9 Feb 2017

EDO - Kanda district



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. Famous Places and Powerspots of Edo 江戸の名所 .
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Kanda 神田 Kanda district   

神田 "field for the gods" :
The land was under the directive of Ise Jingu Shrine to grow rice for the Shrine offerings.
Kanda has a lot of sub-districts, one of the most famous modern is
Jinbōchō 神保町 Jinbocho - the largest bookstore district in Japan.


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Kanda (神田) is a district in 千代田 Chiyoda ward, Tokyo.
It encompasses about thirty neighborhoods. Kanda was a ward prior to 1947, when the 35 wards of Tokyo were reorganized into 23.
It is home to the Kanda Myojin (Shinto) shrine, devoted to Taira no Masakado, who led a rebellion against the central government during the Heian period. In the Edo period, the shrine's festival was one of the three most famous in the city.
Kanda is also the home of the Tokyo Resurrection Cathedral which was built by Nicholas of Japan and is the main Cathedral of the Japanese Orthodox Church.
A popular Japanese television series, Zenigata Heiji,
features a fictitious police patrolman (the title character) whose beat is Kanda. Near the end of every show, Heiji fells the bastardly villain by throwing a coin at him.
- Neighborhoods in Kanda (a long list to check)

The Kanda River (神田川 Kandagawa)
stretches 24.6 km from Inokashira Park in Mitaka to the Sumida River under the Ryōgoku Bridge at the boundary of Taitō, Chūō, and Sumida. Its entire length lies within Tokyo, Japan. It drains an area of 105.0 km².
The government of Japan classifies it as a Class I river. ...
- - - More in the WIKIPEDIA !



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Kanda 神田
During the Tokugawa shogunate, the Kanda district used to lie at the heart of Edo and constituted the "uptown"
(as opposed to "shitamachi" areas like Asakusa), where nobles and rich businessmen lived, close to the Imperial palace.
It is now a mixed of business district, universities, shrines, pachinko parlours and adult shops. The area around Kanda station itself is of little interest to short-term visitors. Most of the sights are located around 御茶ノ水 Ochanomizu station, in northern Kanda.
The Kanda Matsuri,
Tokyo's second biggest traditional festival (after the Sanja Matsuri in Asakusa) takes place early May at the Kanda Myōjin. During the Edo era, it was one of the few "matsuri" allowed to enter the grounds of Edo Castle. ...
Ochanomizu 御茶ノ水 (literally "tea water")
is the name of a station in the northern part of the Kanda neighbourhood. Ochanomizu is not in itself an official district nor a postal address.
The area covers the districts of Kanda-Surugadai (神田駿河台) and Soto-Kanda (外神田).
The place was named after the river from which water was extracted to make the shōgun's tea during the Edo period.
Jimbochō 神保町 (Jinbocho)
is Tokyo's bookshop district. Like Ochanomizu it is only a station name, serving western Kanda. It is an academic neighbourhood with lots of schools and two universities (Meiji Daigaku and Nihon Daigaku) reaching as far as Ochanomizu station. The area therefore abounds with students. Jimbochō's bookshops offer everything from rare, antique books to hentai manga. Most of the shops are concentrated along the Yasukuni-dōri Avenue and are small and privately owned.
Sanseidō is the only big bookshop spreading a several floors. It is located at crossing of Yasukuni-dōri and Meiji-dōri Avenues. You will find plenty of English books (and some French and German ones too) at the 5th floor.
- source : wa-pedia.com/japan-guide -

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Kanda - The Estate of Lord Matsudaira 松平屋敷
A short distance from Nihonbashi, just to the north of the high-class shopping districts occupied by the leading merchants, Mitsui Echigo-ya, Ise-ya and Maru-ya, the land rises suddenly from the flat, low-lying districts of the shita-machi (downtown) area to a green, tree-studded plateau. This is the Kanda district, which marks the southwest fringe of the Yama-no-te, the hilly half of the city, where most wealthy samurai have their estates.

When Edo was first built, there was a very large hill in this area known as Kanda-yama. It was the highest point in the entire area, rising above even the neighboring hill where Edo Castle now sits. Tokugawa Ieyasu had his men level this hill, and use the excavated earth to fill in the marshes along the shores of the bay. That is how the downtown area was reclaimed from the sea. Today, all that is left of Kanda hill is a low, flat-topped plateau that overlooks downtown Edo. Since it is located close to Edo Castle and also close to the center of town, many of the leading officials in the Shogun's government have their homes in Kanda. One of these officials is my master, Lord Matsudaira, who is a member of the six-man committee which directly advises the Shogun.

Matsudaira is a very noble family name, since all members of the Matsudaira clan are closely related to the Shogun. In order to ensure that there are no serious squabbles over the succession to the position of shogun, everyone who is more than two generations removed from the current shogun must give up the name Tokugawa and choose another name. Many of the people who had to choose a new family name -- particularly those that were closely related to the first shogun (Ieyasu) or the third shogun (Iemitsu) -- took the name Matsudaira. Although they no longer are considered members of the Shogun's "family", the Matsudairas all maintain close links to the central government, and many of them hold top positions in the bakufu (military government), or in the government of Edo.

Lord Matsudaira's estate is in the center of a neighborhood known as "uchi-Kanda" (inner Kanda). About fifty years after Kanda hill was leveled to build downtown Edo, workmen dug a canal through the middle of the plateau to carry water from the rivers to the northwest of the city into the Sumida river. This was part of the elaborate water system that now supplies Edo with drinking water. The canal was named "Kanda-gawa" (the Kanda river) and since it split the plateau in half, the part closest to Edo castle acquired the name "uchi" (inner) Kanda and the part on the opposite side of the river took the name "soto" (outer) Kanda.


Distribution of Daimyo Yashiki around Edo castle

The Matsudaira estate, like most of the manors maintained by influential samurai, is entirely surrounded by a high wall, whitewashed on the outside and surmounted by an overhanging tiled roof. The roof serves two purposes -- it helps reduce the impact of rain on the packed-earth-and-plaster walls, and it makes it harder for an intruder to climb over the wall. The front gate to the residence is also very solid and imposing. A guardhouse is located right near the gate, and the quarters of the Daimyo's personal guard are right nearby. All high-ranking samurai are allowed to maintain their own private corps of guards at their residences, though there are strict rules on how many men a certain daimyo can employ and how many are allowed to travel with him through the city streets when he goes out.

The wall, the guardhouse and the private bodyguard are all relics of the old days, when leading warlords did not yet trust one another. During the period of civil war, a daimyo's residence was like a small fortress, and the defensive measures were often put to use. Competing daimyo frequently tried to raid one another's manors in Kyoto or one of the other major towns. The rules on the size of each "private army" in Edo were designed to ensure that the daimyo felt safe at home, but would not have enough men to organize an effective revolt against the Shogun. Nowadays, though, the rules are largely ceremonial, and the number of men in the private bodyguard are simply a mark of a person's rank and status.

Once inside the imposing wall, the Matsudaira estate looks like a park. There are acres of beautiful, carefully tended gardens filled with flowers and dotted by ponds and streams. The estates of the major samurai are meticulously maintained by gardeners and servants, and in some cases, these beautifully landscaped gardens almost seem like a paradise. Most of the land inside the estate is actually taken up by these gardens.

Matsudaira yashiki (Matsudaira's manor)
is an ornate, sprawling building with many wings leading off in different directions, yet it looks small compared to the vast sprawl of the estate. The building is located next to a small pond, which provides a fine view from the main building. Originally, though, it also had a more practical function, as a line of defence against attack, and a source of water in case the manor came under seige.

The building has dozens of rooms, walkways and semi-detached apartments, since it is home to not only the entire Matsudaira family, but all their servants and retainers as well. The complex can be divided into several sections on the basis of their function. At the center, and facing the front gates, are the rooms where the daimyo meets visitors and conducts business. The household staff lives in small rooms on the wings that lead off from these large, central meeting halls.

To one side of the central halls are the kitchens and storerooms. These are usually located close to the quarters where household staff sleep. These two parts of the house tend to be the busiest. There are people bustling to and fro all day. The guards, as well as visitors to the manor, never go into the private apartments at the rear of the manor; therefore, the main halls and the servants quarters are where most people in the household spend their time. The kitchens are often huge halls detatched from the main buildings. A daimyo's manor needs to have a big kitchen. Since there can be well over a hundred people living on the estate of a high-ranking daimyo, it is a full-time job for several cooks and assistants just to keep everyone in the household fed. Behind the large building at the the front of the manor, and attached to it by long corridors or covered walkways, is the main residence. There are several wings, each occupied by one of the daimyo's wives or one of his elder children. Their private rooms, as well as the quarters of their personal servants, are clustered together. The rooms are arranged with communal living space, kitchens and guest rooms in the front, and the women's quarters furthest back.

Also located near the back of the manor complex are the washrooms and toilets. These are usually at opposite ends of a corridor in the rear of the building. The baths are a very important part of a daimyo's manor. The Japanese love to soak in a hot o-furo (bathtub) at the end of a long day. Nothing else is quite so relaxing in the evening as a nice, hot bath.

Although some of the central buildings are quite impressive, with high, soaring roofs of ceramic tile, most of the manor has only one story, perhaps with a loft for storage or for the servants to use as sleeping quarters. This is largely a practical matter. Although two and three-story buildings are quite common in the downtown area, the upper rooms of large buildings can be unbearably hot in the summer. One-story structures with wide doorways and breezeways are much more comfortable during the long, hot summer months.

There are few furnishings inside the manor. The main meeting rooms are covered with tatami (straw mats), and there is hardly any furniture apart from cushions to sit on (zabuton) and perhaps a small table or a wooden armrest for the daimyo to lean on. When guests eat in these halls, portable wooden table-trays are brought in with the food already on the table. After the guests finish eating, the tables are taken away, along with all the dishes.

In the private apartments, there are a few more furnishings. The women, in particular, may have a number of small tables or stands to put trinkets and jewelry. The daimyo's wives and daughters will probably have small tables in their bedrooms, a large chest or a rack for hanging kimono and a vanity table where they can put on their makeup.

In the evening, the servants will bring in a few lanterns. These are wooden or metal stands with a small oil lamp on top, and a large paper shade on top to block any wind that might blow out the lamp. The only other piece of furniture that is commonly found in people's homes are folding screens, made of wood frames covered by paper. These screens are used mainly for decoration, and they are usually painted with beautiful scenes in vivid colors. The screens are also used to provide a measure of privacy. There are many people in the manor, and particularly in the summer time, all of the sliding doors (shoji are left open to provide a breeze. Therefore, when people are changing clothes or sleeping, they set the folding screens around their bed to provide some privacy.
- source : Edomatsu

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. Daimyoo yashiki 大名屋敷 Daimyo Yashiki Residence .
There were three types in Edo :
shimo yashiki 下屋敷 / naka yashiki 中屋敷 / kami yashiki 上屋敷

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- - - Kanda subdistricts featured in the Edopedia 神田 :

Daikuchoo 神田大工町 Kanda Daikucho, carpenter district

Iwamotochō 神田岩本町 Kanda Iwamotocho

Kamakurachoo 神田鎌倉町 Kanda Kamakuracho

Kajichoo, Kajimachi 神田鍛冶町 Kanda Kajicho

Kijibashi 神田雉子橋 Kanda Kiji-Bashi Bridge

Konyachō 神田紺屋町 Kanda Konyacho

Renjakuchoo, Renjaku machi 神田連雀町 Kanda Renjaku-Cho

Shirakabechoo 神田白壁町 Kanda Shirakabe-Cho

Surugadai 神田駿河台 Kanda Surugadai



. Shrine 神田明神 Kanda Myojin .
at Soto-Kanda (across the river), between the Ochanomizu and Akihabara Stations.
and
Taira no Masakado 平将門 (? – 940)

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- - - - - More to explore :

Higashi-Kanda 東神田 Higashi Kanda
Nishi-Kanda 西神田 Nishi Kanda
Soto-Kanda - 外神田 Soto Kanda - 秋葉原 Akihabara
Uchi-Kanda 内神田 Uchi Kanda

Aioichō 神田相生町 Kanda Aioicho
Awajichō 神田淡路町 Kanda Awajicho
Hanaokachō 神田花岡町 Kanda Hanaokacho
Higashikonyachō 神田東紺屋町 Kanda Higashikonyacho
Higashimatsushitachō 神田東松下 Kanda Higashimatsushitacho
Hirakawachō 神田平河町 Kanda Hirakawacho
Izumichō 神田和泉町 Kanda Izumicho
Kitanorimonochō 神田北乗物町 Kanda Kitanorimonocho
Matsunagachō 神田松永町 Kanda Matsunagacho
Mikurachō 神田美倉町 Kanda Mikuracho
Misakichō 三崎町 Misakicho (borders Nishi-Kanda)
Mitoshirochō 神田美土代町 Kanda Mitoshirocho
Neribeichō 神田練塀町 Kanda Neribeicho
Nishifukudachō 神田西福田町 Kanda Nishifukudacho
Nishikichō 神田錦町 Kanda Nishikicho
Ogawamachi 神田小川町 Kanda Ogawamachi
Sakumachō 神田佐久間町 Kanda sakumacho
Sakumagashi 神田佐久間河岸 Kanda Sakumagashi
Sarugakuchō 猿楽町 Sarugakucho (borders Surugadai)
Sudachō 神田須田町 Kanda Sudacho
..... - reference source : KANDA SUDACHO archive-japanasitis -
Tachō 神田多町 Kanda Tacho
Tomiyamachō 神田富山町 Kanda Tomiyamacho
Tsukasamachi 神田司町 Kanda Tsukasamachi




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. Japanese Legends - 伝説 民話 昔話 – ABC-List .

Kanda Myoojin 神田明神 Kanda Myojin and Taira no Masakado 平将門
Madakado was a very strong man and could fight seven people all alone. When Tawara Tōda 俵藤太 "Rice-bag Tōda" finally cut off his head, the head still kept pursuing him, and finally came to rest in Kanda. It did not die for seven days and kept the eyes rolling, watching people.
Finally Masakado's head mound was erected and the Shrine Kanda Myojin built to appease his soul.
Masakado became the protector of 弓矢の守護神 warriors fighting with bow and arrow.

Kubizuka 将門塚 Head Mound of Masakado and the Toad
When Mitsui Bussan tried to build an office 三井物産ビル, they wanted to buy the land with the 将門塚 Head Mound Kubizuka of Masakado. But they were afraid of the curse of Masakado 将門の祟り and bought a different plot.


When 若王子信行 Wakaoji Nobuyuki (1933 - 1989) was kidnapped in the Philippines in 1986, the company 三井物産 Mitsui Bussan prayed for his safe return.
They made an offering of a huge gamagaeru ガマガエル toad to the 将門塚 Masakado Mound.
(-gaeru, kaeru is a pun with 帰る to come home safely.)

. Taira no Masakado 平将門 / 平將門 Legends .

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. Yanagimori Jinja 柳森神社 Shrine .
千代田区神田須田町2-25 Chiyoda, Kanda, Sudacho
venerating
o-Tanuki san おたぬきさん the honorable Tanuki badger



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- reference : Nichibun Yokai Database -

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. Japanese Architecture - Interior Design - The Japanese Home .

. Famous Places and Powerspots of Edo 江戸の名所 .

. Doing Business in Edo - 商売 - Introduction .

. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

. senryu, senryū 川柳 Senryu poems in Edo .

. densetsu 伝説 Japanese Legends - Introduction .


[ . BACK to DARUMA MUSEUM TOP . ]
[ . BACK to WORLDKIGO . TOP . ]- - - - - #kandadistrict #kanda #tairamasakado #masakado - - - -
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Posted By Gabi Greve to Edo - the EDOPEDIA - on 10/06/2015 09:14:00 am

5 Feb 2017

EDO - Tsukiji Kabuki

https://edoflourishing.blogspot.jp/2015/10/tsukiji-district-kabuki-tsuji.html

Tsukiji district Kabuki tsuji

[ . BACK to DARUMA MUSEUM TOP . ]
. Famous Places and Powerspots of Edo 江戸の名所 .
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Tsukiji 築地 and Kabuki    
and tsuiji 築地 fences


The name Tsukiji is mostly associated now with the fish market.
. Tsukiji Fish Market 築地市場 .
and
Nihonbashi Uogashi 日本橋魚河岸 
Shrine Tsukiji Namiyoke Inari Jinja 波除稲荷神社 "protection from waves"
The fish market of Edo in Nihonbashi was moved to Tsukiji after the Great Kanto Earthquake in 1923.
and recently
Toyosu Food Market 豊洲市場 "Toyosu Shin Shijo"
and its problems since Autumn of 2016.

Here we are concerned with another aspect of the district - Kabuki Theater 歌舞伎.



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Tsukiji - Visit to a Kabuki Theater
There are many different types of entertainment in Edo, appealing to people of all sorts of tastes and classes. In addition to the frequent festivals at local temples or shrines, those who enjoy sports can often take in a horse race or a sumo tournament. Those who enjoy more sedate forms of entertainment may go to a musical performance, or go to see the professional comedians at rakugo (comedy story) theaters. Wealthy samurai and even some merchants will often take in a performance of noh -- an ancient and "high-class" type of drama. However, for most of the people in Edo, the most popular form of evening entertainment is the popular theater -- kabuki drama.

The main kabuki theaters in Edo are located in the Tsukiji neighborhood. This form of drama is extremely popular with the lower classes, and wealthy merchants often contribute large amounts of money to help support companies of kabuki actors. Almost everyone in Edo knows the names of the most famous actors, and some famous artists have published books of pictures showing the top kabuki actors dressed in their gaudy and colorful costumes. In the early years of the Edo shogunate, kabuki drama was viewed as vulgar and a corrupting influence. For that reason, samurai were forbidden to attend. Although the rules are still officially in effect, nowadays kabuki has become popular with all classes, though high-ranking samurai will usually wear a disguise if they attend a public performance.

The top kabuki theaters are all located in an area near the Nishi Honganji temple. This temple is a branch of the Nishi Honganji temple in Kyoto, a very old and powerful temple, the headquarters of the Jodo ("pure land") sect of Buddhism. The temple is very important and powerful, with close connections to the family of the Emperor. Even this branch temple in Edo is a huge and imposing building. It is one of the few large temples left in the center of the city. The others all moved to the suburbs after the great Meireki Fire, in 1656. The main hall of the temple towers above the roofs of all the surrounding buildings, and it can be seen from far away. Boats sailing into Edo Bay even use it as a landmark to tell what direction to sail as they approach the city.

The neighborhood surrounding the temple is a crowded, bustling clutter of row houses, small shops, piers and warehouses. Tsukiji is home to most of the dockworkers and boat pilots who transport goods throughout the city. Apart from the Fukagawa neighborhood, on the opposite bank of the Sumida River, Tsukiji is the most "blue-collar" district in the city. Since this area is a center of the shomin (working-class people) in Edo, it is no surprise that it also is the headquarters of most kabuki groups.

Several different kabuki acting companies operate theaters in the Tsukiji area. Kabuki acting is a closed profession -- only members of certain families can become actors. Although there are several minor families, the four main family names in kabuki acting are Nakamura, Ichikawa, Ichimura and Onoe. All of the actors in kabuki dramas are men. The female parts in the dramas are played by actors called onnagata, who specialize in women's roles. The onnagata ("woman-style actor") spend their entire lives practicing to act and speak like women. Some of them even insist on wearing women's clothes when they are not on stage, so they will become used to behaving like a woman all the time. This training is very effective -- when you see them on stage, it is hard to tell that the onnagata are really men.

Originally, many -- if not most -- of the actors were women. In fact, the person who invented kabuki was a woman. Her name was Okuni, and she was originally a shrine attendant at the Izumo shrine. She did a lot of traditional noh acting, but she wanted to do something a bit more exciting and less formal. (although the high-class officials like noh, many people from the lower classes think it is incredibly boring!) She began acting in her own dramas at a makeshift stage in Kyoto, and the new style of acting became so popular that soon many kabuki companies had been formed. Unfortunately, the performances in Edo soon got to be very bawdy, and many people started going to the performances just to watch the beautiful women and their sexy costumes.

The Shogun decided that these performances were getting out of hand -- some of them had become almost like striptease shows -- so a law was passed making it illegal for women to act in kabuki dramas. In the long run, this was good for kabuki, because it forced people to concentrate on writing good dramas and acting, instead of just having plenty of beautiful women in revealing costumes. One of the most famous playwriters, named Chikamatsu Monzaemon, started to work at about this time, and he helped change kabuki completely. Monzaemon was one of the first professional playwrights in kabuki. Before the Shogun outlawed women actors, most plays had been written by the actors themselves. Monzaemon could be considered the "Shakespeare of Japan", because every playwright who came after him has been influenced by his work.



The kabuki theater is a fairly large building with elaborate decorations framing the entrance. In addition to elaborate carvings over the wooden doorway, there are also many brightly-colored posters of the top actors and "actresses" plastered around the entrance to the theater. Some of the younger kabuki actors are waiting at the entrance to welcome people to the theater and to sell tickets. The acting company is organized along a very strict hierarchy. Everyone in the acting troupe has a rank, and knows who is their superior and inferior. The top actors always get the lead roles in the plays, and they are allowed to order around the younger members of the company. Younger kabuki actors must spend many years doing all of the "dirty work", and studying from their superiors before they get a chance to act. If they are not very talented, they will probably spend most of their career chanting or playing a musical instrument in the "orchestra" which accompanies the performance. However, if they are good at acting, they may rise to play one of the secondary roles in a major production. Depending on the crowd's reaction, they might even get to be a leading actor or the lead onnagata one day.

The kabuki theaters all have a similar sort of layout -- on the first floor are cubicles with tatami mats, where the wealthier spectators sit -- sort of like "box seats". The stage is in the very front of the theater, but a long, narrow extension of the stage runs down one side of the hall to the center of the audience. This is called the hanamichi ("flower path"). When an actor is performing a very emotional scene, they will walk down the hanamichi, and deliver their lines from the very center of the audience. The people in the very best seats could literally reach out and touch the actor. This is often the high point of the drama, and the impact on the audience is tremendous.

On the opposite side of the stage from the hanamichi is a tall screen, and behind the screen sits the "orchestra" which accompanies the play. Kabuki dramas are not really "musicals", since the actors do not sing. However, the orchestra plays background music to accompany most of the scenes, and from time to time one of the actors (especially one of the onnagata) may perform a short dance.

On three sides of the theater are balconies where poorer people can get inexpensive tickets. However, even many of the wealthier people think it is more fun to watch kabuki from the balcony. People are much rowdier and more relaxed. Also, many of the actors have their own "fan clubs" who sit in the balcony and shout out cheers of encouragement at certain points in the drama.

Kabuki dramas are always very colorful and dramatic. The actors have developed all sorts of "special effects" that make the drama even more interesting. For example, there are many trap doors in the stage and behind the scenery, so actors often appear on stage suddenly, as if from nowhere. Another technique that the actors use is to wear one costume underneath another. Stage hands are waiting behind the curtain to help them get one costume off quickly. With practice, they can change into a completely different costume in just three or four seconds . The crowd is amazed when an actor dressed as an old man walks off the stage in one direction and appears a split second later on the opposite side of the stage dressed as a young samurai. It almost seems like magic!

Perhaps the most famous kabuki drama is the "Chushingura". This play is adapted from the story of the 47 samurai , and the people of Edo love to watch it. However, the bakufu has rules against any play that depicts people or events that have occurred recently. They don't want kabuki to be used as a way of complaining about the Government or satirizing unpopular people. Therefore, the story in the Chishingura has been changed slightly, and the setting has been moved to Kamakura in the 1200s. Of course, everyone knows what the drama is really about, so it doesn't make any difference that the "names were changed to protect the innocent".
- source : Edomatsu

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. Kabuki Theater 歌舞伎 .
kumadori 隈取 painting of the face and more


. WKD : Edo Sanza 江戸三座
the three famous Kabuki theaters of Edo .


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Tsukiji no tatsujin 築地の達人 Great masters of Tsukiji
Three different root vegetables pickled in Soy sauce:
「江戸ごぼう」- 「江戸歌舞伎漬」 - 「おかか生姜」

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source : library.metro.tokyo.jp/portals

Tokyo Tsukiji hoteru kan 東京築地ホテル館 Tokyo Tsukiji Hotel Building
歌川芳虎 Utagawa Yoshitora, 1870
The first Western-style hotel in Tokyo.



Poster Print by Utagawa Hiroshige III (1843 - 1894)
source : amazon.com/ ...

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. Dolls with Kabuki Makeup .




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The word 築地 tsukiji (tsuiji) is used for other things.

. 築地 - tsuijibei 築地塀 Tsuiji wall, tile-roofed mud wall .


. Japanese Legends - 伝説 民話 昔話 – ABC-List .

奥州菊田郡泉村に判官屋敷という築地の跡がある。その中を耕作すると祟りがあるという。これは磐城判官だった正氏という人が住んでいたところだという。

築地にあった御救小屋が愛宕に移されたのは夜中に焼死者の幽霊が出るためだという。しかしその正体は人を驚かして物を盗ろうとした盗賊だった。

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京都府 Kyoto



Neko no magari 猫の曲り "The Cat Corner"
The corner of the South-East 築地塀(ついじべい) Tsuiji fence of temple To-Ji is called "Neko no Magari" and is feared as a place where ghosts and spooks reside. If people pass around this corner, they will experience misfortune. So even today a bridal procession will never pass along this corner.
This explanation goes back to the Heian period and the belief in the animal deities of the Four Directions. A statue of each one had been erected at the appropriate corner of the temple.
The statue of Byakko 白虎, the White Tiger in the West, had looked very much like a cat and people called it neko no magari-kado 猫の曲がり角 , the corner where the cat turns. But the statue had been removed at the beginning of the Meiji period.
Careful, maybe the protector deity of the West had been mis-placed in the South-East for some unknown reason and thus caused trouble ?!

There is another simpler explanation:
Since this corner is located in daily sunshine, many alley cats have come to live here.

. 東寺七不思議 Seven Wonders of Temple To-Ji .

. "Tozai Nanboku 東西南北" - the Four Directions .

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Tsukubai no Tsuji 蹲踞辻

One corner of the fence around the 京都御所 Kyoto Gosho Imperial palace is called Tsubaki no Tsuji.
Is people pass here late at night, they often suddenly get lost and loose their way.

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長野県 Nagano 小県郡 Chiisagata district 武石村 Takeshi

お仙ヶ淵 Osengafuchi - 大蛇 Huge Serpent
Once upon a long time,
three siblings suddenly came along and took up residence in the village. The oldest was sister お仙 O-Sen, next was brother 庄兵衛 Shohei and the youngest was 金次郎 Kinjiro. But shortly after they came, things in the village went awfully wrong. Almost every night some cattle was stolen. And often some large scales from 大蛇 a huge snake were left behind. The villagers soon realized that the three siblings were in fact large serpents and tried to get rid of them. But they were much afraid of a curse of the serpent, if they would harm the animals.
So they decided to declare them as deities and hold rituals for them.
O-Sen was worshipped at お仙ヶ淵 O-Sen-ga-fuchi, Shohei at 築地原の菖蒲池 the pond Shobu-Ike at Tsukijihara and Kinjiro at the pond 金次郎池 Kinjiro-Ike.
After that, the stealing and killing of their cattle stopped in the village.


お仙ヶ淵 Osengafuchi

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- reference : Nichibun Yokai Database -

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. Japanese Architecture - Interior Design - The Japanese Home .

. Famous Places and Powerspots of Edo 江戸の名所 .

. Doing Business in Edo - 商売 - Introduction .

. shokunin 職人 craftsman, craftsmen, artisan, Handwerker .

. senryu, senryū 川柳 Senryu poems in Edo .

. densetsu 伝説 Japanese Legends - Introduction .


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KAPPA TENGU - Korinbo Fukuoka


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. Tengupedia - 天狗ペディア - Tengu ABC-Index .
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Koorinboo 宰府高垣高林坊 / 宰府高垣高森坊 Korin-Bo
Korinbo, Saifu Takagaki - Fukuoka


He is one of the
. 四十八天狗 48 Important Tengu of Japan .

He lived on Hoomanzan 竈門山(宝満山) Mount Homanzan, on the border between 筑紫野市 Chikushino
and 大宰府町 Dasaifu.



Mount Hōman
The mountain is about 830 m high.
It is an important site for Shugendo, and a famous place for rock climbing.
- quote wikipedia-


杖道発祥の地 Mount Homanzan is the place where"the Way of the Stick" to defend oneself originated.

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- quote -
Jōdō 杖道 Jodo literally means the way of the stick.
Shinto Muso Ryu (SMR) evolved in the castle town of Fukuoka, in the north west of the main southern island of Kyushu.
SMR is a 17th Century art that matches a practitioner equipped with a 4-shaku 2-sun 1-bu (128 cm) long stick against a swordsman. In its complete "old school" (koryu) form SMR comprises seven sets of jo kata, and several ancillary weapon sets including kenjutsu, walking stick (tanjo), sickle and chain (kasuirgama), war fan (tessen) and other arts besides.
It was founded by Musō Gonnosuke Katsuyoshi, a master swordsman of the Tenshin Shoden Katori Shinto Ryu who embarked on warriors quest (musa shugyo), travelling Japan, looking for opponents to duel.
SMR tradition relates that he met Miyamoto Musashi (possibly in Edo) suffering his only defeat to the two sword (Nito) technique. Following this he travelled seeking answers to the juji-dome block.
At Mount Homan in Kyushu,
above the castle town of Fukuoka he spent 37 days meditating and training – and received a revelation from the Tengu (long-nosed winged demons, famous as the source of several martial traditions) to take the round pole and place it on the water of the moon (Water Moon, or Suigetsu, is the Japanese word used in budo to indicate the solar plexus on the human body).
- source : seitei-iaido-seitei-jodo-

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- quote -
Musō Gonnosuke Katsuyoshi 夢想權之助勝吉 Muso Gonnosuke
was a samurai of the early 17th century and the traditional founder of the Koryu school of jojutsu known as
Shintō Musō-ryū (神道夢想流 / 神道無想流) Shinto Muso-Ryu.

He is perhaps most famous for his duels with the legendary swordsman Miyamoto Musashi.
- His first duel with Miyamoto Musashi
- Seclusion, Jojutsu and the second duel
The outcome of the second duel, or even that a second duel occurred, is not conclusively known. The stick-fighting school he founded maintains that Gonnosuke, now armed with the jo, defeated Musashi through the use of the superior length of the jo to keep Musashi's swords out of range of Gonnosuke and thus hinder him from using the X-shaped technique effectively. Gonnosuke had Musashi at his mercy but let him live as a way of returning the favour granted in the first duel. ...
- - - More in the WIKIPEDIA !


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宝満宮竈門神社 Homan-Gu Kamado Jinja
883 Uchiyama, Dazaifu, Fukuoka



- - - - - Deities in residence
Tamayori-hime, Emperor Ōjin, Empress Jingū

From the 中宮 Middle Shrine the 行者道 Shugendo Path begins.
About half way up there is the Tengudo 天狗道 Tengu Path, but this is now forbidden for hikers and tourists.

- HP of the shrine
- source : kamadojinja.or.jp -

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. Miyamoto Musashi 宮本武蔵 (1584 - 1645) .
- Introduction -


source : collections.lacma.org

Miyamoto Musashi Slashing a Tengu
Alternate Title: 宮本無三四
by Tsukioka Yoshitoshi (1839 - 1892)

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And was the great Miyamoto Musashi not nicknamed "the little Tengu",
he who remained undefeated after more than sixty duels ?

- reference : miyamoto musashi tengu -

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by Utagawa Hiroshige (1797 - 185)

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Tengu Geijutson 天狗芸術論 The Demon's Sermon on the Martial Arts 
Discourse of the God Tengu on the Art of the Sword
Neko no myoojutsu 猫の妙術 Neko no Myojutsu
The Cat's Eerie Skill / The Cat's Uncanny Skill / The Mysterious Technique of the Cat

佚斎樗山 Issai Chozan (Chozanshi) (1659 - 1741)
Die wunderbare Kunst einer Katze
tr. Karlfried Graf Dürckheim (1896-1988)



- quote -
This collection of parables written by an eighteenth-century samurai is a classic of martial arts literature. The tales are concerned with themes such as perception of conflict, self-transformation, the cultivation of chi (life energy), and understanding yin and yang. Some of the parables seem light and fanciful, but they offer the reader valuable lessons on the fundamental principles of the martial arts; "The Mysterious Technique of the Cat" is iconic.
The "demon"
in the title story refers to the mythical tengu, who guard the secrets of swordsmanship. A swordsman travels to Mt. Kurama, famous for being inhabited by tengu, and in a series of conversations he learns about mushin (no-mind), strategy, the transformation of chi, and how the path of the sword leads to the understanding of life itself.
The author, Issai Chozanshi,
had a deep understanding of Taoism, Buddhism, Confucianism, and Shinto, as well as insight into the central role of chi in the universe—points that are succinctly explained in William Scott Wilson's fine introduction and extensive endnotes. This is essential reading for anyone who wants to truly understand the philosophical underpinnings of martial arts, and how these principles relate to our existence.
- source : shambhala.com... -



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- quote -
A Graphic Approach to Musashi and Demons: Shambhala's "The Book of Five Rings"
and
"The Demon's Sermon on the Martial Arts"


..... The story revolves around a young would-be swordsman who ventures into the deep woods to seek the instruction of the tengu, the mythical bird-men of Japan who were said to have instructed the legendary hero Minamoto no Yoshitsune in the ways of warfare. Coming across a group of them holding a discussion in a tree, he settles in to eavesdrop and benefit from their wisdom. The title is somewhat of a misnomer-tengu aren't demons in the Western sense of the word (that being malevolent beings or spirits from Hell) but more like 'forest spirits'. Wilson here chooses to break "The Demon's Sermon" into several parts and use it as a framework to structure the shorter stories. This allows the short stories to reinforce and expand upon the concepts brought up by the tengu, as well as letting the tengu introduce the concepts to be spotlighted in the short stories.
An interesting choice by Wilson, it helps to tie the work together as a unified whole rather than a series of stories. Many of the ideas are the same as those looked at by Musashi in "Five Rings", again showing how Buddhist and Confucian ideals found their way into sword training. The tengu discuss the concept of no-mind or emptiness, using your chi (the energy that flows through everything) correctly, the importance of practice and discipline, and how adaptability and lack of attachment are vital.
Humorously, the tengu also find most martial arts schools to be lacking in their instruction with too great an emphasis on rigid technique.
- source : theshogunshouse.com/2013 -


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- reference - 宰府高垣高林坊 -
- reference : fukuoka homan shrine -
- reference : issai chozan -
- reference : The Demon's Sermon -

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. - - - Join my Tengupedia friends on facebook ! - - - .

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. Tengu 天狗と伝説 Tengu legends "Long-nosed Goblin" .

. - yookai, yōkai 妖怪 Yokai monsters - .

. Legends and Tales from Japan 伝説 - Introduction .

. Mingei 民芸 Regional Folk Art from Japan .

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Posted By Gabi Greve to Kappa - The Kappapedia on 1/30/2017 09:50:00 am

SHRINES - Kaitei Underwater Shrine and Susaki




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. Shinto Shrines (jinja 神社) - Introduction .
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Kaitei Jinja 海底神社 Underwater Shrine, Chiba
千葉県館山市「波左間海中公園」 / Tateyama town, Hasama Underwater Park



This shrine is located under water in Hasama Underwater Park, about 600 meters from the beach, at an underwater elevation called 高根 Takane.

The building is about 3.5 m high. The Torii gate is about 18 meters deep in the water.
The shrine building is 12 meters deep in the water.
To visit the shrine, people need diving equipment.

It is a sub-shrine of 洲崎神社 Susaki Jinja and was constructed with the wish and prayers to prevent water damage and accidents at sea by a local diving shop in July 1997.

The shimenawa しめ縄飾り sacred rope is made by the divers from plastic rope and renewed every year for the New Year rituals. The priest also has to use a diving suit to get there for the annual service.

It is said to be the only underwater shrine in Japan.
"日本で唯一の海底神社"


- - - - - HP of the underwater Shrine (水中神社)
- source : www5e.biglobe.ne.jp/~o_hasama/jinja -

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Susaki Jinja 洲崎神社 (Sunosaki Jinja)
千葉県館山市洲崎1697 / Chiba, Tateyama, Susaki (Suzaki)
洲宮神社 Sunomiya Jinja



It used to be the shrine 安房国一宮 Ichinomiya of Awa no Kuni.
It was built in 807.

- - - - - Deities in residence - - - - -
天比理乃咩命 Amenohirinome no Mikoto
formerly called 洲ノ神(すさきのかみ) Susaki no Kami (Sunosaki)
(天比理刀咩命 (あめのひりとめのみこと) Amenohiritome no Mikoto)


天太玉命(あめのふとだまのみこと)Amenofutodama no Mikoto
天富命(あめのとみのみこと)Amenotomi no Mikoto

- quote -
Taokihooi 手置帆負命 Taokihooi no kami
Ancestral kami (sojin) of the Inbe clan.
A kami related to the manufacture of shrine structures and implements. According to Kogo shūi, Taokihooi was ancestor of the Inbe of Sanuki (present-day Kagawa Prefecture). Together with Hikosashiri no mikoto, he was directed by Futodama (offspring of Takamimusuhi) to fabricate the "heavenly measures," "divine palace," and various military implements used to lure Amaterasu from the rock cave of heaven where she had hidden.

Under the leadership of Futodama's descendant Amenotomi no mikoto,
the descendants of Taokihooi and Hikosashiri no mikoto for the first time used sacred axes and adzes to cut mountain timber for the construction of Jinmu's main palace at Kashihara, and thereafter worked as fabricators of spear shafts. An "alternate writing" related by Nihongi states that in exchange for Ōmononushi's agreement to "transfer the land" (kuniyuzuri), Takamimusuhi vowed to provide Ōmononushi with eternal worship, and among the celebrants assigned to perform rites is listed one Taokihooi, ancestral kami of the Inbe of Kii (makers of sedge hats).
- source : Mori Mizue - kokugakuin -

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shuin 朱印 stamp





- - - - - HP of the Shrine
- source : sunosaki.info-

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Yearly Festivals 年中行事

The main Festival around August 20.
みのこ踊り奉納 Minoko Odori dance ritual


- CLICK for more photos !

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Cape Suno (洲崎 Suno-saki)
is a cape on the Pacific Ocean, in the city of Tateyama, Chiba Prefecture, Japan.
The cape is located at the southwestern point of Bōsō Peninsula on the island of Honshu, and marks the point between the inner and outer parts of the peninsula.
Cape Sunosaki is home to the Sunosaki Shrine, which was historically the supreme shrine (Ichinomiya) of Awa Province. By tradition it was built early in the Nara period.
The Sunosaki Shrine dance, the Sunosaki-odori, performed during religious observances at the shrine in June and August, is designated a national-level Intangible Cultural Property of Japan.
Yōrō-ji, a nearby Buddhist temple within the Sunosaki District of Tateyama, is historically closely linked with the Sunosaki Shrine.
- - - More in the WIKIPEDIA !

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. Japanese Legends - 伝説 民話 昔話 – ABC-List .

The tidal current at Sunomisaki is very fast and called 潮の道 "road of the sea". The fishermen are very afraid of this place.
The ghosts of shipwrecked fishermen come home along this path and all are afraid of this
ayashi no 怪しの潮路 "the mysterious tideway".

- reference : Nichibun Yokai Database -


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There are other places called Susaki (Suzaki) or Sunosaki in Japan.

. Susaki Jinja 洲崎神社 - Aichi .

. Suzaki 洲崎 in Edo / Tokyo .
Suzaki Shiohigari 潮干狩 Shellfish gathering at low tide

. Wakanoura matsuri 和歌浦祭 - Wakayama .
... after the festival, the mikoshi palanquin was carried to Suzaki beach 須崎.


. Shrine, Shinto Shrine (jinja 神社) - Introduction .

. kami 神 Shinto deities - ABC-LIST - .


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- - - - -  H A I K U  - - - - -

日の出見し洲崎の戻り初不動
hinode mishi Susaki no modori hatsu Fudo

back from the sunrise
at Sunomisaki -
first Fudo Ritual


中野三允 Nakano Sanin (1879 - 1955)
A disciple of Masaoka Shiki

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枯蘆を刈りて洲崎の廓哉
kareashi o karite susaki no kaku kana


正岡子規 Masaoka Shiki.



洲崎より柩出でゆく百日紅
鳥居美智子

ぎんなんの鈴生りの香を洲崎かな
いさ桜子

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- #suichu #kaitei #underwatershrine #susaki #suzaki #sunosaki #susakichiba -
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Posted By Gabi Greve to Japan - Shrines and Temples on 1/28/2017 01:06:00 pm

29 Jan 2017

TENGU - Tengudo Tengu-Do realm


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. Tengupedia - 天狗ペディア - Tengu ABC-Index .
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Tengudoo, tengudō 天狗道 Tengudo, the Realm of Tengu
Tengukai 天狗界 


A realm outside the six realms of existence:

. Rokudoo 六道 Rokudo, Six Realms of Existence .
- Introduction -

The World of Devas or Gods
The World of Asuras, Demigods, Titans, Fighting Demons
The World of Humans
The World of Animals
The World of Hungry Ghosts
The World of Hell

This word is now also used for many things,
including manga, restaurants, gourmet groups and martial arts fighting styles.



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- quote
Tengu have long been considered the main enemies of Buddhism in Japan.
Tengu are one kind of yokai which there is a direct path to becoming: a human that is so wicked, so evil, that they do not even deserve hell can become a tengu. They are reborn in Tengu-do, or the realm of tengu — a place outside of the wheel of reincarnation from which there is no escape.
Tengu never get a chance at becoming a Buddha or being reborn in a better world.
They are stuck there forever, as a yokai, forever apart from happiness and barred from enlightenment.
- source : matthewmeyer.net

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During the times of retired emperor Go-Shirakawa 後白河天皇 (1127 - 1192, tengu were seen as
tenma 天魔 heavenly evil spirits

. Tenma - Maten 摩天 .
- a deity who is tempting and disturbing human beings.

天主大魔王: Sixth Heavenly Pillar Deity.
Number six in the Buddhist realm of lust, greed and desire (yokuai, yokkai 欲界 .. kāma-dhātu. Kamadhatu), the highest realm.
People who are reborn in this heaven tend to take the pleasures of others for themselves and enjoy in the happiness of others.

Since a Tenma Tengu comes from a path of Buddhism, he can not enter one of the six realms of existence.
They live in a sphere outside Buddhism, free of any restraints, pursuing their own lust and desire without fear of punishment.


. Myooe Shoonin 明恵上人 Saint Myoe (1173 - 1232) .

A friend of priest Myoe named Gedatsu once had visitors from the Tengudo realm at his humble abode, who told him about the dangers of leaving the Buddhist path and venturing into dangerous terrain outside it.
Myoe used to tell his disciples to study the right path of Buddhism diligently and never think of leaving it.


. Daisoojoo 笠置山大僧正 - Tengu Daisojo, Kasagizan .
and Gedatsu Shoonin, Shōnin 解脱上人 Saint Gedatsu Shonin
Gedatsu shōnin Jookei, Jōkei 貞慶 Jokei (1155 - 1212)



Jokei belonged to the 法相宗 Hosso sect of Buddhism.
He was also called 解脱房 Gedatsu Bo and 笠置寺上人 Kasagidera Shonin, the Saint from Temple Kasagidera.
He believed in Shaka Nyorai, Miroku Bosatsu, Kannon Bosatsu and 春日明神 Kasuga Myojin.
In 1205, he founded 海住山寺 Kaijusen-Ji and spread the belief in Kannon Bosatsu.
He tried to use the power of the Imperial Court to suppress the activities of 法然 Saint Honen.

- reference : gedatsu myoe -

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テング【超級】攻略と適正キャラまとめ
- source : mondorarebo.gamerch.com -

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Tenma DaiTengu 天魔大天狗


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- reference - 天狗道 -
- reference - 修験道 天狗道 -

- reference - tengudo -
Tengu-do is a fictional fighting style created by Team Ninja, though when broken down it appears...
Tengu-do. Japanese restaurant offering natural blowfish...
Tengudo - Kibidango ...
Established in 1800, Ohishi-Tengudo Corporation is an old hand at the production of karuta...
TENGU-DO Fishing Sticker. ...
What Can't a Tengo do ? ...


- Not to mix with Tengudoo 天狗堂 Tengu-Do Hall
- reference - 天狗堂 -

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. - - - Join my Tengupedia friends on facebook ! - - - .

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. Tengu 天狗と伝説 Tengu legends "Long-nosed Goblin" .

. - yookai, yōkai 妖怪 Yokai monsters - .

. Legends and Tales from Japan 伝説 - Introduction .

. Mingei 民芸 Regional Folk Art from Japan .

- #tengudo #tengurealm #gedatsushonin ##jokei -
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Posted By Gabi Greve to Kappa - The Kappapedia on 1/24/2017 02:19:00 pm

23 Jan 2017

EDO Temples - Gofunai temples 08 and 09


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. Gofunai 御府内八十八ヶ所霊場 88 Henro Temples in Edo .
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Nr. 08 - Chooonji 長遠寺 Choon-Ji
Magome Fudoo 馬込不動 Magome Fudo


- 海岳山 Kaigakusan 大乗院 Daijo-in 長遠寺 Choon-Ji
大田区南馬込5-2-10 / 5 Chome-2-10 Minamimagome, Ōta ward
Shingon Sect : 智山派


source : goshuin.blog.jp/archives

This temple was founded in 1108 by 宥尊上 Saint Yutaka.
The main statue is 不動明王 Fudo Myo-O.
The temple was lost in a fire around 1335, but later moved to its present location in 1502.
Around 1700, 快慶 Kaikei renovated and added more halls.
The present main hall was built in 1861 by 宥円 Saint Yuen.
The temple also houses a statue of 十一面観音 Eleven-Headed Kannon from temple 目黒行人坂光雲寺 Koun-Ji,
which was carved by 行基 Saint Gyoki in 724.

- ご詠歌 - chant of the temple Kumataniji 熊谷寺 Kumadani-Ji in Shikoku :
たきぎとり水熊谷の寺に来て 難行するも後の世のため
Takigi tori mizu kumatani no tera ni kite nangyo suru mo nochi no yo no tame


- 朱印 - stamp of the temple :


Also Nr. 72 at the Tamagawa Henro Pilgrimage 玉川八十八ヶ所霊場72番札所.
- Homepage of the temple
- source : tesshow.jp/ota

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Memorial Stone for Kobo Daishi



Roku Jizo in the temple compound

. Roku Jizō 六地蔵 Roku Jizo, Six Jizo Statues .

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Nr. 09 - Ryuuganji 龍巖寺 / 龍岩寺 Ryugan-Ji

- 古碧山 Kohekizan 龍巖寺 Ryugan-Ji
渋谷区神宮前2-3-8 / 2 Chome-3-8 Jingūmae, Shibuya
Rinzai Sect :禅宗臨済派古碧山 - the only temple that belongs to the Rinzai Zen sect.
- Note that it is not allowed in the compound to take photos.



This temple was founded by 弘法大師 Kobo Daishi, the exact date is not clear.
The main statue is 釈迦如来 Shaka Nyorai, with 文殊 Monju Bosatsu and 普賢 Fugen Bosatsu at its side.

The temple was later erected in the abandoned ground of the 半右衛門 Headman Hanemon in 1622, and in 1603 the first temple hall was erected in 原宿村 Harajuku Village.


In the compound is a 弁天社 Shrine for Benten and a statue of Ugajin.

. Ugajin 宇賀神 Uga no Mitama, Shinto goddess .

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- ご詠歌 - chant of the temple 法輪寺 HorinJi in Shikoku :
大乗のひほうもとがもひるがえし 転法輪の縁とこそきけ
Daijō no hihō mo togamo hirugaeshi tenbōrin no en to koso kike


- 朱印 - stamp of the temple :


- Homepage of the temple
- source : tesshow.jp/shibuya/temple


. Introduction of Shaka Nyorai .

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- reference : 御府内八十八 長遠寺 -
- reference : 御府内八十八 龍巖寺 -

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- Koya San in Wakayama 和歌山 高野山 -

- Kobo Daishi Kukai 弘法大師 空海 (774 - 835) -

. Gyoki Bosatsu 行基菩薩 (668 - 749) Saint Gyōki .

. Shikoku Henro Temple List 四国遍路  .

. Gofunai 御府内八十八ヶ所霊場 Pilgrimage to 88 Henro Temples in Edo .
- Introduction -

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. Japan - Shrines and Temples - ABC .

. Welcome to Edo 江戸 ! – The Edopedia .

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Posted By Gabi Greve to Gokuraku - Jigoku on 12/29/2016 10:46:00 am