ishigata 石型, which was used to make bronze objects such as the Yayoi period halberd and doutaku 銅鐸 (bell-shaped bronze). Molten bronze was poured into a mould carved into a block of sandstone.
2 
Lost-wax casting *rougata 蝋型 roogata, rogata, was the method used for all bronze sculptures produced from the sixth to the twelfth centuries. A clay model of the images was made as a core, and this was then covered with a layer of beeswax, on which surface features of the image were modelled. Then another layer of clay was added to make an outer shell. Pins were inserted connecting the inner and outer shell, and the entire mould was fired. The wax melted and ran out, leaving an empty space, which was filled with molten bronze. When the bronze cooled and hardened the outer shell and inner core were removed. The surface of the statue was then finished with a chisel, and often gilded with an amalgam of gold and mercury.
3
*Sougata 総型 soogata, sogata, was a casting technique where the surface pattern was engraved on the inside of a clay mould and an inner core *nakago 中型, also made of clay but reduced in size according to the desired thickness of the metal object, was enclosed. After firing, melted metal was poured into the space between the outer mould and the inner core. An adaptation of sougata was kezuri-nakago-chuuzou 削り中型鋳造 (casting with a scraped-off mould). A clay core was covered by a second layer of clay which formed the outer mould. The outer mould was then removed from the core, and the surface of the core was scraped away, according to the desired thickness of the object. The outer mould was then replaced and molten metal poured into the space created by the scraping, between the outer mould and inner core.
4 
Replica casting *fumigaeshi 踏返 was a method used to produce a copy of a flat, simple metal object, for example a mirror. The original object was covered with clay to make a mould. The copy was then made by casting in the clay mould. The dimensions of the duplicate were slightly smaller, and the design less clear than that of the original.
5 
Another technique known as *komegata 込型 (sealed mould), or warikomegata 割込型 (sectioned sealed mould) used a clay mould applied directly over a wood, clay, or stone model of the statue. After firing or simply drying, the mould was divided into pieces and reassembled for casting. This method permitted fine details to be reproduced on the mould, and also had the advantage that it was possible to preserve the original model undamaged.
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The simplest casting method used in Japan, suitable for objects like coins or mirrors was the sand mould *sunagata 砂型. Sand was contained in a wooden or metal frame. A raw clay model of the desired object was pressed into the sand. Molten metal was then poured into the hollow impressed in the sand. This method began to be used in the Edo period. The earliest metal casting in Asia began in ancient China for making ceremonial bronze vessels, and later the technique was highly developed for the production of mirrors and Buddhist statues. In Japan important uses included Buddhist statues and implements,temple bells, mirrors, and the iron kettle used in the tea ceremony.

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kigata imono 木型鋳物
A method of metal casting using a wooden model. The wooden model was called kigata 木型.
The kigata was carved first, and over this a clay mould (sometimes called *megata 雌型) was made, which was then used for casting. Recent research suggests that the kigata imono method was used in the production of all gilt bronze images during and after the Late Heian period.

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rougata 蝋型 rogata
Also rougata chuuzou 蝋型鋳造, rougata imono 蝋型鋳物. A method of metal casting known as the lost-wax technique. Frequently used in Japan for casting bronze statues, which were often gilded. See *kondou 金銅. First, a basic model of the desired vessel or statue was made in clay or plaster. This was then covered with a layer of beeswax mixed with pine resin, which was moulded to the required shape and engraved with surface details. An outer layer of soft clay or plaster was then applied over the wax. The outer clay mould and the inner model were secured from the sides, or at the front and back, using fragments of metal *katamochi 型持 or metal pins *kougai 笄. The entire construction was then fired, causing the mould to harden and the wax to melt and run out. Melted metal was poured into the gap left by the wax, between the outer mould and the inner core. When the metal had cooled and hardened the statue was removed from the inner and outer moulds, and the marks left by the pins were repaired. See *ikake 鋳掛.
Solid metal statues were produced from a model made directly from wax without an inner core. This model was then covered, fired and cast.
The lost-wax method allowed free modelling, as the wax surface was very easy to work, and was suitable for casting complex forms and intricate detail. It produced a beautifully smooth, sculptural surface in bronze.
In Japan the lost-wax method was used from the 6c, beginning with small gilt-bronze statues of the Asuka and Nara periods such as the Shoukannonzou 聖観音像 in Yakushiji 薬師寺, Nara. Most of Japan's early bronze statues are believed to have been made by this method. Its use continued during and after the Heian period, and the same technique was used to make small decorative carvings *netsuke 根付 in the Edo period.

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chuuzou 鋳造 chuuzoo, chuzo - - - Also imono 鋳物.
Casting. A technique used to make cast sculptural forms. The base material was heated and melted down to a liquid, which was poured into a mould, igata 鋳型. This was then left to harden and the mould removed to leave a solid form. Metal, plaster, clay or glass could be cast in this way. The term chuuzoubutsu 鋳造仏 refers to cast Buddhist images. *Chuukin 鋳金 refers specifically to metal casting, but since metal was the material most commonly associated with cast images, the terms chuuzou and imono are often used interchangeably with chuukin.


kondou 金銅 kondoo, kondo - gilt bronze
- source : JAANUS : imono -

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- ABC - List of metal work from the Prefectures
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................................................................................ Ishikawa 石川県  

. kinpaku 金沢金箔 gold foil, gold leaf foil .
Kanazawa haku 金沢箔 leaf foil of gold, silver or platinum


................................................................................ Kanagawa 神奈川県  

. Odawara imono 小田原 鋳物 Odawara casting .


................................................................................ Kumamoto 熊本県   

. Higo zoogan 肥後象嵌 Higo Zogan inlay .


................................................................................ Niigata 新潟県  

. roogata chuukin 蝋型鋳金 wax casting .
Sado Island

. tsuiki 鎚起, tsuikin 鎚金 hammered metal ware, metalware .
Tsubame town 燕

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................................................................................ Osaka 大阪   

Osaka suzuki 大阪錫器 Osaka tin ware



6 Chome-6-15 Tanabe, Higashisumiyoshi Ward, Osaka / 大阪錫器 company
- reference source : osakasuzuki.co.jp -

- quote -
Osaka Naniwa tin ware
There are many kinds of drinking cups around the world. While the West offers various types of glassware, and Asia has a preference for ceramic cups, in Japan a tin cup style known as suzu-ki (tinware) can also be found in production.

Used since prehistoric times, tin was introduced to Japan by Kenzuishi, a Japanese envoy to Sui Dynasty China, and Kentoshi, a Japanese envoy to Tang Dynasty China, between the seventh and ninth centuries. Thereafter, tin began to be produced in Japan as well. But at the time, it was a material valued like gold and silver are today, so it was only used in limited settings, including the imperial court.

In the Edo Period (1603-1868), tinware became popular among the general public in the form of drinking cups and Japanese tea sets. By the middle of the period, the manufacture and sale of tinware began to center on parts of Osaka, with strong distribution channels in areas such as Shinsaibashi and Tenjinbashi. This heralded the beginning of Osaka Naniwa tinware.



While Naniwa tinware quickly evolved into a full-fledged industry, the start of World War 2 led many craftsmen to be drafted, and material procurement became difficult, plunging the technique into crisis. Following the war, craftsmen from around Osaka gathered to maintain the tradition of Osaka Naniwa tinware, and the industry was reborn. It was recognized by the Japanese government as a traditional craft in 1983.

Tinware is used for a wide variety of products due to its combination of practicality and aesthetic appeal. It is characterized by strong ion properties that have purifying effects on liquids, particularly removing zatsumi (unfavorable taste) from saké to make it smooth and delicious. Tin is also reputed for moisture protection, and is said to help maintain the freshness of tea leaves, making it suited for drinking cups, pots and teacups. Also, given its beautiful, clean color, it's used for various products including cassolettes, cinnabar seal ink cases, Buddhist or Shinto religious instruments, and decorations.

Osaka Naniwa tinware boasts a tin percentage of more than 97 percent, and this high degree of purity truly brings out the benefits of tin.
- source : japan-brand.jnto.go.jp/crafts/metal -

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................................................................................ Toyama 富山県  

Takaoka imono 高岡鋳物 Takaoka metal ware



- quote -
Takaoka Casting
Each area in Japan is rooted with its own unique metal industry, and in Takaoka, Toyama Prefecture, a wide range of metal casting techniques such as bronze, alloy and tin have been developed. Bronze in particular accounts for 95% of the production nationwide.

Takaoka-Imono emerged from a town called Kanaya machi located along the Senbogawa river in Takaoka city, Toyama Prefecture. In 1609, Maeda Toshinaga, the second head of Kaga Domain and builder of a castle in Takaoka, invited seven Imoji artisans in hope of revitalizing the local industry.

The production of Imono using copper alloy became particularly popular around the 18th century. In 1873, at the Weltausstellung 1873 Wien, Kanamori Soshichi, who ran his own Imono production factory and exported his products, was awarded a prize, which led to more artisans in the country receiving awards, and Imono establishing its status globally. In 1975, it was certified as a Traditional Craftwork by the national government, and has since been used for the creation of a wide variety of products, with new crafting techniques constantly emerging.


source : 4travel.jp/travelogue
- 藤子不二雄 - まんが道 Manga Road in Takaoka -

Takaoka-Imono
has recently been adopted for the production of bronze statues of popular manga characters, which have then been placed in various parts of Japan. For the past few years, local municipalities and people in shopping arcades in the metropolitan area have begun to place bronze statues of popular manga characters as part of their plan to revitalize their communities. In March, 2010, 11 statues of characters from the popular manga most commonly known as Kochikame were placed around the Kameari station in Katsushika Ward, Tokyo. In March, 2012, 12 statues of "family" characters from "Sazae-san", a ubiquitous manga/anime series that depicts the everyday life of one family, were put in place around the Sakura-shinmachi station of the Tokyu Denen-toshi line as part of the city's shopping arcade, "Sakura-shinmachi" shopping street in Setagaya Ward trying to enliven its community.
In March, 2013, a bronze statue of Ozora Tsubasa, the main character from the manga "Captain Tsubasa", was placed in Yotsugi-tsubasa park in Katsushika Ward, Tokyo. All statues are made of Takaoka-Imono. By collaborating with popular manga characters in the form of bronze statues, Takaoka Imono has made itself known to many around the country, which led to boosting the sale of its products as well.

As for plateware, the gorgeous looks of cups and sauce-pouring containers using antibacterial tin make them popular as gifts for loved ones.

Nowadays many companies in Takaoka are shifting their production focus to the making of high-quality interior decoration. These combine modern tastes with the influence of Japanese design to create products you won't find anywhere else.
- source : japan-brand.jnto.go.jp/crafts -


Takaoka dooki 高岡銅器 bronze work






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................................................................................ Yamagata 山形県  

. Yamagata imono 山形鋳物 ironware, cast iron, metal art - Yamagata Casting .


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. Regional Folk Toys from Japan .

. Japan - Shrines and Temples .


. Tohoku after the BIG earthquake March 11, 2011

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Posted By Gabi Greve to Omamori - Japanese Amulets on 2/20/2017 10:08:00 am